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The 75th Annual Academy Awards

  • Especial de TV
  • 2003
  • 3h 30min
CALIFICACIÓN DE IMDb
6.5/10
1.1 k
TU CALIFICACIÓN
The 75th Annual Academy Awards (2003)
Noticias

Agrega una trama en tu idiomaAward of the American academy of cinematographic arts and sciences, from 1940th known as "Oscar", - American film award created in 1929 and traditionally handed to the figures of cinematogra... Leer todoAward of the American academy of cinematographic arts and sciences, from 1940th known as "Oscar", - American film award created in 1929 and traditionally handed to the figures of cinematographic art for their contribution to creation of movies.Award of the American academy of cinematographic arts and sciences, from 1940th known as "Oscar", - American film award created in 1929 and traditionally handed to the figures of cinematographic art for their contribution to creation of movies.

  • Dirección
    • Louis J. Horvitz
    • Penelope Spheeris
  • Guionistas
    • Hal Kanter
    • Rita Cash
    • Buz Kohan
  • Elenco
    • Steve Martin
    • Ben Affleck
    • John Agar
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.5/10
    1.1 k
    TU CALIFICACIÓN
    • Dirección
      • Louis J. Horvitz
      • Penelope Spheeris
    • Guionistas
      • Hal Kanter
      • Rita Cash
      • Buz Kohan
    • Elenco
      • Steve Martin
      • Ben Affleck
      • John Agar
    • 18Opiniones de los usuarios
    • 6Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Ganó 3 premios Primetime Emmy
      • 6 premios ganados y 7 nominaciones en total

    Fotos52

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    Elenco principal99+

    Editar
    Steve Martin
    Steve Martin
    • Self - Host
    Ben Affleck
    Ben Affleck
    • Self - Presenter
    John Agar
    John Agar
    • Self - Memorial Tribute
    • (material de archivo)
    Wayne Allwine
    Wayne Allwine
    • Mickey Mouse - Presenter
    • (voz)
    Agustín Almodóvar
    Agustín Almodóvar
    • Self - Audience Member
    Pedro Almodóvar
    Pedro Almodóvar
    • Self - Winner
    Mie Andreasen
    • Self - Winner
    Julie Andrews
    Julie Andrews
    • Self - Presenter & Past Winner
    Royce D. Applegate
    Royce D. Applegate
    • Self - Memorial Tribute
    • (material de archivo)
    Eric Armstrong
    Eric Armstrong
    • Self - Winner
    Colleen Atwood
    Colleen Atwood
    • Self - Winner
    Anne Bancroft
    Anne Bancroft
    • Annie Sullivan
    • (material de archivo)
    Kathy Bates
    Kathy Bates
    • Self - Nominee…
    Philippe Bergeron
    Philippe Bergeron
    • French interpreter
    Milton Berle
    Milton Berle
    • Self - Memorial Tribute
    • (material de archivo)
    Halle Berry
    Halle Berry
    • Self - Presenter & Past Winner
    Paul Bettany
    Paul Bettany
    • Audience Member
    Margaret Booth
    Margaret Booth
    • Self - Memorial Tribute
    • (material de archivo)
    • Dirección
      • Louis J. Horvitz
      • Penelope Spheeris
    • Guionistas
      • Hal Kanter
      • Rita Cash
      • Buz Kohan
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios18

    6.51K
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    Opiniones destacadas

    Victor Field

    Every year I say I won't watch... and every year I do. There are worse traps to be in.

    As far back as I can remember, I wanted to be a GoodFella... sorry, I'll start again.

    As far back as I can remember, I've been tuning into the Oscars; first the edited highlights while living in Barbados and stuck with CBC Channel 8, then the coverage on CNN (when they still carried showbiz stuff), and then when I returned to England, it was time to sit up late or get up early and watch them live. The Academy Awards, like them or not, still have a glitz and pull no other award show on Earth can match; the BAFTAs and the Golden Globes can try all they want, but no matter whether they come before or after, they'll always be mere appetizers to the main event.

    This year's, back on BBC1 (who incidentally pretended that losing them to Sky didn't matter... okay, but why did they make such a fuss when they got them BACK?), was amazing not so much for the results - "Chicago" won Best Picture? Who didn't see that coming? - as for the fact that it only overran by about four minutes. Keep up the tight reins, folks (or maybe ensure that not all the nominated songs get performed again). The segments in between the awards with Jonathan Ross interviewing various Americans and Brits are always a cue for me to change the channel or mute it, but the rest of the show...

    Five Bad Things:

    1. The failure of Eminem to turn up and accept an Oscar for Barbra Streisand (E&B would have been a team for the ages).

    2. The snubbing, for the most part, of "The Lord Of The Rings: The Two Towers."

    3. The continuing prejudice of the producers (apparently if you're winning a major acting prize you can talk as long as you want).

    4. Steve Martin's joke about Mickey Mouse being one of "America's leading black actors."

    5. Jennifer Garner appearing alongside the aforementioned actor of colour (it must have been a Disney/ABC thing).

    Five Good Things:

    1. Jennifer Garner appearing and a) maintaining her dignity and b) being one of the best-looking women there (if she, Salma Hayek or Halle Berry are reading this...). No wonder she was nominated for an Emmy for "Alias."

