The Lost City

Watching this film, I am so reminded of Casablanca. Like Rick, Fico Fellove (Andy Garcia) is seemingly oblivious to the oppression and evil that surrounds him, only concerned with running his nightclub. Unlike Rick, Fico never changes and only connects with the enemy to save his brother or his friend.

The movie is just too darn pretty. It presents a Cuba that may be familiar to the upper class and the rich American tourists, and neglects to mention the Cuba that demanded a revolution. This Cuba, one of poor, uneducated peasants that were in virtual slavery on sugar and tobacco plantations and women who sold themselves to tourists, is seen only in Mikhail Kalatozov's Soy Cuba, which will be released in a deluxe edition this month.

The movie worth watching for Garcia's performance and the performances of Dustin Hoffman, Bill Murray, and Elizabeth Peña, as well as some great Afro-Cuban music.

It probably did great box office in Miami.

I think that for those who do not know what happened in Cuba during the revolution, this movie is a great film to watch (no matter what the critics believe). Not only do we learn how it happened, we also learn about the struggles of the Cuban people. As in a work of art, everything in this movie has meaning or significance. The story is real and is expressed with sentiment... a romantic, but also nostalgic feeling. Also, the movie captured many details of the Cuban culture (including family values). Finally, I'd like to add that to watch a movie about Cuba without the glamorizing of the revolution or any of its leaders is like a breath of fresh air. Andy Garcia is a genius!

Born in 1962, in the mist of the turmoil, I left Cuba in 1967 thanks to the "Freedom Flights" at the age of 4. It was about time a film like this was done. I commend Andy Garcia and all involved for its historical accuracy. I am grateful for the "Ficos" of the time, like my parents. What courage and resolve. If history is not to be repeated, we must embrace it, learn from it, and not wash it from our memories. Incredible acting, music, scenery (thank you Dominican Republic). We need to remember "where we've been" so as to know "where we're going" - bring plenty of tissues; one box is just not enough. The only reason I gave it a 9, as opposed to a 10, is because I would have really liked to have seen some time dedicated to the family, specifically, the brothers, in their youth. The important relationship of the Cuban family would have been better understood if we had seen it from early on. The significance of the family nucleus, born of the parents' rearing, is crucial in the story of the Cubans. The relationship between the uncle and his nephews was synonymous with that but could have been further developed.

As an American of Cuban parents, I had always heard the political rhetoric about Cuba as I was growing up. All the while I longed to see this beautiful island which my parents sadly left behind. Though Andy Carcia's film was not filmed in Cuba (it was filmed in the Dominican Republic) it gave me a chance to see a "Cuba" I had only heard about. As for the film itself, the conflicts of family, politics and love in the film is beautifully portrayed to reflect what has been a painful truth to a great number of Cubans. I definitely recommend this to all, Cubans and non-Cubans alike. I hope Mr. Garcia gets due recognition for this beautiful body of work. By the way... Is there an accompanying soundtrack album? The music was phenomenal!

I had hoped for better from Andy Garcia. The general idea is a good one: a quick look at the forces motivating the Cuban middle class to flee the island in the late 50's-mostly for the US, shown in terms of the disintegration of one upper-class Cuban family. But the dialogue is utilitarian and not much more, the characters are predictable, and what on earth was Bill Murray doing in it? He seems to be a sort of American clown visible only to Andy Garcia's character, like Harvey the giant rabbit. There are memorable visual moments in it, like the acres of white canopied tobacco plantation, with towering palm trees protruding; or Castro's guerrillas materializing out of the head-high sawgrass to intercept a mounted volunteer, or those great moody night shots along the Havana corniche. But the script is flat. It doesn't amplify the characters, and it barely advances the story. Judging by the comments preceding mine, I guess that my problem is that I'm not of Cuban extraction. I like well-made films, not films that stroke my particular political sensitivities, as this film seems to do for some viewers. THE definitive film about the Cuban revolution and/or the Cuban exodus and diaspora has yet to be made.