Belly of the Beast

Whether it was blind ego or genuine good humour on Seagal's part that allowed this title to be attached to the barrel-shaped action star's latest film, we may never know, as I can't see any interviewers being willing to ask. It's even possible that he came up with it himself, as he's given a writing credit. Though to be honest, a cinematography, direction or casting credit would have been more impressive, as the 'plot' is by far the most hopeless thing about this otherwise surprisingly polished but cliche-ridden corpse-fest.

Then again, it's the script's occasional flashes of sheer madness that make it worth watching. From the random tomato/fish/cleaver death scene early on to the head-spinning ladyboy fight and descent into voodoo lunacy during the climax, it keeps you on your toes, at least. Never seems to bother Seagal, though, whose single expression (constipation) remains fixed in place whether he's frantically fending off gangs of swordsmen with his bare hands, displaying primal fatherly angst over the inevitable kidnapping of his daughter or getting frisky with a hero-worshipping Thai girl less than half his age. Yes, you read that right, and yes, you will feel personally violated when it happens.

The other redeeming feature of the film - apart from the unusually high quality of the direction and camerawork, which gets full mileage out of what must have been a pretty limp budget - is the use of body doubles, which is some of the most blatant ever committed to film and all the more entertaining for it. Seagal *does* actually get more action in this film than in his last three or four combined, but it's still hilarious when he suddenly breaks off from his usual shot-from-the-shoulders-up slappy-hand business to launch into an impromptu flying spin kick, shedding about a third of his body weight in the process.

As long as you're not expecting gritty realism, you'll probably enjoy this as much as any other DTV kickathon on the shelves at the moment, and certainly more than the last couple of brain cell killers that Seagal's put out. Unfortunately Seagal himself is more visibly the weak link in the chain than ever before, with his action chops paling in comparison to those of both his co-star and main adversary, and his acting chops paling in comparison to his fridge. The sight of Thailand's entire criminal underworld taking turns to fly thirty feet through the air and crash into an exploding crate would be far more entertaining if it wasn't an overweight man in his fifties dishing out the damage, especially one who still refuses to take a single scratch in return. Still, one thing you have to give him credit for is not teaming up with any poxy rappers in this one.

Contains Spoilers. (Like it matters) Steven Seagal is a miracle. Somehow he has made a career making the same film over and over and this is no exception.

In my opinion he is a comic genius and a shrewd businessman, he's so good he has everyone thinking he's an action star. He is master of hypnotism. When you see a DVD of his on the shelf you are always drawn to it. You read the blurb. Ex CIA agent (John/Jack/Jake, or my favourite Forrest Taft) seeks revenge on everyone for kidnapping/murder of family/environment/hostages/nuclear weapons.

You inevitably rent it and proceed to cry with laughter. In this film Seagal, jumps through a train, fights a Ladyboy(!), beats 5 ninjas just by turning around a lot and best of all slicing an arrow clean in half with a sword.

Although this film deserves special praise for giving Seagal some nookie and the chance to find a secret message hidden on a woman's breasts.

After years of trying he may have finally made his masterpiece something to rival Under Siege 2 and all those films that had three word titles, for example; Out For Justice, Hard To Kill, Above the Law, On Deadly Ground and Fire Down Below.

This is comedy to rival Chaplin, Keaton and Jean Claude Van-Damme.

Steven Seagal movies exist in a pop culture vacuum. They cannot be judged against any other films in existence. They're such an acquired taste that to compare them to movies with other actors is almost pointless. In a sense, Seagal movies are very nearly critic-proof. What can I do, complain that Ticker just wasn't on the same level as Jaws?

Anyway, if you've seen pretty much any other direct-to-video Seagal venture lately, you know exactly what this one is all about- a distant and emotionless man with a shady history must take the law into his own hands and rescue/avenge his wife/daughter/Neopet. The movie is virtually indistinguishable from others he's released in the last few years.

Honestly, if you played this film alongside The Foreigner and Out For a Kill, you'd have one hell of a time telling them apart. All of the usual elements are there: bad acting/dialog, distracting music, and annoying editing. Jesus, the editing... has the slow-bullet effect been exhausted yet? Has anyone NOT used this in a movie? It's only used once or twice in Belly of the Beast, but it's played out to a ridiculous point. I'm still waiting for the day when technology will have advanced far enough to enable Seagal to smile or even laugh with the help of CGI.

