Into the Sun

Steven Seagel returns as Travis Hunter, a former CIA agent who's brought out of his retirement as a sword-smith in Tokyo to help with an investigation involving a pact between The Yakuza and The Triad.

Soon Travis is under threat and he must use his deadly skills in the martial arts and the blade in order to take down the Yakuza and the Triads who are both out to end his life.

This movie really surprised me, I'm not a huge fan of Seagel's recent efforts but I was so impressed with Belly Of The Beast that I decided to give this a try.

First off, Seagel actually looks like he wants to be in the movie, going as for as to give some effort in the acting. Te story isn't all that great and there are some very cliché moments but overall it was enough to keep my interest through out.

The action was well paced and nicely choreographed, Seagel's fight with Ken Lo being a highlight but it was good to see they didn't hold back when it came to the sword fighting as he cuts his way through various sword wielding thugs in order to get to the final showdown, there's lots of blood on offer there.

I was nice to see Seagel being backed up by a strong supporting cast, even going as far as the let the Asian actors speak their native languages instead of making them speaking very bad English, I have to say as well Seagel's Japanese was way better the his Thai in Belly Of The Beast.

To finish off I have to say I'd like to see Seagel make more movies like this in the future, it seems mink* new what he was doing when he directed this as he gave the movie a nice level of flashiness without making it look like an MTV music video.

So if Seasgel decided to make more hack and slash type movies, I'd definitely be interested.

So it's well known that the movie takes place in the actual neighborhood where Seagal grew up and studied martial arts, and also that he speaks fluent Japanese, but why have Japanese terrorists that are always speaking English? Isn't it just a little off-putting that the American hero is constantly speaking Japanese but the Japanese and Chinese guys all speak broken English to each other? Of course Seagal would want to show off his Japanese, since he almost never gets a chance to do it in his movies, but if they're going to go for that authenticity, they should at least include it where it really belongs as well…

As far as a Seagal film, it's about average as far as the films he has been releasing for the last ten years or so, none of which have really been all that impressive. But I still get a great kick out of his movies, even when they're not good. If nothing else, I can even enjoy the cheesy acting and paper-thin plots, and if even those fail at least Steve is always good for smacking around some bad guys.

But in Into the Sun, other than a brief skirmish near the beginning, it's a good hour into the movie before anything happens. Before then, we get a tirelessly developing but uninteresting plot about the Chinese and Japanese versions of the Mafia and how they are developing a massive drug corporation, with Seagal entering the mix investigating the murder of a government official.

Worst of all, however, is that the movie spends so much time developing the totally unnecessary and unconvincing romantic story, in which 54-year-old Steve in his floor- length leather trench-coat falls deeply and madly in love with a tiny, dainty Japanese girl who can't be more than 22.

Needless to say, my favorite part was when he sheepishly explains to her, "You know, I've never had the best luck with women. In fact, you could probably say I haven't had any luck at all…"

What's that, he's a virgin? Is he asking her to go easy on him in the sack?

But stay tuned, at the end of the movie this impressive team of filmmakers utilize an unbelievably complex and difficult bit of cinematic trickery to make the wife disappear from Steve's grasp. I noticed this particular bit of movie magic because I did the exact same thing in a six-minute movie I made with a $250 video camera when I was taking an Intro to Film class at Fresno City College in 1998. They really spared no expense with this movie!

The other problem is the bad guys themselves. They are such tired clichés that it's impossible from frame one to take any of them seriously, particularly the leader of the Yakuza (the Japanese Mafia). He's your typical, b-movie villain – slicked back hair, fishnet t- shirt, arm always slung over the chair he's slouched in and a lot of guys standing around him that jump to attention and do things for him when he snaps his fingers. Yawn.

The guy is so unimaginative and so unimpressive that he makes the movie seem longer because I'm just waiting to see him get killed at the end. Evidently, however, they knew when they were making the movie that some serious ingredients were missing, so they tried to cover up the gaps with things like the sound effects that make it sound like whenever someone gets cut with a sword they spray out a fountain of blood all over the place. Nice.

