Superman regresa

The basic premise of Superman Returns is that Superman has returned from an unexplained 5-year absence to find a world that seems to be getting along fine without him, that the woman he loves has moved on and has a family, and that he is- at least in terms of any beings similar to him- completely alone. The amazing thing is, this is the least angst-filled, least melodramatic superhero film in the past 5 years or so. I think the recent trend has been to try to get audiences to empathize with their heroes more by making them more human and actually taking them seriously. Peter Parker battles some very serious demons and is in constant struggle with being Spider-man, the X-Men films are very serious and political and the latest instalment, "The Last Stand," featured some startling and emotionally wrenching revelations, and Batman, well, need I go on?

So, here we have Superman in the first new film in almost 20 years. He has his issues, but unlike all the other Super heroes around, he seems to be very solemn about it all. After all, he is Superman, not Clark Kent; Clark Kent is his mask. Obviously a huge nitpick people will have is that Clark comes back the very, very same day as Superman and not one single idiot in the city of Metropolis seems to notice, right? Well, yes, that bugged me too, at first. But then, the more you think about it, that's just how Clark Kent is designed: completely forgettable (except by Jimmy), always in the background, and always overshadowed by the bigger story, which is Superman. David Carradine has a very great speech about Superman at the end of Kill Bill Volume 2 that justifies everything quite nicely to me, so I suggest seeing that if you haven't already. What this movie does a great job of doing is just showing this classic, iconic super hero doing what he does best: saving the day. There's something so refreshing about finally getting that clear view of Superman for the first time after he saves a planeload of passengers from certain doom, and saying with a smile: "Don't let this turn you off to flying, folks. Statistically it's still the safest mode of transportation."

But that brings us to the actual plot. It goes for simple, safe, repetitive— tedious, even? And, honestly, it's the kind of plot that just doesn't justify the runtime. Lex Luthor comes up with a ridiculous plan that even in the world of comic books is pretty hard to swallow. He compares himself to Prometheus, how he is so generous with the "mortals" by sharing his wonderful discovery, though planning on killing billions in the process. Lex obviously forgot the last half of that story, where Prometheus is punished and confined to terrible pain for all of eternity. But maybe that's the point. I mean, we all know from the very beginning Lex won't win, he's doomed to lose, that's just how it's meant to be: Superman wins and Lex loses. Written in the scriptures: is, was, ever shall be, in comic strips, TV shows, feature films, living in an ageless universe, for all eternity.

Bryan Singer is obviously aware of this. Singer also directed X-Men 1&2, and I think his biggest problem as a director is that he lacks a sense of completion in his works. X-Men is not the kind of movie that you watch, and then once it's over, you want to watch it over again. It's the kind of movie that you watch, and then once it's over, you want to see the next one. The X-Men films were each done with the presumption that there would be a next instalment, and that's fine I guess if you like always being on the edge of your seat waiting for the next one, but when his Superman movie does the same thing and drags past the 2-and-a-half hour mark, there's a problem. If nothing else, the movie establishes that Superman is indeed back, and we should expect to see more of him in the future.

Superman Returns is definitely a grand film. It's big, it's loud, it's expensive. I usually don't think to myself, 'hey that looks expensive,' when watching a movie, but I did in this case. It doesn't try for anything new or bold, it doesn't want to, and it's nice to see a super hero movie where the hero is the generic do-gooder, and helps mankind because he really wants to. That's why I think Superman garners more universal appeal than any others. But, honestly, the angsty heroes can be much more interesting. Certainly so with last year's Batman Begins, which I thought was a great, perfect movie, while I though Superman Returns was really good, but probably could have been better.

My rating: 7.5/10

considering the hype for this movie,i thought it would be better than it was.it wasn't a horrible movie,but i don't think it lived up to the Superman name.Brandon Routh as Superman,looked a lot like Christopher Reeve,maybe a bit too much.his mannerisms were also too much like Reeve,as if he were trying to emulate him,when instead he should have been trying to put his own stamp on the character.Kate Bosworth was okay as Loise lane,but Kevin Spacey was an inspired choice as Lex Luthor.i also liked Frank Langella as Perry White.however,i could have done without James Marsden as Richard White,especially since his role was so small it was pointless.the other problem i had with the movie is that it tended to lag at times,causing my attention to wander.this movie just didn't have the impact of a movie like spider man or even any of the x-men films.it just didn't have as much substance as it could have.if you've yet to see this movie,keep your expectations low and maybe you won't be overly disappointed. 6/10

I became curious enough to re-watch this movie after seeing Brandon Routh's performance as Ray Palmer/A.T.O.M. in Arrow, Flash, and Legends of Tomorrow.

