Bhoot

Which about sums it up. For all the talk of songless-ness and being different and reinventing the genre (if remaking it in the standard Hollywood mode can be called reinvention; perhaps 'rescuing it from the Ramseys and the white-sari-clad woman with a blood-streaked face' is more appropriate) - all of which were true - what mattered in the end was whether this film could sustain the tension and make you empathise with the characters. And it did. The background score is really effective; camerawork is creative; the leads act flawlessly; there's a liberal sprinkling of red herrings, the characters are believable, and we're spared the quasi-religious mumbo-jumbo that mars so many films in this genre. While making a horror film is inherently a derivative process, Bhoot manages to avoid seeming cliched, both by the standards of Hindi filmdom (okay, that's not hard - the absence of either a dak bangla or a kabristan, as well as the aforementioned white sari, pretty much ensures that) as well as, to a lesser extent, Hollywood (which it is closer to in 'spirit'). Not by any means a pathbreaking film, but a very well-made one nonetheless. Excellent! Go watch it!

I went to see this movie expecting to find another dumb "chaitan" story. But found that this one is actually pretty darn good, even without qualifying it as a Hindi horror film.

Hindi horror films are awful. I am yet to see one that is really scary, and most of the time, when the *scary* part comes, my friends and I burst out in laughter. The make up leaves much to be desired and the story is always the same.

The story part is pretty much the same here too. This is not exactly a never-seen-before sort of storyline. However, other things make up for it. The movie completely belongs to the actors and the technicians, mainly the sound editor and the cinematographer. They have done away with grotesque make up and stuck to minimalistic approach, which is actually scarier.

The actors are brilliant. The have not given in to the urge that many Bollywood stars have, of going into the rhetoric by making loooong speeches and show extreme expressions. All the parts, except Urmila's and Rekha's have been portrayed very subtly. Urmila is pretty good, Ajay Devgan is very believable. Tanuja gives an excellent understated performance. Rekha is truly amazing. She manages to creep you out even more than the ghost in some scenes.

The one complaint I have, is that the movie loses some of its fear factor after the intermission. It just isn't that scary anymore. Also, there isn't any particular twist. However, there is one part which could have been the twist, but was downplayed. But on the whole, I'd definitely recommend it to anyone who likes a good scare. The movie is not for people who see the same for stories.

Overall - 8 / 10

This movie definitely has a very creepy setting. What works on you is that its not a haunted mansion setting, but a local apartment in Mumbai, one which you could be renting right now. Add some creepy looking doll and eerie music, you're most likely going to grab the next person sitting next to you and cry to be released. But! this intense thriller, horror remains only in the first half of the movie. The second half, although I'm not going to make any specific remarks, ( want you to find out for yourself) tries to remake some of the earlier Hollywood movies and it sort of takes your attention off of the whole movie. That's when the movie's originality begins to slide and fail.

They should have done something different, but most horror genres have this habit of screwing up some portion of the movie. But let me warn you, this movie is certainly NOT for kids. If you cannot withstand watching supernatural horror, please don't watch this one, it might really grip you tight for a few weeks, or even months maybe!

Not being a huge fan of horror films, and still smarting from my 'Jungle' experience, I began watching 'Bhoot' with some trepidation. 'Bhoot' translates to either 'ghost' or 'spirit', so right away, one knows the subject matter of the film. The title and its succinctness act as a caveat to the faint of heart.

The opening scene has an irritable young man, Vishal, searching, rather unsuccessfully, for rental accommodations in the company of an agent. The broker has shown him several less than satisfactory apartments, and the young man's patience is wearing thin. He points to a towering high- rise building nearby and says, 'That looks like a fine building! Do you have an apartment available there?' We pick up on the broker's nervousness as he responds, 'Actually, yes. But you wouldn't want it.' Vishal insists on seeing the twelfth-floor apartment, which turns out to be huge, even palatial by Mumbai (Bombay) standards, and he cannot understand why the place is still unoccupied. Such an apartment would be snapped up in moments. The broker hesitantly tells him that the previous occupant of the apartment had fallen-or jumped-to her death from the balcony. The pragmatic Vishal retorts that practically all dwellings must have had someone die in them at one time or another, and proceeds to finalize the rental deal. He then moves in with his perky young wife, Swati. With their furniture and belongings, the empty, echoing apartment gets transformed into a comfortable home.

Vishal is a stockbroker, and Swati, a stay-at-home housewife. We gather that they have not been married long; they are playful and romantic, still in the honeymoon phase of marriage. They inherit the previous occupant's maid, so apart from some grocery shopping, there isn't much for Swati to do while she waits for Vishal to return home from work. She sits in front of the TV and channel-surfs distractedly to pass the time.

One such day, the belligerent watchman of the building sneaks into the apartment without knocking and startles her. Swati and Vishal complain to the chairman of the building council, who also happens to be their next-door neighbor. Decrying the lack of good help, the neighbor says there's nothing he can do. As the watchman is a witness in the police investigation of the previous occupant's death, they cannot very well get rid of him. This disclosure comes as a complete surprise to Swati, as Vishal has withheld from her the details of the circumstances in which he came by their new apartment.

hail Ram gopal verma.the true master of horror genre movies in recent times. i saw this movie in Dubai in an multiplex. the background score is an character in itself which propels the movie to greater heights.some may find this remark awry but i feel that the background score is the spinal cord for a horror movie.an ensemble of great acting talents of the likes of Nana,Rekha,Tanuja,Ajay & finally Urmila.lets not talk about Fardeen.great editing,cinematography add to the haunting mood of the film.overall an classic product from RGV's factory.don't miss it.greatly recommended but certainly not for the faint hearted.watch it in an multiplex and then u will realize what i meant.