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IMDbPro

La face cachée de la lune

  • 2003
  • Not Rated
  • 1h 45min
CALIFICACIÓN DE IMDb
7.2/10
2 k
TU CALIFICACIÓN
La face cachée de la lune (2003)
Drama

Agrega una trama en tu idiomaAfter the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his brother.After the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his brother.After the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his brother.

  • Dirección
    • Robert Lepage
  • Guionistas
    • Robert Lepage
    • Emile Nelligan
  • Elenco
    • Robert Lepage
    • Anne-Marie Cadieux
    • Marco Poulin
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.2/10
    2 k
    TU CALIFICACIÓN
    • Dirección
      • Robert Lepage
    • Guionistas
      • Robert Lepage
      • Emile Nelligan
    • Elenco
      • Robert Lepage
      • Anne-Marie Cadieux
      • Marco Poulin
    • 16Opiniones de los usuarios
    • 29Opiniones de los críticos
    • 76Metascore
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 5 premios ganados y 6 nominaciones en total

    Fotos11

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    Elenco principal33

    Editar
    Robert Lepage
    Robert Lepage
    • Philippe…
    Anne-Marie Cadieux
    Anne-Marie Cadieux
    • La mère
    Marco Poulin
    Marco Poulin
    • Carl
    Céline Bonnier
    Céline Bonnier
    • Nathalie
    Fabrice Mongeau
    Fabrice Mongeau
    • Philippe à 15 ans
    Raphaël Dury
    • Philippe à 7 ans
    Étienne Bouchard-Dauphin
    • André à 8 ans
    Gregory Hlady
    Gregory Hlady
    • L'interprète
    Yves Amyot
    Yves Amyot
    • Le barman
    Richard Fréchette
    Richard Fréchette
    • Le médecin
    Érika Gagnon
    • Philippe's Supervisor
    Sergei Priselkov
    Sergei Priselkov
    • Alexei Leonov
    • (as Sergei Prisselkov)
    Sophie Faucher
    Sophie Faucher
    • Presenter
    Lorraine Côté
    • Marie-Madeleine Bonsecours
    Oleg Belkin
    • Le garde du corps
    Sylvain Massé
    Sylvain Massé
    • L'agent de sécurité au Cosmodome
    Myriam LeBlanc
    Myriam LeBlanc
    • La réceptionniste de l'hôtel
    Olivier Bolvin St-Jean
    • L'enfant de Nathalie
    • Dirección
      • Robert Lepage
    • Guionistas
      • Robert Lepage
      • Emile Nelligan
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios16

    7.22K
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    Opiniones destacadas

    8themarina1

    Quirky and thoughtful

    I read nothing of this movie before going in and I'm glad I didn't. I think I would have been put off by any reviews.

    This is a great story of human interaction and sibling connection while exploring the depths of the great space race and how it affected one boy's life. Beautifully filmed and containing some truly amazing dialogue, Lepage manages to create an insightful, sometimes funny story of one man's struggle with life.

    Lepage is a great talent. He not only starred in but also wrote and directed this great little movie. I think many will miss this one which is really sad. Movies like this should really be part of everyone's regular viewing. We'd all be much more enlightened characters if that was the case.

    8/10 Innovative, fun and entertaining.
    10FilmCriticLalitRao

    Man on the moon : A lonely Canadian man learns his lessons about life.

    La Face cachée de la lune is a brilliant Canadian film which has human being's fascination for moon as its backdrop.It is for this purpose that we are taken to 1950s when efforts were being made to send a man to moon.We witness how two major scientific powers America and Russia do all that they can in order to outdo each other.All this is done by them so that somebody is able to establish supremacy in all matters related to travel on moon."La face cachée de la lune" is a film for which Canadian auteur Robert Lepage has got complete command as he does more than one cinematographic function.This is also something of a very special film for Robert Lepage as he adapted his own play to create a film version.He has confessed on numerous occasions that this is a film which is very much close to his heart.Complexities of human relationships are also explored by Robert Lepage as his film revolves around two brothers who do not have much in common.Apart from this film's story and innovative plot,Robert Lepage's acting abilities are the best thing to watch in this film.They will really give a nice idea about this great artist's genius.
    9garz

    Scarred face of the moon

    For people in the Theatre community, Lepage is a much heralded genius. But the nature of theatre is that you have to be in the right place at the right time to see his work. With this movie he has etched a beautiful masterpiece for world wide viewing (granted it gets a decent release). I'm not sure if it's just my enthusiasm from having seen the play but the story was just one that I felt I wanted to embrace again. The stage play was so cinematic that a movie seemed inevitable, and the transitions between scenes were even enhanced through the use of a camera rather than stage. This is really too biased to be a review, but if you haven't seen it, you really should.
    8howard.schumann

    Exploration of inner and outer space

    Unlike the ancient notion that the moon is a mirror of the Earth's surface, modern space exploration and satellite imagery have revealed that the moon is a large cratered rock with the far side permanently turned away from the Earth. In Quebecois director Robert Lepage's film Far Side of the Moon, the moon's far side serves as a metaphor for the divide that separates two brothers, each with a different sexual orientation. Based on a one-man stage play by Mr. Lepage, it is both a history of man's exploration of the surface of the moon and the inner exploration of two individuals who are trying to put their life in order after the death of their mother (Anne-Marie Cadieux).

