Desencadenado (La Bestia)

So in the last few years we have seen Jet Li in Romeo must die and Cradle to the grave, both modern and with Jet Li approaching the subject of acting, though hardly touching it. So far Jet Li has not acted he has merely been that kung fu guy, another Bruce Lee.

But here, we see him act, not for just five minutes when there is a break in the fighting, but for the entire film. At times there is over half an hour between any kind of fighting, and it is very much appreciated. We really see a different side of Jet Li, this is not 'you killed my master; I have come to avenge him'. But a new, modern martial arts film, where we have a plot we can believe in.

Bob Hoskins takes a nice dramatic turn here, 'that man sure can talk', as Danny's 'owner' and it's a gangster role that suits him well. His angry growl is both fearsome and less put on but unleashed.

But don't get me wrong here; this is still a martial arts film. You'll find yourself cringing and laughing from fright at the fight scenes. Jet Li is not a sleek, showy performer here, but real fighter, intense and scary in his brutality. But equally brutal is the realisation of human freedom and human nature, in some ways were all somebody's dog.

Danny the Dog is clearly Jet Li's best work, and hopefully marks a new direction for him, one I am very much looking forward to seeing.

Unleashed is the touching story of Danny (Jet Li) who as a young boy was brought harshly by a loanshark (Bob Hoskins) and was trained to kill once his dog collar is removed. Although Danny was brought up as a dog, he is human, and through the intervention of music and the care and love of a blind piano tuner (Morgan Freeman), and his stepdaughter (Kerry Condon), Danny discovers another side of life.

Unleashed is not an action movie. There certainly are some spectacular fight scenes, but the emphasis is put on the relationship between Morgan Freeman and his stepdaughter, and Jet Li, and on the development of Danny's "humanity". Danny yearns for more than just killing; he discovers music and is saved by it. Music also plays a key role in his self-discovery as it awakens long-lost memories of his childhood.

For the first time, the audience are treated to Jet Li's true acting capabilities. Jet Li seems genuine and earnest--perhaps this is because the actor openly acknowledges that this film is close to his heart: as a Buddhist, Jet Li is against violence, and this film portrays the fight between humanity and violence.

This drama is a surprising break from usual martial arts movies. The fact that the number of action scenes is limited is counter-balanced by Yuen Wo Ping's masterful choreography; do not expect a fight-fest. Do however expect an unpretentious touching story featuring good actors with a few spectacular action scenes.

Luc Besson's signature style is all over the writing of this very fine little film. His ability to push the buttons on the most violent screen business while gradually developing a tale of warm sentiment is well served by director Louis Leterrier and a perfect cast of actors. UNLEASHED is one of the few examples of how martial arts and bona fide drama can be mutually supportive in creating a film that is at once thrillingly athletic and gently tender.

Bart (Bob Hoskins) is a brutish loan shark thug who makes his 'collections' accompanied by his 'dog' Danny (Jet Li), a silent man Bart has raised form childhood to be a caged killer, a human with a dog collar that when removed unleashes a ferocious beast who kills on command of his master Bart. Bart keeps him in a cage, feeds him, and uses him solely for his criminal doings. Danny unleashed is simply a Pavlovian animal and when the collar is replaced, he becomes docile with the sad eyes of a puppy.

During a 'collection' gone bad, Danny escapes and finds shelter in an antique shop basement where he meets blind piano tuner Sam (Morgan Freeman), a gentle man who gradually introduces Danny to music, trains him as his assistant, and introduces him to his 'family' - his step daughter Victoria (Kerry Condon). With the two of these welcoming, tender people Danny discovers how beautiful life can be. The story from this point is how Danny chooses between his Pavlovian response life as a killer and the simple life of Sam and Victoria. The journey is not without stressors and it is a difficult transition that keeps the viewer on seat's edge.

The wonder of this film lies in the extraordinary performances not usually associated with martial arts films. Jet Li does some of his finest athletic fighting on film, but thankfully at the same time creates a character who is multidimensional and memorable - a very fine acting job by Li. Bob Hoskins is brilliant as the despicably cruel Bart, Morgan Freeman adds a luster to his fine portrayal of blind Sam, and Kerry Condon makes Victoria zany and lovable at the same time. The action is superbly captured by cinematographer Pierre Morel with the aura of darkness in Danny's caged life serving as a perfect foil to the martial arts sequences.In short, this is a fine little film about characters worth knowing and provides audiences with both action and drama of a very high level of achievement. Grady Harp

Found this movie very entertaining.

