Johnny & June: Pasión y locura

"Walk the Line" is without question the zenith of Reese Witherspoon's acting career thus far. Joaquin Phoenix IS Johnny Cash in this biopic, but Reese as June Carter Cash sets this film on fire. It is one thing to portray a person's life, with feeling and emotion, something which Joaquin pulls off effortlessly. However, it is quite another to make a portrayal bigger than life, and Reese makes June Carter Cash the central character of this film.

To say that Reese steals the show is an understatement. Reese becomes a lightning rod for Joaquin's character, in a way that is actually quite scary. After all, Reese is from Nashville, and her Southern affect is flawless and absolutely winning. Suffice it to say that Reese will thankfully be present when the Academy Awards are presented next year. She might want to get a few words ready.

This movie will not be everyone's favorite flick, if for no other reason than that it is a biopic of flawed, Southern characters. However, perhaps the very flaws that imbue these characters with vitality and realism can establish the acting of Joaquin and Reese with an almost spiritual meaning, as they live these real people on screen. But in the final analysis, Reese Witherspoon will become the greatest contemporary screen actor upon release of this film. See for yourself. You read it here first.

FIRST: Let us FOCUS on the Title's Content and Context.....

Here is a BIOPIC focused on a real life cultural icon who rose to fame at least a generation before most of You Dear Readers were even BORN!

In L. A., California, in the 50s and 60s, my daily habit of listening to TOP 40 Radio exposed me to just about every kind of music genre, pretty much all of the time! Interestingly enough, I acquired, eventually, a taste for just about all of them, to one degree or another! Well, pretty much everything...JAZZ, not so much, really, and definitely NOT at all: COUNTRY music!

The ONLY Country album I EVER bought in my ENTIRE life (Well, at least before turning 50!) was "Johnny Cash: His Greatest Hits"! Upon realizing that they had released a movie about his life, it immediately went to the top of my "MUST SEE" List!

Here is the central question for ALL of You to ponder BEFORE... DURING ...and AFTER watching: Precisely what was it about his music that gave it such widespread appeal? Exactly what ELEMENTS made Johnny Cash and his Music so very, very special?

It would be nice to be able to provide a simple, straightforward answer to both questions, but in the film, WALK the LINE, it is all too clear, that in real life, when it comes to a human being, things sure can get extremely complicated!

As a result, here, we end up with a movie that mirrors the life of its lead character: very interesting, entertaining, multifaceted, but at the same time, often dark, brooding and conflicted!

I most certainly MUST emphasize ...WALK is a film I can wholeheartedly recommend no matter how you feel about Johnny Cash and/or his music.

Quite frankly, for the role of Johnny Cash, Joaquin Phoenix (GLADIATOR) is not someone who would have made my short list, or even my long list, for that matter! WOW!, What a surprise! This actor, who was born in Puerto Rico, demonstrates tremendous versatility, both as an actor as well as a singer... (Yes, that is Joaquin Phoenix's own voice in the movie!) However, I do think that, at times, Mr. Phoenix comes up just a little bit short when it comes to his ability to project his voice firmly, but his performance, in general, was so masterful, that this point is quite easily overlooked.

What really drives WALK? What gives it its soul and keeps it focused and centered is the repressed romance between Cash and the love of his life, June Carter (Reese Witherspoon / Legally Blonde, Cruel Intentions) Joaquin Phoenix, despite shining in the title role, is overshadowed by Witherspoon's overwhelming screen presence in the scenes where they appear together.

Previously, WITHERSPOON had never really flagged my attention that much, perhaps other than her notable characterization of Tracey Flick in ELECTION. In most of her roles she seemed to be type cast as the syrupy sweet, but at the same time, rather annoying girl next door! WALK is well worth any time and money you invest to see Reese demonstrate her considerable acting talents ... And how clearly she demonstrates just how stunning those abilities are!

Surely, WALK the LINE, for a myriad of reasons, invites comparison with another film about the life of another famous musician, RAY. Perhaps, there are many common elements in the life of famous musicians: A tragic childhood, years struggling in anonymity, problems with alcohol and drugs, a great deal of conflict and tension in their affective relationships and great difficulty accepting and managing fame and money. But after all, each story is real and each contains many elements that distinguishes it from others!

