Las cinco obstrucciones

This documentary was a pleasant surprise. I saw the original short movie "The Perfect Human" before viewing this, which is about re-making "The Perfect Human" under different and more difficult circumstances (the five obstacles), and I recommend others to do the same. To truly enjoy this movie you should have some interest for art movies and movie-making in general. It is amusing to see the frustrations of the movie-maker in question, Jørgen Leth, as he is ordered to cripple his original "masterpiece". The movie shows how creativity and imagination is stimulated under the right circumstances. I felt inspired after viewing this movie and actually made my own version of the short movie together with some friends (still not cut, but it will probably be awful). All in all, interesting and fun but sometimes it gets me thinking that some of the chunks between the short movies should have been cut out.

THE FIVE OBSTRUCTIONS (Lars von Trier - Belgium/Denmark/France/Switserland 2003).

Lars von Trier is not known for trying to please his audiences, but this one is different... Probably, it wasn't his intention while making this film either, but with THE FIVE OBSTRUCTIONS he has come up with something surprisingly entertaining. In this documentary-like film he challenges one of his favorite filmmakers (and his old film school professor) Jorgen Leth to produce a remake of his 1967 short film "The Perfect Human", each to be directed by Leth according to von Trier's diktat, or his 'Five Obstructions'. The result is an interesting documentary about Leth's efforts and the limitations each artist has to impose on himself to create art or - in this case - film.

The first obstruction is that Jorgen Leth should make a movie where no edit can last more than 12 frames (about half a second) and it must be shot on Cuba. Leth states it's impossible and can't be done, but he tries anyway and succeeds in making a wonderful film and von Trier is delighted with the results. Now he must make a film in the worst place on earth where he is "the perfect human." Leth is put to the test even more and decides to shoot in a red-light district in Bombay where he stages a sumptuous and decadent dinner table on the street, where he dines in smoking, while hordes of impoverished locals are watching him eat.

The quality of the remakes may vary, but the film really comes to live when the two men meet. After the Bombay experiment Von Trier downtalks him, claiming he didn't stick to his obstructions, but Leth remains polite and buoyant during some of the brilliant verbal sparring matches about the endless limitations and possibilities of the medium. Despite Leth's difficulties in coping with the obstructions von Trier imposed on him, his most difficult assignment is when he is given complete freedom to make whatever he wants. It turned out to be the ultimate punishment von Trier could give him.

Camera Obscura --- 8/10

Debuting at the Toronto International Film Festival 2003 The Five Obstructions is a whimsical yet deeply philosophical dialogue between Lars Van Trier and Jørgen Leth, one of Lars Van Trier's director heroes.

The movie is based upon the reconstruction of Leth's 1967 work The Perfect Human ( De Fem benspænd ). This 1967 black and white film is starkly minimalist and humourous detailing a Danish point of view - an analysis of a perfect human and how the perfect human acts and interacts with the world. Within the film are two characters : a man and a woman each shot separately and each probed by the camera. How the perfect human eats. How the perfect human lies down. How he falls. This is the human eye. This is the perfect human's ear, eye, knee.

The Perfect Human is the perfect film.

The dialogue between Leth and Van Trier shot in the year 2001 is humourous and philosophical. Van Trier sets out to challenge Leth by making his recreate The Perfect Human but under Van Trier's terms.

The first obstruction for instance is to have shots with no more than 12 frames each, it has to be shot in Cuba and with no set. The audience laughs as each point of the obstruction is set upon the screen.

The camera crew follows Leth around the world and records his reactions to the challenge and the process of how he sets to film the First Obstructions in Cuba. He finds the concept of 12 frames monumentously crazy. He has to find the perfect humans to cast in the country, a country he has never been to. He comes back to Denmark and they view the result: an exquisite little film which is surprising and beautiful.

The rest of the film poses the rest of the Five Obstructions - each a result of Van Trier's subsequent reactions to the films that Leth brings back.

The conversation between the two is akin to a psychoanalyst and his patient yet the two are friends. There is much laughter and delight and the results of the five obstructions are pristinely beautiful. You also get to see Van Trier's ego at work and the wheels spinning as Leth responds to the challenge. The overall film of The Five Obstructions in itself is a delight and a learning experience that should not be missed.

...'The Five Obstructions' is not for everyone. This is for you if you love documentaries. This is for you if you respect the maverick minds of filmmakers playing with each other's head. This is for you if you can appreciate the intention behind this documentary. This is for you if you would like to see a veteran filmmaker being challenged to remake an earlier short film of his.

Also if you are so used to being spoon fed with a steady dose of ulcer generating colored candy, forget all about renting this gem.Here's hoping there wont be people who watch this, get disgruntled and then plaster all over the internet with not so kind reviews.

Instead, here's hoping these filmmakers come back with a sequel- if that beautiful being called Jorgen Leth agrees!.

Lars von Trier is an unusual director, in that he makes films of massive emotional intensity, and yet also appears interested in formal innovation for its own sake: the Dogme manifesto, of which he was co-author, suggested that films should be made according to certain rules, partly for the expected benefits of following them, but also for the benefits of simply being constrained (a philosophy resembling that of Georges Perec and the Oulipop group of novelists). In some ways, 'The Five Obstructions' is both the perfect demonstration of this attitude, and also his strangest film yet. Jorgen Leth is a director who made, in 1967, von Trier's favourite film, an innovative (but arguably cold) short called 'The Perfect Human'; in 'The Five Obstructions', Leth agrees to remake this film in five different ways, subject to constraints imposed by von Trier. The story of his doing so, along with excerpts from all six films, comprises this one. It's the ultimate recursive project, a "making-of" documentary with itself as both subject and object, an effect enhanced by the way that each film becomes a commentary on, and an extension of, its predecessors. von Trier does not dare, however, to suggest he can improve on the original; on the contrary, he professes to hope that his obstructions will force Leth to make a bad film, and therefore reveal something more of his own emotions than have hitherto been shown. In this, however, he fails. 'The Five Obstructions' becomes a film-making masterclass, as Leth continually finds something new to say in spite of the increasing restrictions against him saying anything; his natural inventiveness, and skill, make you want to see the films he has chosen to make for himself. von Trier, by contrast, appears as a fool, although as the resulting documentary is his creation, he is maybe not as foolish as he appears. Indeed, there's almost certainly an unavoidable level of artifice in the apparently "real" scenes where the two men talk, each are too skilled as film-makers to be wholly unaware of what they are doing. But there does seem to be a real human story, as Leth's enthusiasm for his task, and for life itself, is driven upwards by the series of apparently insane challenges with which he is encumbered. It's an odd film for anyone to make, but maybe proves von Trier's point; for what stands above the contrivance is pure gold.