I was riveted to my seat and totally absorbed into the movie.

It really tore me up to see how badly he was treated by his captors and I was overjoyed each time he escaped. Also enjoyed seeing Morgan Freeman again. He's a classic. I hadn't seen the previews of this movie beforehand and thought it was "just another action film" ---- until I saw Morgan Freeman come on the scene.

The story line was unusual and the acting was great --- for an action film. Wish that more action films were directed at this level.

Jet Li is fabulous and he can act. I wish him a lifetime of successful films and hope to see them all.

Rating: **** out of ****

If I'm always skeptical of Jet Li's English-speaking films, it's for good reason. They're usually crap. Too often, he's either been put in the hands of incompetent directors who couldn't properly film or edit his impressive martial arts abilities and/or he's teamed alongside a cast that includes one rapper too many. It also didn't help that these movies were poorly written and acted, failing to work as either a showcase for Li's moves or his charisma. So it's all the more satisfying that Unleashed goes through its entire running time without succumbing to any single one of these flaws.

Jet Li stars as Danny, a fully grown man with the mind of a child who is a literal slave/pet to Bart (Bob Hoskins), a Glasgow mob boss who keeps Danny in a cage and uses him as a form of "persusasion" to those who owe him money. Like a dog, Danny wears a collar, shy and seemingly dumb whenever it's clasped around his neck, but a ferocious killer once he's unleashed.

After a mishap with another criminal, Bart and Danny are left for dead, leaving an injured Danny to crawl to a warehouse where he's taken under the wing of kindly blind piano tuner Sam (Morgan Freeman) and his stepdaughter, Victoria (Kerry Condon). Starting over with a clean slate, Danny comes to enjoy his new life and loving family; no longer is violence or cruelty something he must face everyday. But fate hands him an unlucky turn when he's forced to confront Bart, finding no choice but to give in to his violent side one last time.

The film's premise, that of a violent man finding a better life, is nothing new but rarely have I seen the simple but effective premise delivered so well and with such genuine heart. To my immense surprise, it's Jet Li's performance that anchors the film, showing us a side of corrupted innocence and child-like enthusiasm that is sweet, moving, and occasionally even quite humorous. The transformation and natural maturity Danny undergoes is engaging, and it's to no small measure of Li's performance that we hope Danny can entirely shed his former life even when we know it'll inevitably catch up with him.

Li is surrounded by a fantastic cast with great actors Morgan Freeman and Bob Hoskins pulling their own weight. Freeman delivers as always, playing the kindly authority figure with firm but gentle resolve. Hoskins is over-the-top but suitably so as Bart, whom we're quite sure is complete scum, yet one can't dismiss the fact that he holds Danny in a certain esteem, and that he may actually be the only person in the world Bart cares for, however twisted a manner he chooses to show it. Relative newcomer Kerry Condon is cute and appealing, although she could just as easily have won me over with that great smile of hers.

As a kick-ass action film, Unleashed is superb. The ratio of action to story might be a bit less than hardcore martial arts fans desire, but there's no question every facet of the plot bolsters the fight scenes, giving every battle a palpable and underlying current of emotion that adds to the thrills of the spectacle. And spectacular action this is; every fight scene-most especially the brutal opening sequence and the thrilling, almost emotionally exhausting climax-is brilliantly filmed and edited, wisely emphasizing Li's natural abilities in favor of quick-cuts and wirework. There are a few instances of Matrix-style slow motion, but the spare usage works to the film's advantage. There's even a terrific fight scene inside a tiny bathroom that far outdoes a similar scene in The Matrix.

An absolute winner on almost every conceivable level (the exception being that the title should be changed back to Danny the Dog, but I'm not going to hold that against the movie), Unleashed delivers some of the best action scenes I've seen to go hand-in-hand with memorable characters I adored and a story that riveted me from start to finish. I should also not slight director Louis Leterrier, who puts it all together with the right mix of strong style and natural storytelling. Why can't all action films be this good?