    2. Most of Steve Martin's other jokes (not least the one about Hollywood willing to work with actors of any age - "Young...[picture of Haley Joel Osment]... middle-aged... [picture of Natalie Portman]... or old [picture of Reese Witherspoon]").

    3. Adrien Brody, for delivering the best acceptance speech of the night (sorry Michael Moore, but political statements do not count), and for not letting the opportunity to snog Halle Berry go by.

    4. The fact that "Chicago" didn't win all the Oscars it was up for, sparing us from hearing "All That Jazz" 11 times.

    5. The Oscars giving the Animated Feature award to the only non-American feature nominated (though non-Disney fans note "Spirited Away" was released there by... guess).

    And I'll be watching again next year...
    5TheOtherFool

    My thoughts

    I watched this with a German girl while visiting the USA, only to find a German movie snatching away 'best foreign film' for the hands of the Dutch 'Zus en Zo'. The humiliation!

    Steve Martin did an excellent job in his opening speech, and this is what I thought about the winners of the most important oscars:

    Best Movie - Chicago. I'd rather had seen The Hours win here, but I can live with Chicago I guess... it's a bit of a simple movie but I somewhat enjoyed it, so why not.

    Best Actor - Adrien Brody. Again, I can understand the Academy's choice, but my favorite would be Nicholas Cage here. Such a great performance in such a great film!

    Best Supporting Actor - Chris Cooper. My choice as well. I have this thing going for Adaptation I guess...

    Best Actress - Nicole Kidman. Definately can live with that.

    Best Supporting Actress - Catharine Zeta-Jones. Ouch. Mistake of the year. Should've been Meryll Streep or Julianne Moore.

    Best Director - Roman Polanski. I'm glad it wasn't Scorcese but my favorite would've been Almodovar for his Talk to Her, a great movie. I'm glad that won Best Screenplay.

    One last thing: whatever you say about Bowling for Columbine, it's *not* a documentary. If you are willing to put half trues and whole lies in your film, it may be entertaining and all, a documentary it's not. So shame on YOU, Academy.

    5/10.
    dbracco86

    A generally better year

    In terms of the results happened more the way I wanted. Here's my take on the major categories:

    Best Picture: Chicago deserved to win. Great movie (although NOT as good as Moulin Rouge). However, I think the top 5 should have been: Adaptation, Chicago, Far From Heaven, Frida, and The Hours. I think my favorite is Heaven, but Chicago should have won anyway.

    Best Actor: NICOLAS CAGE SHOULD HAVE ONE!!! He did the most amazing, challenging performance I have EVER seen an actor do (except Ewan McGregor in M.R....I'm a fanatic). He was totally robbed, but then again I didn't expect him to win.

    Best Actress: Victory for Nicole! Well-deserved-she was incredible in the Hours. Yet, my favorite was Julianne Moore for Heaven. Such an underrated movie in the academy's eyes, and she was unbelievable. But I'm really happy Nicole finally has an Oscar.

    Supporting Actor: What can I say? Dennis Quaid is the winner hands down. But since he wasn't NOMINATED, Chris Cooper will have to do...actually he was really really good.

    Supporting Actress: MERYL!! I LOVE YOU! I met her and she was incredibly sweet. Oh yeah, she did an amazing job in Adaptation. Catherine did extremely well too, though--just not quite the same.

    PS~Steve Martin was hilarious, as usual. He was the same two years ago. It should just be all him, and maybe Billy Crystal too.
    7Doylenf

    Star-studded even elevated by presence of Olivia de Havilland...

    Despite the muted tone of the 75th Academy Awards, there were some outstanding moments and here are a few of the observations I care to make on the whole affair:

    1) Adding not a bit of class to the televised event was CAMERON DIAZ, busily chewing gum and staring vacantly at some of the old-time presenters, as though she either didn't recognize them or didn't appreciate that they were a part of film history;

    2) ADRIEN BRODY giving a genuinely heart-felt acceptance speech, including the surprisingly passionate kiss for Halle Berry! Talk about taking advantage of a situation, but at least he was honest about it;

    3) MICHAEL MOORE making a complete jackass of himself by taking the stage to receive an award (for a non-documentary, by the way), and then erupting into a tirade against President Bush and the war that was greeted at first with abashed silence and then a round of well-deserved boos from the overwhelmingly liberal Hollywood crowd;

    4) OLIVIA DE HAVILLAND receiving a standing ovation and still radiating good health and classic loveliness even with silver-white hair as she presented 59 of the past winners. Among the missing: ELIZABETH TAYLOR, which was just as well considering her diamonds would have weighed her down, even if she was sitting in a wheelchair, and would have called for even more of a bodyguard atmosphere than usual;

    5) Among those who didn't look so well (some even shockingly bad), were KARL MALDEN, JENNIFER JONES (who looked like a wax figure), TERESA WRIGHT, GEORGE CHAKIRIS (another wax figure), KIRK DOUGLAS, DUSTIN Hoffman, PATRICIA NEAL and CLIFF ROBERTSON.

