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IMDbPro

Wild Side

  • 2004
  • Not Rated
  • 1h 33min
CALIFICACIÓN DE IMDb
6.4/10
1.2 k
TU CALIFICACIÓN
Yasmine Belmadi, Edouard Nikitine, and Stéphanie Michelini in Wild Side (2004)
DramaRomance

Agrega una trama en tu idiomaA transgender woman who survives prostituting herself in Paris, returns - with her two male lovers in tow - to her family home in the countryside to look after her dying mother.A transgender woman who survives prostituting herself in Paris, returns - with her two male lovers in tow - to her family home in the countryside to look after her dying mother.A transgender woman who survives prostituting herself in Paris, returns - with her two male lovers in tow - to her family home in the countryside to look after her dying mother.

  • Dirección
    • Sébastien Lifshitz
  • Guionistas
    • Stéphane Bouquet
    • Sébastien Lifshitz
  • Elenco
    • Stéphanie Michelini
    • Yasmine Belmadi
    • Edouard Nikitine
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.4/10
    1.2 k
    TU CALIFICACIÓN
    • Dirección
      • Sébastien Lifshitz
    • Guionistas
      • Stéphane Bouquet
      • Sébastien Lifshitz
    • Elenco
      • Stéphanie Michelini
      • Yasmine Belmadi
      • Edouard Nikitine
    • 15Opiniones de los usuarios
    • 15Opiniones de los críticos
    • 52Metascore
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 6 premios ganados y 1 nominación en total

    Fotos10

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    Elenco principal45

    Editar
    Stéphanie Michelini
    Stéphanie Michelini
    • Stéphanie
    Yasmine Belmadi
    • Djamel
    Edouard Nikitine
    • Mikhail
    Josiane Stoléru
    • La mère
    Corentin Carinos
    • Le petit Pierre
    Perrine Stevenard
    • Caroline
    Benoît Verhaert
    • Le père de Pierre
    Fabrice Rodriguez
    Fabrice Rodriguez
    • Le client de la boîte
    Amine Adjina
    • Le frère de Djamel
    Christophe Sermet
    • Nicolas
    Loïc Pichon
    • Le paysan
    Veronika Pereverzeva
    • La mère de Mikhail
    Anohni
    Anohni
    • Le chanteur du café
    • (as a different name)
    Gilles Forgeas
    • Premier client du bois
    Pierre Nahori
    • Second client du bois
    Ozgur Tosunoglu
    • Troisième client du bois
    Réjane Kerdaffrec
    • La femme de la gare
    Pierre-Arnaud Jolard
    • Le client de la gare
    • Dirección
      • Sébastien Lifshitz
    • Guionistas
      • Stéphane Bouquet
      • Sébastien Lifshitz
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios15

    6.41.1K
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    Opiniones destacadas

    8paul2001sw-1

    Achingly real

    'Wild Side' is a beautifully made film: with photography that captures a world both bleak and lovely, understated but human performances, an exquisite score, and an almost achingly painful sense of realism. What there isn't is a lot of plot in the conventional sense, as the film is almost entirely observational; and some of that observation is quite explicit (the central characters are a Parisian transvestite and his/her two lovers). But the film emphasises more what this unconventional threesome share with with the rest of us, without flinching on the detail of their life. Director Sebastien Liftshitz is clearly a major talent, and, while this is not exactly a fun movie, it reminded me of the work of Kieslowski in its sensitivity and composition.
    10Rod Evan

    Muted & Marginal - a perfect and beautiful film

    Unfinished script? Badly lit? Underdeveloped characters? Designed to shock the bourgeoisie? About half the reviewers here seem to have missed the point with this film - but perhaps it's just a film you'll either love or hate. There are of course many people who simply are not comfortable watching anything which in any way portrays or explores homosexuality.

    Not that you would class this as a gay film - but it is definitely one of the best queer films I have seen. Dealing with three characters on the margins of society, it has a no holds barred approach to its subject matter, that is neither glamorous nor judgmental. In contrast to most representations of homo/transexuality this was refreshing.

    The sexuality/gender of the central character, Stephanie, was apparent from the first frames of the film. The triangular relationship between her and the two men is one built on sincere and simple respect and equality. There is no question in the film of her having to choose between the two. All three are equally compatible with each other and do not have the usual conventional jealousies and arguments.

    The three characters' past and present lives are beautifully portrayed in a sort of collage. This demands some work from the audience to put the pieces together. And why not? There is nothing obscure or pretentious here. Just an honest look at what brought these three people together.

    Visually the film ranks highly and is up there with Antonioni and Bresson. The concentration on the urban and rural landscapes and the details of the characters' physical actions say more about character development than any dialogue could do.

    A milestone in new queer cinema. This film should receive a far wider distribution. But judging from others' comments perhaps the public are just not yet ready to understand the humility, beauty and sacrifice of in these characters' lives. A great film 10/10
    8Chris_Docker

    Moving and transforming - a beautiful use of opposites and differences

    Confronting and acknowledging other sexualities often stems either from an intimate awareness of other orientations on one hand, or a determined political correctness on the other. Wild side, a film of haunting images and an unusual love triangle, opts for the former.