In the movie's defense, it's true that Steve does look good for his age, although he has certainly lost the hardened appeal that he had in his earliest movies like Hard to Kill and Out For Justice. At least he looks a lot better than he looked in Urban Justice, but unfortunately that's not saying a lot.

The movie is a bit of a curiosity piece because Seagal wrote and performed a lot of the music on the soundtrack, and he actually sings the song during the closing credits. It's a little disturbing to listen to, but I recommend you wait and check it out because it's not disturbing because it's so bad, it's disturbing because it's actually pretty good. Too bad the rest of the movie isn't quite as pleasantly disappointing

Action: Steven Seagal looks in the best shape he's been in since Exit Wounds. The action fight sequences unfortunately were few and far between. There was a fight at the mall that was superb, in my opinion this was great, but it was over too soon. This was really the only time where he truly showed off his hard to hand combat moves as well as his Aikido throws. The other fights later on were mainly sword based although there were a few punches. No care chases at all. The movie was certainly more plot based than we are used to for a Steven Seagal movie.

Characters: Steven Seagal get's a partner in this movie, but he is pretty much under-used. There's a few funny moments between them. The other characters are pretty poor too. William Atherton as the boss doesn't seem to interested in his role and the other Chinese and Japanese stars don't improve the movie much either. I sure miss the days when Steven Seagal made movies with a decent support cast.

Soundtrack: The radio stations and restaurants in Tokyo must all be tuned in to Steven Seagal FM, everywhere he went his music was playing - i heard a few of his tunes from 'Songs From The Crystal Cave' playing through the film. Overall i counted at least three of his songs including the credits song. The soundtrack was good though.

Direction: The movie begins with an action sequence in the jungle, which is not very well done. The opening credits begin and then some graphic work happens to show the movie is in Tokyo. When i saw this is reminded me other Michael Oblowitz's work in 'Out For A Kill' and i thought the worst, but after that panic it was certainly well directed. Good job mink.

Overall: Pretty disappointing, i was expecting much more for a budget of $35 million, i don't know where all this money was used as it seems rather excessive considering not much was blown up. It is certainly a better movie than 'Out For A Kill' and 'The Foreigner', but it is not better than 'Belly Of The Beast' and nowhere near as good as his earlier work. For a direct to video effort it is certainly above average though. I must admit i pretty much agree with the review form 'Ain't It Cool'.

Rating: 2 / 5

When the governor of Tokyo is killed in his campaign for election, the former CIA agent Travis Hunter (Steven Seagal) is assigned to find the responsible working together with the rookie FBI agent Sean (Matthew Davis). Travis was raised in Japan, has great connections with the underworld of the streets and is a master in sword and martial arts, trained by a former member of Yakuza. Travis discloses that there is a war between the old and traditional members of Yakuza and the new generation leaded by the deranged and sick Kuroda (Takao Osawa), who has associated to the Chinese Tong mobster Chen (Ken Low) in a powerful drug dealing business. When his fiancée Nayako (Kanako Yamaguchi) is brutally and cowardly murdered by one of Kuroda's men, the mission of Travis becomes a personal issue and he seeks revenge.

"Into the Sun" is the best of the recent works of Steven Seagal. The story is flawed, full of clichés, but also very entertaining. Steven Seagal does not have the same agility of his first movies, but the plot is well supported by magnificent landscapes, wonderful soundtrack and a great cast. I really have not understood why he alternates speaking in English or Japanese; there are some dialogs that the Japanese characters speak in Japanese and Travis speaks in English, in a complete mess. But in the end, I liked this film. My vote is six.

Title (Brazil): "Operação Sol Nascente" ("Operation Rising Sun")

I've watched many Seagal movies and his latest ones in the past 4 years or so have really been downers. Although they were fun to watch because you could always get your kicks out of the cheap acting, unrealistic gun battles and pathetic plot. I rented this movies looking forward to laughing more than paying attention. However, I must say, I was quite surprised because this movie is definitely much better than the other ones he's released lately. It's not near a 10/10 because it's simply put a low budget film and the whole 22 year old girl and Seagal getting engaged was a bit disturbing. But yeah, other than that it was a much better movie this time around.