En compañía del miedo... espíritus ocultos

Back then when i first watched it, i thought this was ok. I decided to watch it again yesterday for some reason and i found it much better than i thought. Maybe it's because there is a huge drop in movies quality the last 5 years, and mediocre movies of the past look more than fine now. In any case, this is definitely a good horror/mystery movie, much better than the majority of horror movies nowadays. Acting is above average, Hale Berry is attractive and charismatic, script was good and i was almost at the edge of my seat because i had forgotten what happened in this movie. I said "almost" because this is not a great horror movie but still, every fan of this genre is gonna enjoy it, i believe. Of course, this is not pure horror and don't expect to get really scared, this is more mystery and thriller than horror.

I love a good mystery. Gothika is both a psychological thriller and a supernatural horror. I loved playing detective and piecing together the clues to solve this mystery. It wasn't a very difficult mystery or plot to figure out, but it's still a suspenseful and entertaining movie. Making up for the story's predictability, is the casting of Halle Berry and Robert Downey Jr. Both are fantastic and likable performers. The jump scares are not always effective but they keep you on your toes.

Dr. Miranda Grey (Halle Berry) is a psychiatrist who works in a penitentiary, in the mental institution sector. She is married with Dr. Douglas Grey (Charles S. Dutton), the chief of department where Dr. Pete Graham (Robert Downey Jr.) also works. Chloe Sava (Penélope Cruz), a patient of Dr. Miranda formerly abused by her stepfather, claims that she is frequently raped by the devil in her cell. After leaving the asylum in a stormy night, Dr. Miranda has a car accident, and when she wakes up, she is an inmate of the institution, being accused of an horrible crime and having no memory of the incident.

This ghost-story has an excellent atmosphere and photography, and the initial two-thirds of the story is really intriguing. I really expected an excellent movie, in the level of "The Sixth Sense", "The Others" or "El Espinazo del Diablo". Unfortunately, the writer got lost with his plot and presented a horrible, almost ridiculous, conclusion of the story. I am a great fan of horror movies and I liked "Gothika", even with such a silly end, but it could have been better and better. My vote is six.

Title (Brazil): "Na Companhia do Medo" ("In the Company of the Fear")

In Mathieu Kassovitz's Gothika, Penélope Cruz and Halle Berry share a shower, but DON'T soap up each other's jubblies; that glaring goof aside, the film is a worthwhile supernatural thriller—smartly written, with slick direction, solid acting, and some effective shocks—one that should pass the time fairly painlessly for fans of mainstream horror.

Halle Berry plays penitentiary psychiatrist Miranda Grey who winds up as an inmate herself after she inexplicably chops up her hubby with an axe. With no memory of the murder, Miranda begins to suspect that there is a supernatural reason for her brutal act.

Although the story evolves in a predictable Hollywood manner, the well developed atmosphere, stylish visuals, and some great supporting performances (the aforementioned Cruz, Robert Downey Jr. and Bernard Hill) all go to make this an enjoyable, if not exceptional, creepy murder mystery.

6.5 out of 10, rounded up to 7 for IMDb.

Stars operating at the level of Halle Berry and Penelope Cruz are bound to disappoint critics along the way, especially when the critics are just waiting for some sign of weakness upon which to feed. While there is nothing wrong with any of the acting in this film - these are not the kinds of roles Oscar winners and nominees are expected to indulge in.

What's more, Berry and Cruz signed onto a film made by a production team which has typecast itself with some fairly disappointing ghost stories / horror films involving big-names in the recent past.

Finally, this is one of those cases where the trailer was so good that the film could not possibly follow it.

So what?

If you approach this film without expectations, and with an open mind, you will be entertained. It's a tight, disturbing psychological/supernatural thriller which, though a little predictable at times, nevertheless offers some frightening imagery and a few good solid scares. That said, this is not a film for people who have trouble paying attention or for people who need straightforward answers. If you don't really pay attention to what is going on in this film, you could easily dismiss it as a more adult version of Sixth Sense or just another dumb ghost story. This film deserves more credit than that.

Personally, I don't think it's a ghost story at all- but that is a question best left open.

I have seen a number of films by this team - House on Haunted Hill, 13 Ghosts and Ghost Ship. Of these, I found 13 Ghosts and the House on Haunted Hill to be entertaining, but not very intelligent. Ghost Ship was tremendously disappointing - even Gabriel Byrne could not save that film. Gothika is easily the best of the lot, and also the darkest. The film is shot in dark blue, black and gray tones, and the use of lighting is nothing short of artistic. Despite the cliché title, the occasional plot clichés, and all the negative publicity generated by critics, I found this film to be surprisingly entertaining, intelligent, and disturbing.

Most of the 'plot holes' cited by some reviewers here on IMDb are more likely gaps in the attention spans of the viewers themselves or intentional ambiguities designed by the production team. This, unlike any of this team's previous work, does not provide unambiguous explanations.

Cruz and Berry are, respectively, patient and psychiatrist in a high security prison for the criminally insane. The Gothic environment of this facility is not meant to be realistic, but surreal, and the effect works. From the first time you see the place, you question its own reality. The film constantly manipulates mood through cinematographic techniques like this.

Shortly after the film opens, Berry finds herself experiencing what some of her allegedly delusional patients talk to her about. Robert Downey's portrayal of her friend and, now, therapist, is uneven, but satisfactory.

To describe the rest of the plot would require spoilers, so I won't bother. Suffice to say that even the occasional predictability of this film did not detract from my enjoyment of it.

The film uses just enough ambiguity to permit the audience to wonder whether what they are seeing is really happening or whether it is a product of our protagonist's subconscious mind. And then, in the end, the film makes you question whether it matters.