Adicta al sexo

I can't say I've seen many of John Waters' films, but I've seen enough to get an idea of what he's about; and A Dirty Shame would appear to be a typical John Waters film. All of the jokes in the film come from sexual perversions, and it's not hard to see why a number of people don't like it - as if you thought Serial Mom was a difficult film to get along with, wait until you see this one! To be honest, I'm not completely sure of whether I liked it or not; on the one hand, I respect the director for daring to go further than many directors would dare...but on the other hand, it's amazingly silly and the central ideas behind the plot don't hold much weight. There are some really good one-liners in the film, however, and the surreal nature of the way the plot plays out is a delight. The story follows a prudish housewife named Silvia who hates sex, and the fact that her daughter is a sex symbol named 'Ursula Udders'. However, after hitting her head one day; she comes into contact with a man named Ray Ray, a 'sexual healer', and it's not long before she discovers that she is, in fact, a sex-addict.

I'm sure that the main reason why John Waters has so many fans is because of his willingness to take risks. This film is full of risks; some of which work. The cast list isn't typical, with popular American comedienne Tracey Ullman taking the lead role and performing well in the more lurid scenes. Selma Blair stars alongside an enormous pair of fake breasts, while there are support roles for the likes of Chris Isaak and Suzanna Shepherd. The biggest risk where the cast is concerned is undoubtedly Jackass' Johnny Knoxville, who is a lot better than you would think. Waters has seen fit to have a lot of scenes play out to music, and this works well some of the time. The way that certain words (such as 'Whore') pan out across the screen is good, but personally I didn't like the use of CGI. The film gets off to a really good start, and I laughed more in the first half hour than in any film I've seen recently; but it takes a bit of a downturn in the middle, and never fully recovers. The film is good because you never really know where Waters is going with it, and the full on orgy of the last twenty minutes is bound to divide audiences. Overall, this film is in extreme bad taste; but it's also a great laugh. However, if you haven't liked whatever Waters' films you've seen so far - I wouldn't recommend seeing this one.

John Waters' satirical 2004 release "A Dirty Shame" was the controversial film that attained an NC-17, and basically was unable to be edited for an R-rating. Waters' film is very disgusting at times, sometimes even vile in its matter-of-fact portrayal of various sexual fetishes (some of which are admittedly fun-looking, while others are just plain foul and hilarious), which to be honest is expected of his films. And oddly, the characters are all well-played and likable. This is a film I have trouble rating. It isn't his best film, but it is ultimately enjoyable, despite some serious flaws.

Tracy Ullman stars as Sylvia, a "neuter" (someone who is repressed sexually) in a small town that is obvious very repressed and uptight. However, within the community exists a growing group of people who have experienced a sexual awakening (mainly due to head injuries), and are very open with their fantasies. When Sylvia experiences a head injury and is awakened, she meets with "sex saint" Ray-Ray (Johnny Knoxville) who introduces her to the world of open sexual fetishes, as he and his followers search for the ultimate fetish.

The film is very much a sexual cartoon, and often is full of exaggerated ideas, dialog and imagery. Waters employs all sorts of tactics (everything from gags, on-screen subtitles, suggestive set dressing, etc.) to illustrate a town that is repressed while still being exposed to sexuality, and the characters are all very interesting. I didn't even mention Selma Blair as Ullman's daughter- a woman who has enormous implants that are practically bigger than the rest of her body.

The film is also quite funny (particularly a scene that will make you look at the "Hokey-Pokey" in a whole new way), with some great gags and hilarious dialog, as well as trademark over-the-top jokes. A lot of "queasy" laughs are also brought in by the descriptions of various fetishes (many of which are real) and occasionally by seeing them played out by our "awakened" characters. Although this is one of the problems- the film does go overboard at times, and a lot of the gags don't quite fit in, and interrupt the flow.

In addition, it isn't made particularly well- certain effects give themselves away, the plot does get sloppy, and after a while, the content will weigh on your patience. You will wish that more "plot" would happen.

That being said, there is still a lot of fun to be had, just don't expect this to be Waters' masterpiece. I give it a slightly above average 6 out of 10.

Tracey Ullman does some priceless double-takes in this John Waters comedy, playing uptight wife and mother in a Baltimore suburb who gets a rap on the noggin and becomes a sex addict. A shabby-looking enterprise with scrappy editing, this would seem amateurish even for a first-time director, but Waters certainly doesn't seem to mind. As a filmmaker, he is gleefully puckish, with a heightened sense of the ridiculous, and as usual he gets his cast to ride right along on his coattails. Selma Blair is Ullman's daughter, who has "mutilated her mammaries"; Chris Isaak is Tracey's husband who also gets a knock on the head and dreams of musclemen posing; Johnny Knoxville is a sex guru/auto mechanic; Suzanne Shepherd is Ullman's mother, Big Ethel, who runs the Park and Pay. Relatively short film isn't compact (the final reel is just a lot of hamming and running around) but the first-half has some laugh-out-loud moments and the whole picture benefits from Ullman's work--she's a stitch. **1/2 from ****

Depressed puritanical housewife Sylvia Stickles (Tracey Ullman) with a nice but horny husband (Chris Isaak) and a HUGE breasted kid (Selma Blair) is hit on the head one day. It immediately turns her into a raving sex addict and she finds there's a whole group of people like her led by Ray Ray Perkins (Johnny Knoxville).

First off I should mention I saw the 84 minute R rated cut and not the 89 minute NC-17 one. Some of the cuts were obvious as were the voice overdubs but I don't think it changed the movie a lot. What I saw was a typically strange John Waters film with plenty of good moments but it didn't totally work. The main problem is the script is all over the place! The first half of the movie is coherent but the film totally derails during the second half. Complications come on fast and furious and it all ends up not making a lot of sense. The movie is chockful of dialogue discussing frank sexual acts and some incredibly unsubtle imagery. Some of it works but, more often than not, it just doesn't hit its mark. A cameo by David Hasselhoff particularly makes no sense and isn't funny at all. Also the pacing here is atrocious--but that's not uncommon in a Water film. Acting really helps this one. Ullman is fearless here considering some of her very sexually explicit lines and costumes. Blair deserves a lot of credit for wearing these HUGE breasts and making the character sympathetic and believable. Isaak is given little to do but he's good. Best of all is Knoxville who has a real difficult role to play--and pulls it off. So, it has its moments but not enough of them. I can only give this a 5.

The perverts have invaded the neighborhood and we're not going to take it anymore! Gays and lesbians are everywhere as well as all kinds of disgusting lewd behavior. Well, what are the righteous citizens to do? Organize and try to get rid of them, but they're outnumbered!

Thus seems to be the premise for this hysterical John Waters picture. The promise for an irreverent take on pornography in suburbia dissolves as soon as it starts. Mr. Waters shows a milder side to himself, as it's been the case in his latest movies. But with that said, even a minor Waters is a hilarious one. Sure, the jokes get a bit stale, but the film has so many funny situations that anyone with an open mind will appreciate this kind of humor.

Tracey Ullman blends the perfect amount of seriousness and insanity playing her Sylvia Stickles, the woman who comes alive as she is hit in the head! Her scene at the nursing home playing the Hokey Pokey will become a classic Waters moment. Chris Isaak, Selma Blair, Suzanne Shepherd and Johnny Knoxville are also good.