    Shot in fifteen days in digital video using dissolves and CGI, the film creates a dazzling confluence of reality and fantasy that moves effortlessly between past and present utilizing delightful, surreal effects that form a bridge between the Earth and the cosmos. Philippe looks at the window of a washing machine and sees the vastness of space, a trip into the stomach of a pregnant mother turns a fetus into a tiny astronaut connected to his craft, the stacking of bottles in a restaurant becomes the launching of a space mission, and a man walking on snow becomes an explorer on the moon. The two brothers, Philippe and André, are performed in a dual role by the director. Philippe is an unhappy dreamer with no relationship and no profession.

    He works as a telephone solicitor for the Montreal newspaper Le Soleil but is clearly distracted and makes personal calls to his ex-girlfriend (Céline Bonnier) and his brother that cause his employer consternation. His younger brother André, a gay man, is a weatherman for the local television station and maintains an ongoing relationship with Carl (Marco Poulin). More carefree than Philippe, he is preoccupied with disposing of his mother's possessions. Philippe is a perennial student who, at age forty, is still seeking approval for his Doctoral dissertation which argues that man's desire to explore space is built, not on discovering the mystery and wonder of the universe, but on his own narcissism - his act of self-projection.

    When Philippe's thesis is again rejected by his Doctoral committee, however, he seeks other avenues for recognition but they lead only to humiliation. He is treated rudely by guards when he wants to give a copy of his paper to former Russian cosmonaut Alexi Leonov; is thrown out of a late night bar for being loud and drunk; has an embarrassing meeting with Carl at a sauna, and when he receives an invitation to present his paper at a symposium in Moscow, ridiculously forgets to adjust his watch to local time and faces an empty theater. Finally given a chance to showcase his creative talent when he is accepted as a participant in a SETI project to collect home videos to send into space, he limits his film to showing his apartment while rambling about his life and his video lacks poetry or self awareness.

    As Philippe's life becomes increasingly dysfunctional, and his estrangement with André more pronounced, a suddenly discovered secret brings the two brothers together. Like the scarred far side of the moon, their lives have sustained repeated impacts which they have kept well hidden. Now that their scars are revealed, a huge burden has been lifted, and, with the aid of CGI, Philippe's weightless body can ascend into space. Far Side of the Moon is entertaining and highly imaginative and I would recommend it, yet there is little emotion in the film and, for all its transcendental motifs, I found it to be lacking a sense of the mystery and wonder of either outer or inner space.
    9casanovachon

    Life of a Dreamer

    I finally got to see this movie, and pretty glad I did. I know Lepage a bit because of works he did in theater (and the fact that he usually does plays is pretty obvious in the way the film is made, if you pay attention, specially the way he uses the background in many scenes).

    I first have to warn a few people who are thinking about seeing this movie. Although the magic of it, by the way Lepage plays with scenery, background and various imaginative, non-realistic shots, is pretty accessible to everyone (like say Big Fish is), some people might discard the plot as simplistic and unworthy. If it is hard to actually say the opposite, the point is that to make a plot that's original or particularly thrilling wasn't the goal. It's basically just the day to day life of a dreamer who isn't quite successful in any aspect of his life (would it be on a professional or social basis). But the movie wants to show that despite theses lacks, the main character (I forgot the name) is still an original person, with imagination et interesting thoughts. To make that point, I might take the various imaginary scenes where Lepage take us, or simply the video the guy shots fort the SETI program. You'll notice that most of the interesting commentary and clever interventions by the main character are made while shooting this movie, and that he is alone doing so. It just emphasis the fact that he's apparently quite boring, but actually an interesting person.

    Another clever idea in the movie is that there actually isn't many differences between the shots taken during the children hood of the guy (in the 70's) and the on taken in 2000, while he's 40. Besides, many transitions take place from 2000 to the 70's or the other way around without any warning. This is to show that the character didn't really evolved much. He was a dreamer when younger, and unlike many he didn't change when he grew up.

    About transitions, they all are very very smooth, and you end up at the end of the movie not so sure if it wasn't only one long shot. Any viewer able to appreciate a movie for anything else but it's plot should see this one. The soundtrack, mostly Beethoven songs, is also quite fit.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The film is an adaptation of the play of the same name, also written and directed by Robert Lepage.
    • Errores
      When Andre and Carl come to Phillipe's apartment, the heat has been off for two days, Beethoven's fish-bowl is frozen solid, but we do not see the actors' breath.
    • Citas

      André: Really, she had found a name for her goldfish?

      Philippe: Yes, she called him Beethoven.

      André: Why did she call him Beethoven? Because he is deaf as a post and plays the 9th when you feed him?

    • Conexiones
      Featured in Weird Sex and Snowshoes: A Trek Through the Canadian Cinematic Psyche (2004)
    • Bandas sonoras
      Dazed and Confused
      Written by Jimmy Page

      Performed by Michael White and The White

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 17 de septiembre de 2004 (Suecia)
    • País de origen
      • Canadá
    • Sitios oficiales
      • Extrait du film
      • Extrait du film
    • Idiomas
      • Francés
      • Inglés
      • Ruso
    • También se conoce como
      • The Far Side of the Moon
    • Locaciones de filmación
      • Plaines d'Abraham, Montreal, Quebec, Canadá(Philippe films the park under the snow for his message to the aliens)
    • Productoras
      • FCL Films
      • Media Principia
      • Studio Ex-centris
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • CAD 1,600,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 248,460
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 27,865
      • 26 oct 2003
    • Total a nivel mundial
      • USD 248,460
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 45 minutos
    • Color
      • Black and White
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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