Agrega una trama en tu idiomaA television adaptation of Michael Frayn's celebrated and award-winning stage play about the meeting between physicists Niels Bohr and Werner Heisenberg in 1941 Copenhagen. At this time the ... Leer todoA television adaptation of Michael Frayn's celebrated and award-winning stage play about the meeting between physicists Niels Bohr and Werner Heisenberg in 1941 Copenhagen. At this time the young Heisenberg was leading a faltering German research program into nuclear energy, whil... Leer todoA television adaptation of Michael Frayn's celebrated and award-winning stage play about the meeting between physicists Niels Bohr and Werner Heisenberg in 1941 Copenhagen. At this time the young Heisenberg was leading a faltering German research program into nuclear energy, while the middle-aged and apparently isolated Bohr was in contact with allied agents, and stil... Leer todo
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Opiniones destacadas
The structure of the screenplay brilliantly examines the varying interpretations of what took place during the meeting in a way that borrows from Eisenberg's Heisenberg's uncertainty principle.
I thought that the performances were, as you would expect from Francesca Annis, Daniel Craig and Stephen Rea, flawless, and despite the seemingly dry subject matter of a meeting between two physicists to discuss nuclear physics, I found the plot gripping.
I found it extremely enjoyable and would recommend it to anybody who enjoys a thought provoking story (regardless of the extent of their knowledge of nuclear physics!)
Although this is not the most accessible play or subject, it is still a rather engaging film. My knowledge of the development of nuclear theory physics could be comfortably fitted onto the back of a postage stamp (and not one of those bigger, commemorative ones either) and I had never heard of any of these people or the theories they discussed in this film. But yet I understood the majority of it and found myself easily carried along by the dialogue. I imagine it would have been more interesting if I had had this knowledge but as it was it was still interesting. But it wasn't gripping or that engaging. By having the characters look backwards together the script does a good job of explaining the discussions and their wider ramifications to a degree. I say "to a degree" because I thought it could have done it better for someone like me, someone who knows nothing about anything when they press play for the first time.
The dialogue is well written though, varying between explaining the theory and debating the morals well without ever making it seem forced again a strength of the "looking back" approach. Craig and Rae impress in their delivery but I would have liked more feeling to run through them. Annis stands up well with both the men and she is used well to provide insight from outside of the two main characters. Davies' direction is pretty good and retains the feel of a play without restricting the locations too much or making it feel stage bound.
Overall then an interesting film but one that will have limited appeal and I understand why. It does well to make it accessible to viewers not familiar with the subject, although it still does have room for improvement as I wanted it to impact me more than it did. Worth a look though as something different which is well written and pretty interesting.
Physics, relativity and quantum mechanics collide with geopolitics, morality, existentialism, humanity and friendship in a few moments of time, told and re-told as seen from different perspectives.
The first part intriguing perspectives on events of history. It builds into a potentially cataclysmic clash of relatives, memories and thought experiments and is ultimately about these few precious moment of life that are grated us and what we choose to do with them.
Copenhagen was a brilliant play and is a superb film. I find myself intrigued, engaged and uplifted.
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- TriviaThe original Broadway production of "Copenhagen" by Michael Frayn opened at the Royale Theater on April 11, 2000, ran for 326 performances and won the 2000 Tony Award for the Best Play. Michael Frayn's script was used as the basis of the screenplay for the movie version.
- ErroresWhen Bohr digresses on the fission chain reaction, he indicates that one fissioned uranium atom is enough to move a speck of dust, then "until eventually after, let's say 80 generations, 280 specks of dust have been moved, enough specks of dust to constitute an entire city." Rather than 280, the number is 2^80, as the result of 80 doublings (indicating the rather important carat exponent symbol was left out of the script or omitted by the actor). The number reads as two to the eightieth power... about a trillion trillion.
- ConexionesFeatured in Zomergasten: Episode #18.3 (2005)