Ju-on: la maldición

A horror classic and for all the right reasons. I am a huge fan of this movie and really appreciate what it does. This is my third time watching it and it only gets better.

We follow a group of people all hit by a curse. The curse dose all in it's power to kill anyone who comes into contact with it. It is a pure evil that doesn't discriminate.

The movie can have a cheap feel to it with it's effects, makeup and camera work, but I find this inspirering. It can feel a bit student filmish and it's clear the creators used the budget well. The team clearly had to be inventive with everything and it inspires a guy like me that would love to make a movie myself. The movie is still well done and still works amazingly for me.

The movie is well shot from a camera perspective and creates some iconic frames and moves. It works more like a fly on the wall instead of the chatecters POV. Showing us things we don't want to see that it would scare us. It does this very effectively. There is some wierd camera moves here and there but overall I find it really well shot.

The acting seems good without me having a great knowledge about the Japanese language. The preformances seem good and believable. There is some amazing scream queens in this movie, and the actors that plays the spirits do brilliantly. They stay in charecter and sell the lost spirits really well.

The sets are so well done because they look like the everyday world. They don't look produced like the typical American set, and invites you into peoples homes and something familiar to the viewer. It feels like an intrusion on the private and makes you want to check your hallways a second time before going to bed. The sets are also well thought-out, with details you'll notice after a second watch.

The evil in this movie is pure. It feels pointless to fight it and that it can't be stopped. You feel as hopeless as the chatecters and having an unstoppable evil is dreadful and depressing. The movie shows us all the affected and how they die and the evil seems unstoppable no matter what. Young or old, it doesn't discriminate, it's just evil.

The movie is full of iconic frames and sequences. From the stairs scene towards the end, to the elevator scene, the bed scenes and the wheelchair reveal. All are perfectly made, iconic and scary scenes.

The movie is tied well together but could easily also be wieved as an anthology movie. All the different segments are thier own mini-movie that all are well crafted on their own. No segments feels overshadowed and Works all on their own. The overall ties works great too though and towards the end you learn more and more about the curse.

Now here is probably the hardest sell about the movie but an aspect I liked. The movie is told out of chronological order and can be hard to follow the first time watching. I had problems following the plot the first time I'll gladly admit. But I appreciate watching it the second time and the third, I could apeiciate the movie even more. The movie really helps you to follow it's narrative though. It tells you early on that it's out of order and eases you through the different chatecters and tells and shows you how they are all connected. Don't be on your phone during this movie, pay attention and you'll have an easier time following the narrative.

If you couldn't tell I love this movie. I find it scary, well done and really depressing in it's subject matter. It is an iconic movie for a reason, it dares to do a lot and gets away with it. I would highly recommend it.

It's hard for me to actually be frightened by movies. They have to be realistic in a way that I could believe it would happen to me, and this film "Ju-On: The Grudge" is one realistic movie. This is a haunted house tale with a twist, nothing like "The Changeling," "The Innocents," or films of that caliber, this movie is haunting on a higher level. Everyone who comes in contact with the house gets attacked by the blue ghost of a boy who's mother was murdered. The ghosts in this movie are very realistic and very scary. Definitely recommended.

A Japanese horror film part of an ongoing series. A mysterious and vengeful spirit marks and pursues anybody who dares enter the house in which it resides.

I cannot believe I've never seen this film until now, seeing as Asian horror is my thing! I haven't seen the two shorter films before this one, but it didn't feel like it was necessary anyway. I followed the story throughout, even with its non-linear storytelling. I love ghost story films and I really enjoyed this film! It's atmosphere was perfectly done and it was definitely giving me shivers down my spine at parts. It didn't need jumpscares, it had tension.

The multiple story lines made the film so interesting! If it was just one character experiencing these terrifying hauntings happening it wouldn't of flowed so well. It felt really fast, which is good because too much tension can grow to be boring. The acting was all really well done as well! In the American remake (I know, we don't talk about it but I will anyway) it just didn't flow as well. The fact that it was Americanized with it's casting ruined it from the start, but this felt authentic. So I won't be checking out any of the American sequels, seeing as the original remake was lackluster.

I also have no real drive to watch the sequels to this film, though I may watch them just out of curiosity if it's just the same story over and over again.

I remember when the American version came out everyone was saying how trash it was and that the original was soo scary! They lied.

I found it an enjoyable enough film but the story is unnecessarily convoluted. I did kind of wish it was scarier though!

Rika Nishina (Megumi Okina) works for a social services agency in Tokyo, although she's never seen any clients. When a new case comes in and they're short on staff, her boss has to send her out. Her first case is a doozy. When she enters the client's home, no one seems to be there, and the house is a mess. She hears scraping on a door--the old woman she is to care for is there, but in a semi-catatonic state. Soon after, she learns that there is much more wrong than bad housekeeping and a neglected old woman. There just may be threatening supernatural forces behind the scenes.

This film is really the third in the Japanese Ju-On series. I won't usually watch a series out of order, but this is the only Ju-On film officially and thus easily available in the U.S. I was very anxious to watch the American remake, The Grudge (2004), and actually watched it the day before watching this film.

The first 40-something minutes are closest to the American remake, but it was surprising that this film is much more linear. It's also more episodic. Neither of those facts are negative here, and both lend to a somewhat easier understanding of the broader mythology behind the Ju-On "monsters", which is presented much more clearly in this film. However, the episodic nature also means that the viewer has to pay attention to the various characters and their names, or there is a good chance that one will get lost--this story touches on many different people, in many different scenarios. Occasionally, there are characters brought into each other's episodes, sometimes as subtly as a name mentioned in a news report. These cross-references, which can also slightly break the linear timeline, are effective if one is alert.

There are things that writer/director Takashi Shimizu does better in this version, and things he does better in the American version. In this version, I loved the brutal opening sequence. Although it's somewhat present towards the end of the American version, it is much more effective here. I enjoyed the more traditional Japanese home--this film was shot on location in an actual house, whereas the American remake was shot on a house constructed on a soundstage. The Japanese house is more claustrophobic. On the other hand, the soundstage house was a bit grungier, which works nicely in the context of the remake. I liked this film's transition in the famous "stair crawling" scene (although I thought the flashbacks weren't necessary), and I also loved some of the more dissonant music here.

The biggest differences occur after the first forty minutes, when Shimizu expands the number of monsters. The film seems to threaten a Romero-like plague that I'd like to see explored more in other Ju-On films (if that hasn't been done already).

The bottom line though is that this is a nicely atmospheric horror film, with a creepy scene per minute. There were a couple very minor flaws--occasionally awkward performances or editing being the primary one, but overall this is highly recommended. It earned a 9 out of 10 from me.