    Although it was good to see a stage full of former winners, one couldn't help noticing how few of them resembled their former selves on screen.

    STEVE MARTIN did an okay job as presenter, easily rebuffing Michael Moore with a clever comeback line about the Mafia, but unfortunately veering into tasteless territory with his jokes about MICKEY ROONEY's age or the sexual ambiguities of stars like JACK NICHOLSON and others.

    I was especially impresssed with one of de Havilland's comments after observing that much had changed since the earlier times. "What hasn't changed," she said, in her gentle tone, "is our love of the movies. They inspire us and help us through troubled times." She's done so many Oscar shows as presenter (not to mention winner) and is always a reminder of how classy Hollywood performers used to be.
    bob the moo

    Surprising winners, toned down show

    Is it that time of year already? Despite the fact that the Iraqi war is in full swing, the ceremony still went ahead with, as Steve Martin wryly observed with his opening line, toned down glitz! The impact of the war made for a tighter, more controlled show. Personally I thought the `normal' dress style made the ceremony more relatable without the usual extremes of fashion and talk of how much so and so's shoes cost.

    The subdued air also must have contributed to the show actually finishing on time for the first time that I can ever remember. Sadly it also meant that this ceremony had the lowest live TV audience ever. The subdued air had a big effect on the tone of the night. Steve Martin's jokes were OK but the audience were difficult. Some of his opening monologue was weak, slow and forced – the joke about celebs who slept with him was too full of pauses to work well. It also didn't flow very well – with sudden changes of subject not letting Martin pace himself. And where did that mobile phone come from?! His best line of the night? `Nobody is a loser here – but we're about to change all that'.

    The actual awards themselves were surprisingly surprising. We all knew Chicago would take best picture and a hatfull of other awards but Jones for best supporting?! Also this was supposed to be Martin Scorsese's year? Yeah, GONY may not be anywhere near his best but it's the Academy's chance to make up for his missed chances – but no! Polanksi is a brave choice and it was funny to see Harrison Ford, without a hint of irony, say `Roman couldn't be here tonight!'

    Best actor was a real shock and it clearly was to Brody who swore twice on stage! Personally if neither of the two favourites won I wanted to see Caine win for The Quiet American – his best work for years, but I guess no one wants a film that openly criticises American foreign policy at the moment! Michael Moore took the biggest talking point by calling President Bush a `fictional president leading us into a fictional war'. His film deserved to win and I was surprised that the very liberal Hollywood booed him as they did – I guess no-one wants their stock to go down as the public gets behind `the boys'.

    Biggest surprise for me was Eminem winning best song. Again another brave selection – shame he refused to perform or attend due to being asked to tone his act down. However even with all these talking points the ceremony still felt very muted and Steve Martin wasn't funny enough during the proceedings to lift it as needed. He wasn't bad but I'd always admired Billy Crystal's ability to really lift it by his own presence.

    Overall a good year for surprising winners and talking points. I like it when the odds on favourites don't sweep the board. The show is amusing with Martin pretty good in his monologue and not afraid to go near the bone on one or two lines, but mostly the ceremony was pretty drab. It always amazes me that the presenters of the awards are all great actors etc but can't convincingly read off an autocue!

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    • Trivia
      The Best Original Song winner, "Lose Yourself" from 8 Mile: Calle de ilusiones (2002), was not performed at the ceremony. Reportedly, ABC asked Eminem to perform an edited version of the rap, but he refused (and did not attend the ceremony nor pick his Oscar up). It was the first time since the Awards were first telecast that the Best Original Song winner was not performed.
    • Citas

      Olivia de Havilland: [Presenting the "Oscars family tree" past-winners segment, 53 years to the day after winning her second Academy Award for Best Actress] This night is a memorable one for me. And so was that night fifty-three years ago! Much has changed in our world since then. But what *hasn't* changed is our love of the movies, and their ability to inspire us and to help us through troubled times. Tonight we are celebrating Oscar's seventy-fifth birthday, and the great artists who have over the years added so much to our lives through their work. Here are fifty-nine of them!

    • Conexiones
      Featured in The 55th Annual Primetime Emmy Awards (2003)
    • Bandas sonoras
      Lose Yourself
      Written by Eminem, Jeff Bass and Luis Resto

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de marzo de 2003 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Academy of Motion Picture Arts & Sciences (United States)
    • Idioma
      • Inglés
    • También se conoce como
      • 75-а церемонія вручення премії «Оскар»
    • Locaciones de filmación
      • Kodak Theatre - 6801 Hollywood Boulevard, Hollywood & Highland Center, Hollywood, Los Ángeles, California, Estados Unidos
    • Productoras
      • Academy of Motion Picture Arts and Sciences (AMPAS)
      • Imaginary Forces
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      • 3h 30min(210 min)
    • Color
      • Color
    • Mezcla de sonido
      • Stereo
    • Relación de aspecto
      • 1.33 : 1

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