Naked World: America Undercover
- Película de TV
- 2003
- 1h 16min
Agrega una trama en tu idiomaOne year. Seven continents. More than 6,000 naked people--all willing to bare all for Spencer Tunick in the name of art. This globally scaled follow-up to the America Undercover documentary ... Leer todoOne year. Seven continents. More than 6,000 naked people--all willing to bare all for Spencer Tunick in the name of art. This globally scaled follow-up to the America Undercover documentary Naked States finds the celebrated and controversial artist at work on his most ambitious p... Leer todoOne year. Seven continents. More than 6,000 naked people--all willing to bare all for Spencer Tunick in the name of art. This globally scaled follow-up to the America Undercover documentary Naked States finds the celebrated and controversial artist at work on his most ambitious project: a one-year trek to all seven continents to shoot people in the nude--individually,... Leer todo
Opiniones destacadas
I generally seem to have a problem with modern art because some of it deliberately tries to be controversial and actually have very little merit other than shock value. The argument that this type of art is good because 'it gets people talking and brings people to all art' is nonsense and never washes with me. However, I generally try to reserve judgement on things until I actually see it hence me watching this film. I have already seen some of Tunick's work and was quite unimpressed by it, I didn't get the point and just saw it doing stuff that gets headlines. Watching this film I got an impression of the logistics of organising the shoots as well as the motivation of the people who had agreed to get naked. Other that this the film manages to deliver very little other than the interest/curiosity factor of watching lots of people pose nude in public places.
What I wanted was insight: basically Tunick is given lots of chances to really talk about his work and his aims but he doesn't take any of them, only giving vague comments about his intentions in fact he contradicts himself when he agrees with a South African's concept of his work (in order to get him to pose). As well as missing this chance to help us philistines understand his work, Tunick also comes over as selfish, rude, pushy and full of his own sense of self-importance. He insults people on the street and calls them 'rude' for walking past him as he hands out fliers (we all walk past these people everyday), he gets angry for the police for arresting him (accusing them of basically being idiots). When he is asked what makes his picture special, he replies 'because I took it'. The film only allows about three critically voices in the whole film and all three of them are Australians who are given seconds to say a quick soundbite or two each. Contrast this with the huge amount of adoring voices surrounding him only the head of the Russian Museum dares to question him, but even then she concedes to him. All those around him seem to hang on his every word and treat him as if he is doing the most important thing in the world. Even more insulting is how people who 'don't get it' are viewed they are seen as idiots, the Japanese are openly attacked as being corporate drones.
Those looking for critical insight will also be disappointed because nobody dares ask anything challenging of Tunick. Where does his money come from is what I was interested to know he flies all over the world but then ends the film complaining about not selling enough pictures. He loves the media and he acts up for the camera, seemingly overjoyed at the chance to talk one to one to the camera. This greatly weakens the film's value if you love his work and see him as an important artist doing important things then it is likely you will enjoy this. However if you dislike him or are unsure of your stance, then this will do nothing for you Tunick shows himself to be lacking ideas and comes across as arrogant and self-important, completely wasting the chance to just honestly and without pretension say what his work is about.
Overall this is an interesting film in terms of logistics and the chance to see unusual sight of lots of people getting naked in unusual places. However I came to it willing to be won over to Tunick's vision but only found a rather empty film that lost ant potential I thought it had. Novelty interest - yes; but artistic value or creative insight? No. (And, as an aside, what was with all the use of subtitles? The film uses subtitles for people speaking English! Understandable with one or two very thick accents but it also subtitles people in Australia and London! Did HBO an American audience would struggle with anyone not speaking with a raised inflection?!)
It is a very fine line between 'art' and 'porn'. I am not very convinced that this guy is making art. From the film, he admitted that he was doing this for personal satisfaction. I think that the only thing that he could be applauded for was being a persuasive person to create a mass hysteria to take off their clothes.
I also found it very insulting to the interviewees, that they actually put subtitles to non American speakers of English. I could excuse them putting subtitles on the Russian woman who was speaking English with an accent (but it was completely understandable English). However, I found it inexcusable to put subtitles on the AUSTRALIANS who were speaking perfect English.
Another outrageous thing was that he critised the French for "not relaxed about their bodies as they think they are". Just because some of the French people refused to pose naked for him, did not mean he could attack others like that.
I am angered by this film.
His images are almost anti-erotic, and sometimes clumsy looking. They appear mostly to be noteworthy moments during an event, which is focused on public nudity.
I love nudity, however, the real highlights of this movie were the interviews of those who were photographed.
In particular, I was moved by the HIV+ lady who consoled a sobbing gal who had found being photographed to be a healing experience. I also greatly appreciated the Africa poet, as well as others who addressed racism.
Demian, Sweet Corn Productions
What I saw was NOT porn at all. Unless you consider 73 year old men standing naked in a field a good turn-on. And then, you have issues.
However, this was actually really good. This artist went around 7 continents (yeah, Antarctica also) and took pictures of random, common people (some good looking, some old, some the anti-supermodel) standing naked, in non-sexual poses.
It wasn't all nudity. It showed culture, reactions, and how everyone is diverse, yet we are all the same. Yeah it kinda had a message. Granted, the 400 people naked in the last scene was a little weird.
If you have time, check it out.
7/10.
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Naked World
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 16 minutos
- Color