¡Salvados!

I recall the controversy surrounding Saved when it came out earlier this year, especially from the evangelical church, conservatives and fundamentalists. I wanted to judge for myself its merits, or lack there of, since I've been an evangelical for 30+ years. I felt the movie did exactly what it intended to do; bring to light the hypocrisy of the church. I don't see how anybody, Christian or non-Christian could miss the message. I thought the selection of actors and actresses for the cast was right on, with each doing a very good job of portraying the personality of their characters well. I'm sure the movie was particularly biting to many evangelicals, as it should be--it even 'stung' me in a few places. I could see how evangelicals and conservatives would be outraged. However, the one thing I was especially struck by was the fact that this movie was written by non-Christians. As I watched all the 'digs' on Christians and the points of the evident hypocrisy within the church and Christianity, I came to a conclusion; if this movie was written by a non-Christian, then obviously there is a significant segment of our culture who believe the 'church' really is like this. If anything should move we evangelicals to start living lives of authenticity that reflect the love and grace of Jesus, this movie was it!

Saved! is a movie that will get to the hearts of people everywhere. It so poignantly captures the hardships and comedies of being a teenage girl.

Jena Malone is Mary, a typical teen attending a Christian school. After finding out her boyfriend is gay, a vision of Jesus provokes her to "cure" him by sleeping with him. But when Christian Mary finds out that she is pregnant, all hell breaks loose! She tries to hide the pregnancy, but it becomes difficult. Mary is shunned by her outgoing and devoutly Christian friend Hilary Faye (Mandy Moore), and finds solace with the uniquely rebellious Cassandra (Eva Amurri), who also happens to be the only Jew in the school. Mary also finds a friend in Patrick (Patrick Fugit), the pastor's son. Mary puts up with a lot from Hilary Faye and her friends trying to save her- even the pastor gets involved: "I want you to help" ... "You mean shoot her?" "No... I was thinking something a little less 'gangsta'". But when Hilary Faye goes too far, Cassandra, Mary, Patrick, and Hilary Faye's cool but wheelchair-bound brother Roland (Macaulay Culkin) team up to let Hilary Faye know that she can be "down with G-O-D", but has to be understanding of others as well.

The movie is full of hilarious lines and activities, but it remains believable. Malone portrays a typical teenager who is just trying to fit in and have fun despite her differences. Parts of the movie had me cracking up and quoting it for days on end, other parts were tear-provokingly sweet. As a whole, Saved! is one movie that you can't afford to miss. It just may save us all.

As a non-Christian with left-leaning views, I was looking forward to watching Saved! due to favorable reviews from friends. Although I enjoyed the movie, I was disappointed by the heavy-handed, one-sided nature of the film. The acting was good, but the roles weren't so much characters as caricatures: The over-zealous, conniving hypocritical angel with a gorgeous face but a heart of coal. The non-Christian outcast reeking of immorality and sin but concealing a heart of gold. The brainwashed, disconnected, naive Christian mother. I'm sure these stereotypes do exist out there in the extreme-right, fundamental wing of American Christianity, but surely the majority are not the cardboard cutouts portrayed in Saved (I hope not!).

Ironically, the characters say it best when they point out that the world is not black and white. All in all, the film could have used a touch of subtlety. Furthermore, at times, due to the script and the background music, the film carried a made-for-TV, Nickolodeon tone. But I did laugh quite a bit and I understand the good intentions of the movie so I give it a 7 / 10 .

I am pleased to see a handful comments from Christians who were able to enjoy the movie and take it for what it is. There may be hope after all.

I saw this at a local indie cinema, hoping it would be one of those fairly funny American high school films - plenty of silly gags and good one-liners.

Sadly, I think "Saved!" is the worst film I've ever seen.

The plot had room for good jokes (especially with the potentially sensitive subject matter), but they were all missed or mis-fired.

Disabled kid is cool and rebellious; pretty girl is shallow and insecure; punk girl is tough but with a heart of gold; plain girl is strong and gets the guy; guy incongruously admires plain girl.

It's another one of those "Hey! Alternative is OK" films that can't decide whether to be funny or preachy (no pun intended). Yawn.

This film exceeded my already high expectations. The director and screenwriter have delivered an amazingly acute study of high school dialogue and interaction, while simultaneously exploring the polarizing landscape of evangelical Christianity in America and still delivering consistent laughs from start to finish.

The acting is superb. Martin Donovan (who routinely shines in Hal Hartley's films) here nimbly deconstruct his familiar grim sociopath persona to depict one of the most nuanced anti-heroes ever seen in a teen film. Jena Malone continues and deepens her fine work from Donnie Darko, creating one of the most moving teen heroines in memory. Eva Amurri is an inspired bit of casting as the multi-faceted school rebel who's full of surprises. And... it's true, Macaulay Culkin can act-- and even carries more than one scene with his understated comic timing

The storyline itself often leans on contrivance, but the situations presented ring true with an emotional depth rarely granted to pre-adult characters, and none of the events will seem off the wall to anyone familiar with modern adolescence or this particular religious subculture.

The film is blisteringly funny, unusually sharp in its look at different types of people and their individual frailties, and sweet-- possibly even, despite what else you may have read elsewhere, too sweet. The ending is the softest spot in the movie, but draws effectively on the hard-won empathy for each character to float to a graceful (ahem, pun intended) stop.

To be perfectly honest, as a reviewer who grew up in a very similar environment, I have to say that if the filmmakers could be accused of any distortion of the truth, it is in making their 'villains' *too* sympathetic, too keenly aware of their own flaws, and, in the end, too readily aware of a larger world around them to accurately reflect the worst elements of this belief system. All of the less-sympathetic characters in this film could be drawn from a documentary (yes, even Hilary Faye!)... if, that is, the documentary chose to edit out their least savory moments.

Of course, there are many good-hearted, well-meaning evangelicals in the world, and they are ably represented by characters such as Mary's mother, who makes mistakes, but who thinks more with her heart than her dogma. But the indignant critics who are so intent on finding a mote in the director's eye, because he dares to show how twisted some of their fellow believers might be, might stop for a minute to wave a hand in front of their own face, or their neighbor's, where they may just find a log they've been trying to ignore.