Luna de Avellaneda

At once universal, in its complex Dickensian portrait of a society, and extremely timely - narrating in microcosm the recent economic crisis in Argentina - Luna de Avellaneda is a beautiful, eloquent film that will resonate deeply with both Argentine viewers and audiences worldwide. Very funny and very moving, the film is rich in human drama, its characters ranging from a small boy whose braces are killing him to an old man on his deathbed, with all sorts of variations in between - a man who discovers his wife is having an affair, a son who wants to escape the catastrophic situation by emigrating to Spain, a drunk who falls in love and tries to reform, a girl from a shanty town who wants to learn ballet. Small miracles occur throughout the film. The dialogues are brilliant, the acting consistently strong. As in reality (though not often depicted in films), economic concerns are never far from anyone's mind, yet at the same time the emotional life persists. Rarely have I seen such a felicitious melding of the two, as when the central character, Roman, whose marriage is failing, goes to buy cologne to try to spice things up and, after perusing the range of possibilities, can only afford the cheapest, and most acrid-smelling, scent on the shelves. Or when a still infuriated divorcee invites her ex to a romantic dinner in a five star restaurant and, after ordering numerous bottles of the best champagne, then slips away leaving him to foot the bill. I cannot recommend this film highly enough.

Luna de Avellaneda is a 70 years old club, in the good ol' days it had more than 8.000 members. There they teach ballet, you can play basketball, you can chat with your friends... In short: it's your family out of your family. Now, times have changed, things are getting hard and people don't have much money. The club has nowadays less than 300 members, and has lots of debts. They're going' to have to sell the facilities, they say they're gonna build a casino, they say there will be a job for everybody, they say prosperity will be back in town... they say...

This is such of a metaphor of the whole Argentinian situation. He uses this club to represent the reality of a country that's been hurt very deeply, surrounded by looters and sick of promises. A country which uses the sense of humor and the sarcasm as a medicine.

Two hours of rage, love after love, and tons of hope... (we really need that) *My rate: 8/10

This movie reflects the reality of a decadent Argentinean present, after the golden year when immigrants would find a land full of opportunities. "Luna de Avellaneda" is about the neighbors of a club(very popular social recreational Argentinean icons) in the suburbs of Buenos Aires trying to save it from an becoming a casino. The characters will have to decide whether they let the club (and its history of prosperity) go in order for them to have a job opportunity.

This film reflects the sad moments Argentina is going through, and the despair of a group of people trying to hold back their dignity. As an Argentinean I cannot help having a bittersweet taste after watching this excellent movie.

A superb movie, the best Argentine movie I've seen. The entire plot (the attempt to keep the neighbourhood social club going) is an allegory for Argentine recent history, and each character represents a strand in that, eg the old Don, the Spanish immigrant who came to Argentina so full of hope - like many - but whose time has passed. Despite the light relief and clever humour it's ultimately a tragic tale, as any good tango. I'm not sure how well it would play outside the country ie if it would resonate with people who didn't understand the allegory, but for anyone with an interest in Argentina it's a definite don't miss.

DON'T MISS THIS BEAUTY! This is, first of all, a first-rate film and probably one of the best movies to be remembered in the 21th Century. On the other hand, it certainly is Juan Jose Campanella's BEST film till now (his last of three). You simply cannot get any better than the acting (absolutely everyone!). The film is, true, very local. It depicts a very special segment of a nearby Buenos Aires (Argentina's Capital)city, the city of Avellaneda. The perfect dosage of drama and comedy (up to the hilarious, at times) mixed by Campanella is stunning. Probably, this film will be much more felt and appreciated by those living around the "Cuenca del Plata" ("River Plate Basin"), i.e. Montevideo (Uruguay), Bs.As. (Argentina) and Asuncion (Paraguay) where I was born and live. Ricardo Darin is simply put, one of the around eight best actors in the world, just like that. Some of the best moments are just a close-up of his face switching from doubt to joy with a smile and eyes getting wet. Furtheremore, I strongly recommend the DVD since with the Director Commentary on, Campanella talks profusely about his film, all along, with every possible technical detail of both his director and his writing. I wouldn't know whether the Director's Commentary is included in a USA or non-Latin America issue.