    As the film opens, the camera pans slowly over a naked body of someone asleep. The gaze is quite sensual, but the figure fairly androgynous. The curve of a bosom appears, reassuringly female, and then we see the penis of the sleeping form a few moments later. Cut to a Parisienne bar where an audience of transsexuals listen enraptured to the almost operatic quality of a singer lamenting a dead lover ("I Fell in Love with a Dead Boy"), the song ending with the question, "Was he a boy or a girl?" Wild side proceeds to alternate between scenes of exquisite beauty, such as a figure running through a lush field - to scenes of tawdry sexuality, like a quick blow-job in a red light area. We meet Stephanie, a transsexual who has been reduced to turning tricks as a prostitute. The flashbacks show her as a young boy, Pierre. As the story develops, we see her leaving Paris to care for her terminally ill mother, together with her new Russian boyfriend Mikhail. They are soon joined by her friend Djamel, a bisexual male who has also been working as a prostitute in Paris.

    Wild side is beautifully photographed. The French countryside and imaginative camera angles are complemented by excellent and typically unpretentious French acting which draws a clear distinction between the intimacy of lovers and the functionality of the paid sex, even when conducted with as much courtesy as the situation (and clients) allows. But it is the focus on the ordinary, gentle emotions of Stephanie and her two companions, whether to each other or their family, that helps the audience put Stephanie's trans sexuality into perspective and this is one of the not inconsiderable achievements of the film. We see her primarily as a person and, most importantly, as a woman. There is never anywhere the feeling that 'she' is really 'he' - and it is no effort of political correctness, simply a fact. Stephanie is a woman, emotionally to her mother (who has to come to terms with the change), and also in sharp contrast to the two men (Mikhail and Djamel) in her life. She is a woman who used to be a boy and she still has a penis (which she uses sometimes). Perhaps the recognition of Stephanie being 'she' is nowhere more forcefully apparent than in a fairly crude scene where a voyeur, paying Stephanie to perform sex with Mikhail, tells Mikhail to "f*ck *her*" and then to "jack her off" while he's doing so.

    Ultimately, we realise the world of tenderness between Stephanie and her mother, and between her and her lovers, is one that a casual view of her persona would have missed. We are easily obsessed by someone's sexuality when it is not the same as our own - and to the extent that it is hard to see beyond it. In the early days of homophobic social interaction, gay people are simply seen by heterosexuals as people who have sex with persons of the same gender - that image is forefront, even though the same heterosexuals would never dream of continually thinking when meeting a new straight acquaintance, "this is a person who has sex with people of the opposite gender"! With Stephanie, the outward film-flam is two-fold - firstly she is transsexual, and that is difficult to see past for anyone who has never got to know a transsexual as a friend, as another human being. Secondly, she works (or has spent time working) as a prostitute - something we would normally see tattooed on someone's forehead immediately that fact was known. Both these things have affected her life, but they are not the most central thing to her character. They are her 'wild side' perhaps, but one which - at least to her mother, for instance, is of little consequence.
    7Havan_IronOak

    Three men and a dying lady?

    Stéphanie is a transsexual prostitute who lives in Paris but she returns home to nurse her dying mother. Although her mother tries to understand, Stéphanie's situation is a lot to take in. Stéphanie has been living for some time now with two men and the three of them share a common bed and at times a common profession.

    Jamel, is a young North African who has come to Paris and makes his living turning tricks in and around the train station. Stéphanie normally works the streets alone but one night her john wanted to watch her with another man. They spotted Mikhail on the street and took him back to Stéphanie's place for the show. He stayed after the trick left. Now he's part of Stéphanie's assembled family.

    The film is much about the feelings of the characters and how they got to where they are and only little to do with the events happening in the present. If you are in the mood for likable characters in an interesting situation to be revealed to you with the speed of a flower unfolding then this may be the perfect movie for you. If however you are looking for a strong narrative story told in the conventional way then you should probably give this one a miss.
    8marenqo

    Three-cornered relationship of 3 social outcasts

    Wild Side was one of the best movies at last year's Rotterdam Film Festival, and is a must see for the admirers of Lifshitz (Corps overt, Les). The title refers to Walk on the Wild Side by Lou Reed.

    The story follows the lives of three social outcasts. Stéphanie is 32, transsexual, a prostitute and tired of life. She finds incidental moments of happiness by going out or hanging around with her girlfriends. Stéphanie lives with Jamel (Terres froides, Les), an young North African who also occasionally works as a prostitute. When Stéphanie meets the Russian Michail, a deserter and illegal immigrant in France, she can't choose between the two men and a triangular relationship ensues.

    The 3 characters are by society considered as outcasts, but the unlikely friends have found comfort and passion in each other. Lifshitz managed to create a mirror of life and hope, which is reflected through the beautiful performance of his actors.

    The director provides a realistic picture of the life of his characters, without glorifying or glamorising the fringes of society. A movie for those who appreciate life, love and friendship.

    8/10

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Stéphanie Michelini's debut.
    • Bandas sonoras
      I Fell In Love With A Dead Boy
      Arranged By [Cordes] Jocelyn Pook

      Composed By, Lyrics By Anohni (as Antony)

      Vocals by Anohni

      (p) 2004 Maïa Films

      © 2004 Naïve

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    Preguntas Frecuentes19

    • How long is Wild Side?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de abril de 2004 (Francia)
    • Países de origen
      • Francia
      • Bélgica
      • Reino Unido
    • Sitio oficial
      • Official site
    • Idiomas
      • Inglés
      • Ruso
      • Francés
    • También se conoce como
      • Divlja strana
    • Locaciones de filmación
      • París, Francia
    • Productoras
      • Maïa Films
      • YC Alligator Film
      • Zephyr Films
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 15,355
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 4,268
      • 12 jun 2005
    • Total a nivel mundial
      • USD 15,355
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 33 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby
    • Relación de aspecto
      • 2.35 : 1

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