Superman reaparece después de una larga ausencia, pero es desafiado por un viejo enemigo que utiliza la tecnología kriptoniana para dominar el mundo.Superman reaparece después de una larga ausencia, pero es desafiado por un viejo enemigo que utiliza la tecnología kriptoniana para dominar el mundo.Superman reaparece después de una larga ausencia, pero es desafiado por un viejo enemigo que utiliza la tecnología kriptoniana para dominar el mundo.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 12 premios ganados y 47 nominaciones en total
- Jor-El
- (material de archivo)
- Ben Hubbard
- (escenas eliminadas)
Resumen
Opiniones destacadas
I feel that it is a highly underrated film and gets an unnecessary bad rap. Brandon Routh's portrayal of Clark Kent/Superman, I feel, is second only to Christopher Reeves, whom he does a great job of capturing.
The action scenes are top-notch and fun to watch. It even has one of the most brutal fight scenes in any Superman movie which could be a bit hard to watch. Yes, even more than the Zack Snyder movies.
This movie is far from perfect, but it is a lot better than what it's given credit for. I do recommend checking it out.
Good - using the Williams score, original titles style and Brando voice-over for the start sequence: all good calls;
Bad - Kate Bosworth: bad casting. No charisma. Never for a second convinced me that she was a spunky reporter;
Good - Brandon Routh: I thought nobody could fill Christopher Reeve's shoes, but this lad does well;
Bad - costume. They got it right in the 70s movies. The effect of darkening the colours, reducing the shield size and dropping the waistline of the trunks is well-known to clothes designers - it makes the wearer look tall and thin. Reeve looked broad and imposing.
Good - saving the shuttle/plane, and dealing with the Metropolis "quake";
Bad - not enough of that stuff;
Good - Spacey's Luthor. Clearly grown from the same seeds as Hackman's, but much more definitely a villain. I believed that this Luthor was fundamentally evil;
Bad - Kitty Kowalski. What an underwhelming character. Miss Tesmacher-lite;
Good - Richard White - a potentially interesting new character, to sit in a potentially very interesting group dynamic;
Bad - Tristan Lake Lebeau. Superman's son is autistic? Sorry, kid - you were rubbish.
Good - tweaking the franchise back into life again;
Bad - forgetting that Superman isn't Batman. Superman is supposed to be light. Superman is supposed to be FUN! Don't take it so seriously, next time!
So, here we have Superman in the first new film in almost 20 years. He has his issues, but unlike all the other Super heroes around, he seems to be very solemn about it all. After all, he is Superman, not Clark Kent; Clark Kent is his mask. Obviously a huge nitpick people will have is that Clark comes back the very, very same day as Superman and not one single idiot in the city of Metropolis seems to notice, right? Well, yes, that bugged me too, at first. But then, the more you think about it, that's just how Clark Kent is designed: completely forgettable (except by Jimmy), always in the background, and always overshadowed by the bigger story, which is Superman. David Carradine has a very great speech about Superman at the end of Kill Bill Volume 2 that justifies everything quite nicely to me, so I suggest seeing that if you haven't already. What this movie does a great job of doing is just showing this classic, iconic super hero doing what he does best: saving the day. There's something so refreshing about finally getting that clear view of Superman for the first time after he saves a planeload of passengers from certain doom, and saying with a smile: "Don't let this turn you off to flying, folks. Statistically it's still the safest mode of transportation."
But that brings us to the actual plot. It goes for simple, safe, repetitive tedious, even? And, honestly, it's the kind of plot that just doesn't justify the runtime. Lex Luthor comes up with a ridiculous plan that even in the world of comic books is pretty hard to swallow. He compares himself to Prometheus, how he is so generous with the "mortals" by sharing his wonderful discovery, though planning on killing billions in the process. Lex obviously forgot the last half of that story, where Prometheus is punished and confined to terrible pain for all of eternity. But maybe that's the point. I mean, we all know from the very beginning Lex won't win, he's doomed to lose, that's just how it's meant to be: Superman wins and Lex loses. Written in the scriptures: is, was, ever shall be, in comic strips, TV shows, feature films, living in an ageless universe, for all eternity.
Bryan Singer is obviously aware of this. Singer also directed X-Men 1&2, and I think his biggest problem as a director is that he lacks a sense of completion in his works. X-Men is not the kind of movie that you watch, and then once it's over, you want to watch it over again. It's the kind of movie that you watch, and then once it's over, you want to see the next one. The X-Men films were each done with the presumption that there would be a next instalment, and that's fine I guess if you like always being on the edge of your seat waiting for the next one, but when his Superman movie does the same thing and drags past the 2-and-a-half hour mark, there's a problem. If nothing else, the movie establishes that Superman is indeed back, and we should expect to see more of him in the future.
Superman Returns is definitely a grand film. It's big, it's loud, it's expensive. I usually don't think to myself, 'hey that looks expensive,' when watching a movie, but I did in this case. It doesn't try for anything new or bold, it doesn't want to, and it's nice to see a super hero movie where the hero is the generic do-gooder, and helps mankind because he really wants to. That's why I think Superman garners more universal appeal than any others. But, honestly, the angsty heroes can be much more interesting. Certainly so with last year's Batman Begins, which I thought was a great, perfect movie, while I though Superman Returns was really good, but probably could have been better.
My rating: 7.5/10
¿Sabías que…?
- TriviaIn interviews, Kal Penn revealed he originally had a much greater role. It would have been revealed that his character was a disgraced former Daily Planet science reporter who was bribed by Lex Luthor to plant false evidence of Krypton's possible survival, thus inspiring Superman to leave Earth and explore Krypton's ruins.
- Errores(at around 1h 23 mins) When Lois is talking to Lex Luthor in the piano room on the boat, her engagement ring constantly moves from her ring finger to her middle finger between shots.
- Citas
Superman: [Quoting Marlon Brando/Jor-el from 1978's SUPERMAN:THE MOVIE to Jason asleep in his bed] You will be different, sometimes you'll feel like an outcast, but you'll never be alone. You will make my strength your own. You will see my life through your eyes, as your life will be seen through mine. The son becomes the father and the father becomes the son.
- Créditos curiososThe opening credits are seen in a trip through space from Krypton to Earth, to parallel the Superman: el film (1978) opening credits sequence.
- Versiones alternativasIn the IMAX presentation, four scenes (totalling about 20 minutes) were converted from 2D to 3D: The flashback to Clark Kent's youth on the farm, the Shuttle/777 rescue, the rescue of the sinking ocean liner, and the final flyover before the credits. Bryan Singer developed a cue featuring an icon of Clark's glasses flashing in green at the bottom of the screen when it is time to put them on, and then with a red circle/slash over when it is time to take them off.
- ConexionesEdited from Superman: el film (1978)
- Bandas sonorasQuando, Quando, Quando
Written by Pat Boone (as Charles E. Boone), Tony Renis and Alberto Testa
Performed by The Drifters
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Superman Returns
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 270,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 200,081,192
- Fin de semana de estreno en EE. UU. y Canadá
- USD 52,535,096
- 2 jul 2006
- Total a nivel mundial
- USD 391,081,192
- Tiempo de ejecución2 horas 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1