El periodista: la leyenda de Ron Burgundy
Ron Burgundy es el mejor periodista de San Diego en las transmisiones dominadas por hombres de los años setenta, pero todo eso está a punto de cambiar para Ron y sus compinches cuando se con... Leer todoRon Burgundy es el mejor periodista de San Diego en las transmisiones dominadas por hombres de los años setenta, pero todo eso está a punto de cambiar para Ron y sus compinches cuando se contrata a una mujer ambiciosa como nueva presentadora.Ron Burgundy es el mejor periodista de San Diego en las transmisiones dominadas por hombres de los años setenta, pero todo eso está a punto de cambiar para Ron y sus compinches cuando se contrata a una mujer ambiciosa como nueva presentadora.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 13 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Will Ferrell plays a Ted Baxter-type anchorman (is it mere coincidence that his dog is named Baxter?) - vain, narcissistic, none too gifted in the brains department - who has worked for years as the sole news dispenser at a top-rated San Diego station. All is going well for Ron Burgundy until the station manager decides the newscast needs a bit more "diversity" and hires a female reporter named Veronica Cornerstone (Christina Applegate) to come on board. Cornerstone is a brainy, blow-dried blonde with a driving ambition to be the first female anchor on network news. Since most of the men who work at the station, including Burgundy, are dyed-in-the-wool misogynists, Ms. Cornerstone faces an uphill battle of sexist comments, schoolboy pranks, and subtle (and not so subtle) undermining as she climbs her way to the top (though she is not above pulling a few dirty tricks herself to get what she wants). Things really get dicey when Burgundy and Cornerstone begin dating and quickly fall in love, a situation rife with potential disaster as Cornerstone begins to encroach on Burgundy's professional territory.
"Anchorman" is a light-hearted, enjoyable little comedy that, unlike a full-throated satire (say, like "Network"), often goes for the easy laugh instead of the incisive barb. The movie is at its best when it is parodying the corny graphics and the tendency to over hype the trivial ("Panda Watch: Day 46") that define modern newscasts - and at its worst when it is indulging in silly, often scatological jokes and slapstick throw away bits. Like most mainstream comedies, the humor in "Anchorman" ranges from the mildly funny to the downright hilarious, the latter including a clever "West Side Story" parody involving a rumble between rival news teams, and a conversation between a dog and a bear that ends the movie on a ludicrous but knee-slapping high note.
Ferrell (who co-wrote the film) is his usual manic self, unctuous but likable, and Applegate, Paul Rudd, Steve Carell, David Koechner, and Fred Willard do fine work in supporting roles. Moreover, writer/director Adam McKay provides a smattering of guest appearances from such well known stars as Jack Black, Luke Wilson, Tim Robbins, Vince Vaughn, Jerry Stiller and even Ben Stiller, many of who are not listed in the official credits.
"Anchorman" goes down easily - a bit too easily, perhaps, for a film that, with a little more courage, might have become a scathing satire on an industry that could do with a little merciless skewering right about now. Still, "Anchorman" is fun while it lasts - and these days we'll settle for what we can get when it comes to laughs.
The film centers around Ron Burgundy (Will Ferrell), a local news anchorman in San Diego at an unspecified time. From the fashions and music, it could be anytime between 1968 and 1975. Ron is basically a lecherous yet likable leisure suit Larry who is mainly a face - he has no real journalistic talents or instincts. He simply reads the news that others report. The trouble begins when the station manager hires a new newswoman, Veronica Corningstone (Christina Applegate) who at first is given only fluff pieces to do. The big step forward for Veronica is that she is working as a reporter at all. This was considered women's lib in 1970 - just being admitted to the club. This did not exempt you from all kinds of hazing and sexual harassment, which was considered the price of admission. A romance develops between Ron and Veronica that ends quite abruptly when Ron is late to the set and Veronica goes on in his place. She does so well that she and Ron become co-anchors and the war begins - Veronica against every other man in the newsroom, all who feel threatened by a woman anchoring the news. However, Veronica plays it smart and takes advantage of the fact that Ron will say anything that comes across the teleprompter without even thinking about it.
Normally I don't like these kinds of films at all, but for some reason this one just gets funnier every time I watch it. Especially funny is the conclusion, with actual investigative reporter Bill Kurtis discussing the destinies of everyone at the station.
Luckily, this isn't what "Anchorman" is. "Anchorman" is a refreshingly off-kilter outing from an unlikely source--Will Ferrell, the current reigning lord of middle-of-the-road fratboy Sandlerism. The film has a lot more in common with Mel Brooks and Zucker-Abrahams-Zucker than anything in the SNL family tree. It prizes out-and-out silliness and absurdity over bathroom humor and penis jokes (though there's plenty of the latter, don't worry), and pulls it off admirably. In essence, the key to this stuff is never letting off of the goofiness even for a second--the audience should never be allowed to take anything seriously.
