Tomie: Re-birth

The above reviewer obviously doesn't know the history of Tomie, and why any man who loves her winds up killing her. As in the other Tomie installments, Tomie is forever doomed to being murdered, only to return from the grave. This time, she's done in four times. This is the best of the Tomies by far, and the only one that the girl who plays Tomie is more beautiful than the heroine. Takashi Shimizu (Ju-on) did a fantastic job directing this movie, and blending a unique balance of comedy, horror and surrealism into this chapter. Tomie's character is the most 'human' in this one, as opposed to the other movies that attempt to make her out to be more of the true monster she is. As for gore, this one most definitely has more gore than the other Tomie's, but by comparison isn't a lot since the story of Tomie really doesn't rely much on gore to begin with. 7/10

Tomie: Re-Birth mainly focuses on the characters affected by Tomie. I enjoyed the changes in characters' nature: particularly for Shunichi and Hitomi. At first, Shunichi (Mazasaya Kikawada) comes off as a confident guy who likes to have a good time with his friends. Gradually, he becomes more unsure, paranoid, and even obsessed in a most manic way. On the flipside, Hitomi (Kumiko Endou) has an innocent, yet subdued nature. Questions and uncertainty beckon Hitomi down a road from which she may regret walking down upon.

Don't get me wrong..Miki Sakai does well as Tomie and is equally adept at producing an ominous stare; one enabling her to peer deep into the depths of inner souls. Although there are CG effects used, I thought the use of close-ups and different angle shots were more effective at establishing a mood of fear. Despite slow pacing and a few sappy (yet amusing) scenes, Tomie: Rebirth is darkly entertaining.

After seeing the first Tomie movie i lost all interest in seeing what the sequels in the serial would bring. For a horror movie, there wasn't a single chill or climax in it, which can only leave a horror fan like me very disappointed. But then i saw that Tomie: Re-birth was directed by no other than Takashi Shimizu (The man behind the four Ju-on movies), and i thought, and (i guess) expected, that he would add a lot of his creepy imagination from his former horror movies (i cant praise them enough) to this sleeping pill of a weird love story. I was, again, VERY disappointed. Though, i have 2 good things to say about this movie. First of all, this one IS better than the first. Second, there actually was one scene in Re-birth that made my hair on the neck to stand up, and that is where a girl is sitting in her bedroom in front of a mirror and suddenly sees a girl, white as snow, peeking out of her closet. Uuhhhhhh Mufasa!! It smelled a little like Ju-on, but then the girl turns away from the mirror and the ghostly lurker is gone. BUUUUUUH!! But besides this minor chill that lasts about 3 seconds, its really hard to see that this is a Shimizu creation. Instead of taking Tomie to a new level and making it to a real creep fest, it seems more like he just goes along with the dull and not THAT fascinating theme from the other Tomie movies. And on top of that, i saw interviews with the cast and the director himself describing this movie as a blend of horror and humor? Now, without sounding like a dumb racist, but do you have to be Japanese to notice the humor? It went over my head thats for sure. But maybe some of the moments that i found laughable and not creepy, like the crawling head, wasn't meant to be scary but fun? I guess i never find out and its not important anyway. I mean, Tomie IS a horror movie right? At least, thats what it says on the movie description. But how on earth is it possible to make a horror movie where the so called "monster" dies all the time, killed by all its "victims", and not the other way around? So far Tomie hasn't convinced me that it can be done...

Please Shimizu, stick to the creepy stuff. Thats what you do best.

I gave it 5 out of 10

If there's one thing that can and should be said for the popular cult- franchise "Tomie", it's this: despite an extremely shaky and underwhelming start, the series does make a noted improvement each time with its first round of sequels. It's a franchise that can be well-worth investing in as a result, despite also being one that has the most extremes of up's and down's throughout it's numerous entries.

Yes, despite being a massive fan of the horror genre and particularly of Japanese creep-shows, I've never been particularly taken with the original "Tomie" movie. Based on a popular ongoing manga of the same name by author Junji Ito, the first entry in the film franchise was a messy swarm of under-developed ideas, sloppy attempts at atmosphere building, trite and hackneyed writing and direction and poorly established rules. It was a fundamental failure both as an example of horror and as a film in general. Thankfully, it's first sequel in "Tomie: Replay" was a marked improvement in virtually every capacity, with fun direction, decent writing and generally strong performances.

And I do think that this third entry, "Tomie: Re-Birth", is another step in the right direction for the franchise. With a nice, slow sense of pacing and a great sense of direction from famed director Takashi Shimizu, this entry has a lot going for it. It stands as one of the better early entries in the series, and can be a great deal of fun.

A young woman named Tomie is modeling for a painting by an artist named Hideo. After she defaces the painting in a jealous fit, Hideo kills her. But, as any fan of the series will know... Tomie will not die. And thus she returns to torment the artist and his friends, leading to an intense and disturbing story filled with twists, turns and subversion of expectation...

I firmly believe the main strength that sets this entry apart is the wonderful direction of Takashi Shimizu, who is best known for creating the very popular haunted-house series "Ju-On" and for also directing the first two entries in its American remake series "The Grudge." Shimizu is a fine director when it comes to slow-build, atmospheric horror, and he excels here with some great, creepy sequences of bodily terror. It's arguably the most disturbing of the first three films, and Shimizu it helps to give it a grand sense of dread and intrigue. Especially in some of the very trippy-yet-grounded visuals that he relishes in. We also have one of the best Tomie's of the series here thanks to actress Miki Sakai, who excels in the role in a way not many of the other actresses to portray the character have.

The film does have some faults to it, however. Much as many entries in the series do. I found that while it is a good time, it can often move a bit slowly. To the point it can be boring even. Some scenes feel a tad out of place and wonkilly inserted into the narrative. And much like virtually every other film in the series, it wrongfully assumes that the viewer is intimately familiar with the source material, causing some confusion with those who aren't. And it is a serious problem- adaptations should be able to stand on their own without knowledge of what came before. The films should try and explain the rules and goings on more than they have been to this point. It causes an unnecessary level of confusion for the viewer, and not in an intentional way.

That being said, I'd rank this one right about on par with the previous entry- the very enjoyable but mildly flawed "Replay." It's a lot of fun. It's very watchable. It runs laps around the sub-par original. But it still has a few faults holding it just shy of being a "great" movie. As it stands, it's merely decent. Worth watching for fans of horror and Asian cinema... but probably not for general movie-goers.

I give "Tomie: Re-Birth" a slightly above average 6 out of 10. Another step in the right direction for the series. But not enough of an improvement for me to call it a great film.

This is the story of Tomie, a young japanese woman, who gets stabbed to death by her boy-friend in the beginning of the film. Don't ask why, because the two really seem to be in love. While he's painting a picture of her, she slightly whispers that she loves him. And suddenly he seems to lose control. When two of his friends appear, they find him holding her dead body in his arms. The three decide to keep this homicide as a secret and bury her somewhere in the woods. But a few days later she's back and looking for revenge. Strange things begin to happen.

Not the right choice if you're looking for a gory splatterflick. Almost no blood at all. But if you're a friend of films like "The Ring", "Uzumaki" or "Parasite Eve" this one could be the right choice. Can be compared with the first two but is not as brilliant as "Parasite Eve", although the end looked pretty similar.

So while the gorehounds among you might call this boring, i would say it was slow but entertaining and rate it 6/10.