I feel that it is a highly underrated film and gets an unnecessary bad rap. Brandon Routh's portrayal of Clark Kent/Superman, I feel, is second only to Christopher Reeves, whom he does a great job of capturing.

The action scenes are top-notch and fun to watch. It even has one of the most brutal fight scenes in any Superman movie which could be a bit hard to watch. Yes, even more than the Zack Snyder movies.

This movie is far from perfect, but it is a lot better than what it's given credit for. I do recommend checking it out.

Superman Returns (2006), in my opinion, is one of the most underrated superhero films to come out of the twenty-first century. This film came out ten years ago and has never gotten the respect it deserves. One of the best elements of this film is its heart. This film out of all the films that were released from 2000 to 2010 do not match the amount of heart and soul of this film. Batman Begins (2005) does come close. Not many superhero films deal with adult themes of loss, isolation, and returning to a home and finding their place in the world. Finding yourself is never easy, and Superman goes through the a emotional and physical journey throughout.

A lot of people complain about the lack of action, however, I'll take great drama and characterization over action sequences anyway. True, there are about 3-4 action sequences throughout the film, but they are what I consider A+ sequences. The Air Plane rescue, the Bank robbery, and Saving Metropolis from Lex's earth quake, were well crafted for the time this film came out. This film showed Superman accomplish more than the Christopher Reeve era could have hoped for. Note: I love that era as well.

Furthermore, I believe the film has great cinematography by Thomas Newton Senegal and a majestic musical score by X-Men and Fantastic Four composer John Ottman. Bryan Singer's direction is great. Respectful and epic at the same time.

For all the heart and awesome technical aspects of Superman Returns, it does have flaws. My issues with the film are that the film never quite feels right at home till the Air Force One sequence begins. Maybe beginning with Lex Luthor and not Kal-el was not the best choice. Also, there film's third act with Superman lifting an island into outer space feels odd for a third act conclusion. However, these are minor quibbles.

Overall, Superman Returns is a delightful film. The cast shines, being a spiritual sequel to Superman I & II gives the film a nostalgic feel. In fact, I feel this film has a lot in common with look and tone to the two J.J. Abrams Start Trek movies. Loving reverence towards the past for sure is the big similarity. I've always thought Superman Returns was a film that attempted to be the Dances with Wolves (1990) of Superhero films. Big, bold, and emotionally charged with real human emotions. Superman Returns is an unappreciated film that both plays it safe and takes risks. Much like Superman, the film sores and deserves its place among the clouds.

There have been critics who have been stinting in their praise for this movie, but others were quite condescending. This film is far from a masterpiece, and definitely not the best of the Superman franchise, but it was fairly solid considering what it could've been. First off, visually it looks amazing and I thought the special effects were extremely good. Same with the music score, full of those familiar motifs and some new haunting ones too. While Lex Luthor wasn't portrayed as the cold, shrewd yet somewhat lovable villain Gene Hackman played so memorably in the original movies, Kevin Spacey the competent actor he is played him very well. Also Bryan Singer's direction was able and had just the right edge, and I was intrigued by the film's concept. And I have to say, some of the action scenes were very exhilarating. However, there were elements that could've been better. One of the main problems I had with the film was the pace, I found it unusually slow and there are scenes like Clark listening in on Lois and Jason that dragged on for too long. And maybe I am in the minority who felt that it could've been half an hour shorter, and that the script was clunky at times. Also, I wasn't taken with the two leads either. Brandon Routh is handsome and he is charming but he isn't charismatic enough as Clark Kent/Superman, and Kate Bosworth left me cold as Lois. In regard to these two, the relationship between the two characters was underdeveloped. All in all, a solid and visually enthralling film, but it is let down by uneven pacing and a clunky script. 6/10 Bethany Cox