"Anchorman" achieves this with exceedingly silly and bizarre dialogue complemented by killer comic performances from Ferrell, Paul Rudd, Vince Vaughn and Steve Carrel. You'd have to be lobotomized to maintain a straight face through lines like "It's made with bits of real panther. So you know it's good." and "I'm riding a big, furry tractor!" The direction and pacing are also pretty solid at times, and the requisite celeb cameos are very nicely done (especially in one particular scene which I wouldn't dream of ruining).
The film's not without its flaws, certainly. Chief among them is the wasting of one of the best comic character actors in the biz: Fred Willard. If ever there was someone born to play a smarmy local TV newsman, Willard is it. But he's inexplicably cast here as a dull station suit, while David Koechner plods through the sportscaster role that was clearly meant for him--passable but certainly not as inspired as Willard would have been. Also, I think that the story would have benefited if Vaughn and his cronies, the closest thing to villains in this lightheaded romp, had a little more face time.
But these are comparatively minor problems--the point is that Ferrel has given us something that's really funny in a way that's appreciably different from the endless SNL movie-mill. It's not Monty Python, but it is a healthy departure from what has become the comic mainstream. Most importantly, the laughs are frequent, long, and deep--check it out and you won't be disappointed.
Basically, "Anchorman" is an extended sitcom. Ron is informed by his station manager, Ed (a funny Fred Willard), that he will have a co-anchor, Veronica Corningstone (a hot Christina Applegate). Turns out that Veronica was a woman whom was immune to Ron's vast charm at a wild news crew party. Veronica is beautiful, ambitious, and smart. She too has aspirations of being a Network Anchor. The Boys Club news crew which include sportscaster Champ Kind (David Koechner), feature story guy Brian Fantana (Paul Rudd), and the dumb as a post weatherman Brick Tamland (Steven Carell) all make their play for Veronica. However, she falls for Ron in spite of himself. Ron eventually woos her affections in a totally wacky jazz flute display. The screen writing is so skewed in a good way, and it has absolutely no shame. There is a classic scene with Ron's dog Baxter, and a bridge that according to my bud, John, shatters a fundamental script writing rule. In another memorable scene Ron gives an erroneous translation of the name San Diego to Veronica that is hilarious. "Anchorman" also benefits from cameos of talented actors, most notably Vince Vaughn as Wes Mantooth, the rival station anchor. Christina Applegate looks great, and truly has a talent for comedy.
"Anchorman" is completely over the top, and ignores any boundaries. That really makes it work. "Anchorman" is broad stroke farce done well. Will Ferrell demonstrates great comedic gifts. I want to see what he creates next. For now, "Anchorman" is just great fun, and very funny stuff.
¿Sabías que…?
- TriviaThe Mexican restaurant Veronica visits with the girls from the station is named "Escupimos en su Alimento". In English, that means, "We spit on your food."
- ErroresWhen Ron reads the teleprompter with the question mark on it, it is revealed that the words on the prompter don't match the words that Ron said. The plot depends on the notion that Ron cannot help but read anything that is put on the teleprompter.
- Citas
Veronica Corningstone: For the entire Channel 4 news team, I'm Veronica Corningstone.
Ron Burgundy: And I'm Ron Burgundy. Go fuck yourself, San Diego.
- Créditos curiososThe end credits feature outtakes from the film, as well as one outtake from the film Los caraduras (1980).
- Versiones alternativasDifferences between the theatrical release and the director's cut:
- After Brian Fantana comments on being hung over from the previous night's party, Champ states "I woke up on the floor of some Japanesse family's living room, and they would NOT stop screaming!", to which Brick replies, "I ate a big red candle". In the director's cut, Champ says "I woke up this morning and I shit a squirrel. The hell of it is, the damn thing's still alive. So I've got this shit covered squirrel down there in the office, and I don't know what to name it." Brick replies, "I'm sorry, I think I ate your chocolate squirrel".
- The scene of Ron Burgundy walking around the office with an erection is extended by about fifteen seconds.
- Ron daydreams of being married to Veronica, and has two children. After coming home from work, she appears from the kitchen in negligee, tells him that she's just prepared dinner in the nude, and they somewhat violently make out in the hallway.
- The scene of Ron being carried away by the crowd after reading the phrase "Go fuck yourself, San Diego" on the air is extended, with Ron screaming, "I would never say fuck! I would never fucking ever fucking say that!"
- After the above, Ron goes to Tino's where he is forced to eat cat poop in regard to the above incident.
- ConexionesEdited into Wake Up, Ron Burgundy: The Lost Movie (2004)
- Bandas sonorasTreat Her Like a Lady
Written by Eddie Cornelius
Performed by Cornelius Brothers & Sister Rose
Courtesy of EMI Records
Under license from EMI Film & Television Music
Selecciones populares
- How long is Anchorman: The Legend of Ron Burgundy?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Anchorman: The Legend of Ron Burgundy
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 26,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 85,288,303
- Fin de semana de estreno en EE. UU. y Canadá
- USD 28,416,365
- 11 jul 2004
- Total a nivel mundial
- USD 90,710,804
- Tiempo de ejecución1 hora 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1