You already know if you'll like this movie or not, unless in the case that you haven't seen a Seagal movie. If this is true for you, go and find Out for Justice, Above the Law, or Marked for Death. Any of these are far preferable to this monumental waste of time.

I cannot remember a recent "Steven Segal" movie in the cinema, or anywhere near publicised. The last one even close was "Half Past Dead", a mediocre yet fun action flick about Alacatraz if my memory serves correctly.

I rented "Belly of The Beast" for some Friday-night fun. And that is exactly what I got. Endlessly terrible and cheesy but fantastic at the same time, this is Steven Segal reaching new lo's in acting but highs in martial arts and action sequences. He kicks the hell out of anything he see's in bloodthirsty fashion, in some very inventive and surprisingly sadistic fashion (in one scene, he pushes a guy in hugely OTT fashion across a line of fish in ice-cubes into a meat hook- the '15' UK certificate is questionable). But still, this manages to be fun.

The plot is non-existent, as it turns in predictably bad fashion in any excuse to get Segal fighting, but this is hopeful- it proves this 50 year old overweight guy may have something left in him.

3 out of 5

From the director of Chinese Ghost Story and Naked Weapon (and collaborator in the action scenes from Hero and House of the Flying Daggers), we have a story about an ex-CIA agent who's daughter is kidnapped. Its not just any ex-CIA agent, but Steven Seagal. Yes !! Pony-tail is back, BACK WITH A VENGEANCE. (Sorry, I had to do that).

This is your typical action movie, usually based on some revenge/honor theme, where the hero has to take out dozens to hundreds of henchman and usually a "Boss" character, or several. The acting is atrocious and all we are left with is the action (and a lot of wire-work). Steven brought his typical dead-pan/Prozac acting along. This movie is not going to be on anybody's Christmas list, however, it is hysterical and very very light. I was laughing the whole way through the movie.

Steven Seagal is looking to do some major butt-kicking. Unfortunately, most of the serious butt-kicking is done by a much younger, thinner man (the stunt guy is actually wearing fake fat to look like Steven), who has a lot more physical talent than Steven had in his prime. This is further compounded by the fact that the stunt man performs stunts that Steven could never perform (jump kicks, jump spin kick, and all other stunts involving jumping high).

The movie seems to have been filmed entirely in Bangkok, Thailand and recruited what seems to be the entire cast of Onk Bak, minus Tony Jaa. The wheelchair boss and Don the drug dealer stand out in my mind.

There are somethings about the movie that bother me. Steven (who is the star of the movie) looks like he just woke up in Bangkok after weeks of binging on milkshakes and vodka, with no money and no change of clothes. He looks dirty and grimy. I wouldn't sit next to him on the subway if he looked like that. Next, what was up with the Steven's gun? He seemed to have a magic weapon. This weapon fires anywhere from 30-50 bullets and rarely needs another clip. Also Steven has become such a big star, he no longer needs to aim his weapon. He just fires in the general direction of his target. Steven's sex scene was certainly interesting. It made me quite nauseous. Shoving toothpicks under my fingernails is pleasurable as compared to watching Steven has sex. The cinematography was quite strange. I didn't realize the same guy who did certain Outer Limit and Star Trek episodes was still alive (tilt the camera 45 degrees). The wire action becomes ridiculous, especially when you are trying to make a somewhat realistic action movie (imagine what one would think if Tony Jaa jumped 10 feet straight in the air and did 2 full revolutions). I also like the variation on Thai boxing : Thai Transvestite Claws and High Heels Boxing. Not only that, what was the deal with all the mystical crap introduced 10 minutes before the end of the movie, complete with with a Thai Mako impersonator who had taken too much PCP ??

One may think from my review that I hated this movie. This is not true. This is the funniest movie I've seen since Shaun of the Dead, unfortunately that movie was trying to be funny. I do recommend this movie as a rental,a discount-bin purchase, or a late night cable session while completely wasted.

-Celluloid Rehab