8******** ENJOY! / DISFRUTELA!

Any comments, questions or observations, in English o en Español, are most welcome!

I don't know about "Mangold the Auteur", and might need a bit more proof that this is really a director worth paying attention to, but this is a pretty watchable film. I found the story and film-making a bit predictable, like the usual bio-pic formula that you might expect if you've seen, say, coal miner's daughter, or any other bio-pic of someone you love. What makes this movie stand out is the two lead performances. Reese is unbelievably convincing as June Carter Cash. She almost disappears into the role. And her singing! Who knew???

And Joaquin! We've been waiting for him to deliver a really spectacular performance for some time, and this is finally it. I, for one, resisted the idea that ANYONE could portray the man in black, but he does a pretty fine job. Not just an impersonation, but actually a performance worth watching. Really fine.

Watch for the Jackson duet. Really awesome.

I've long thought that James Mangold was one of the most underrated American directors; while other acclaimed auteurs like Wes Anderson and David Gordon Green have made names for themselves by essentially repeating themselves with each film, Mangold has attracted considerably less attention for actually having the gall to show some range. Like the great directors of the Hollywood studio system, Mangold shows visual and narrative skill across a wide array of genres: character-driven crime (COPLAND); horror (IDENTITY); issue-oriented drama (GIRL INTERRUPTED), etc. What each of these films shares in common is a stunningly elegant and expressive visual style, an attention to character reminiscent of Renoir, and an economy of storytelling that would make Howard Hawks envious.

Now Mangold has delivered his masterpiece, and it's the best studio release I've seen so far this year. WALK THE LINE, Mangold's story of the relationship between Johnny Cash and June Carter, is deliriously romantic, exhiliratingly entertaining (as a musical it invites and earns comparison with the best of Vincente Minelli), and profoundly moving--all set to a spectacular soundtrack. Joaquin Phoenix and Reese Witherspoon are both brilliant as Cash and Carter, but not only in the ways you would expect. Their most impressive achievement is to convincingly portray two people falling in love in a manner that's sincere and sweet but never cheaply sentimental. This is the most unabashedly romantic American movie since THE NOTEBOOK, but it's totally authentic and lacking in melodrama; the subtlety with which Mangold and his performers delineate the one step forward, two steps back nature of Cash and Carter's love affair is staggering. Phoenix is particularly brilliant, not only in the romantic scenes but in moments in which Cash discusses his brother's early death; in these scenes the major tragedies of both the character and the performer's lives merge in a way that is heartbreakingly real. And the movie gets across the intoxicating nature of creative collaboration between two people in love better than any film I've ever seen--perhaps no coincidence given that Mangold and his closest collaborator, producer Cathy Konrad, are married. I could (and will) go on about this movie for hours, but let's just say that it's the movie to beat for the rest of the year.

Considering the formula junk coming out of Hollywood these days, I was blown away by how good this movie was. The direction was perfect. Using close ups to get us in under the skin of Johnny Cash. And since it was a period piece, he could have bored us with lots of cgi of Memphis and L.A. to take us back in time. Instead he used the actors and the music to take us there. Biopics naturally have a formula to them, but the director and screenwriter did not take us down the track of overly sentimental scenes. These were real and done with a bit of well placed humor. Just like real life. Afterall you still have to follow the real lives of Johnny and June. You can't make it up, just to be original! The movie was also a movie you can take most of the family to. No nudity and sex to SHOW how in love they are, just real dialog...it's nice to hear REAL dialog and not just another chase scene, or four letter word. Yes, some movies need that to tell the story, this one doesn't. This movie goes onto my short list of great biopics, with "Ray". Not much else comes close to Ray or Walk the Line. The true test of any biopics is: can you still understand the plot even if you never heard of the people the movie is about. This movie is a great love story even if you never heard of Johnny and June Cash. Oscars all around I say! Plus I loved the Rockabilly music through out the movie.