La vida de nadie

Dramatic film about an eternal lie proceeded by Emilio Barrero (Jose Coronado) , a successful man and allegedly banker , he has a good job at Bank of Spain , a luxury house , a lovely wife (Adriana Ozores) and a son who admires him ; but he has built his image around a lie that has been deceived for many years . He's about to turn 40 and his family along with his friend couple (Roberto Alvarez , Laura Conejero) prepare a surprise party . However , they take their surprise when they find out that Emilio is not the man who appears to be , and it all began with a little white lie until a tragic and twisted finale .

An impressively crafted , well-played drama , founded on a perfectly calibrated screenplay whose emotional grip tightens as it proceeds . Debut director Eduard Cortés, from the world of television , where he has extensive experience as a director of TV3 regional channel . Cortés, also writer, was inspired by the true story of Jean-Claude Romand, who in 1993 murdered his family, which he held for 18 years deceived into believing that he was a successful doctor. An unfortunate incident brought to life in two films : 'El Empleo del Tiempo' or 'Time Out'' and 'El Adversario' or 'The Adversary' . The film has a first part key comedy almost to end leading to a dark tragedy . The protagonist of this great deception , Emilio Barrero , is well starred by José Coronado, who appears with Adriana Ozores and Marta Etura , both of whom nominated for a Goya for their perfect acting . Jose Coronado is simply awesome , he steals the show as a pathological liar with dark secrets , ten years later he achieved a hit smash with "No Rest for the Wicked" . The picture deservedly had winner best actress in Valladolid Film Festival and Goya Award Nominee to best new director , best actress and best new actress . Agreeable support cast gives nice acting as Roberto Alvarez , Eduardo Marchi and Laura Conejero . Colorful photography with juicy atmosphere , being filmed in Madrid by Jose Luis Alcaine , Pedro Almodovar's usual, deemed to be one of the best Spanish cameraman . Lively and atmospheric musical score by Xavier Capellas , he is a good musician who has composed superb jobs . Well produced by Enrique Cerezo and Pedro Costa , the latter a fine producer expert on renditions based on true events such as ¨Huella Del Crimen¨, ¨Crimen Cine Oriente¨ , ¨Casa en Afueras¨ , ¨Redondela¨ , ¨Caso Almeria ¨ and of course this ¨La Vida de Nadie¨ or "Nobody's Life" International , English title . The motion picture was professionally directed by Eduard Cortes , being his first film , though has realized several TV episodes for known series and subsequently shooting other films as Ingrid , Los Pelayo and Atraco . The motion picture will like to trio protagonist fans , Jose Coronado , Marta Etura and Adrian Ozores ; all of them make an excellent work . Rating : Better than average , worthwhile watching .

IMDb 6.9/10 ROTTENTOMATOES 3.8/5

A man's life, who is not what he appears to be, is about to change.

I was very surprised when I watched the movie, because the viewer develops such strong and contradictory feelings for the main character while you witnessing his actions in disbelief.

Tension is well build and the story is well told. Performances are good.

The pace is slow at the beginning but it increases along with the suspense.

Based on a true story.

Very good movie, very tasteful throughout including well placed nudity. This is not a happy movie, as it aims at showing family life that is not happy, but not tragic either. As you watch you get a feeling of mundane daily depressing life and people just doing things because that is what people do in life. It is just a man, a woman, their kid and a babysitter navigating their daily routines. The whole movie revolves around that, the characters normal daily lives. Nothing special happens at all. There are no magic events, not glamorous plots... just daily life. So how do you make that interesting to watch? Well, you take well written characters, have them cast with good actors and have a good script to back it up.

The highlight and pivotal element here is that Emilio is a scam through and through. We are shown that he is a liar early on and throughout the movie that continues to be reinforced. Everything about him is a lie, and as the movie progresses we are shown more of his lies and how they affect those around him. We almost want to feel for him as he tries to hang onto his life of lies he has built but at the same time, we also see how he continues to manipulate and create more lies to keep the old lies "true" and you get a sense of disgust about him. You know it will all crash at the end; you watch and shake your head wanting to say to him - STOP, but alas, you cannot do that. You are in for the ride.

And i have to say the ending is not happy, but logical and it leaves you angry. Not because of what happens, but because you have that one conversation where you think that you will get closure about him and that is something that is not in the script. The movie ends and leaves you empty, and you will remember that moment and to me that is good and fitting. You can feel sad, or you can feel happy, but whichever one you feel, you will feel empty. And that impact on the viewer is what good drama is all about.

I enjoyed the suspense, but I felt the movie to be rather clinical and Hollywood in style. It could have been set anywhere. There is nothing in the movie that gives me that 'made in Spain' sort of movie appeal, such as Almodovar movies do.

Of course, how could he. He obviously co-opted several aspects from that excellent movie, which was also based on the sensational French case of the self-described "doctor in the World Health Organization" who murdered his family and himself when finally unmasked as a fraud. Emilio refers to his son as "monster," he sings to the radio in his car, he hangs out on park benches, and he specializes in investment schemes to defraud his family and friends -- all of this and more directly lifted from "Time Out," which came out the year before "Nobody's Life." It's too bad because this movie is pretty good on its own, with good acting and writing. Whereas Vincent from "Time Out" is a much more subtle character who seems to have a sense of ethics even though at times it gets twisted into knots, the protagonist here seems devoid of any character at all save for his winning looks and charm. Seriously, the part where he used X-rays that show his mother-in-law's cancer to bilk more money from his father, then utilizes a subtle twist on the same scam to avoid eviction from his fancy home for failing to pay the lease on time -- it's almost too much. The guy has no shame whatsoever, In fact, he's more like the lead in "Stepfather" than some poor schmuck who gets fired and is so humiliated that he can't face the disappointment of his family and friends and feels forced to invent a shiny new life for himself, as Vincent did in "Time Out." Thus, one could feel the tension mounting in "Nobody's Life" and the violent conclusion coming. One thing "Nobody's Life" has that "Time Out" definitely lacked was a love interest apart from the protagonist's trusting wife. It's not hard to understand how the sexy babysitter was able to fascinate and ensnare Emile to the degree that he ignored the danger of her natural curiosity and allowed it to lay bare his less than carefully constructed con. Given the reservations mentioned, this is a pretty good movie that we found entertaining. If you long for something touching on similar elements that goes a might deeper and is more intellectually and spiritually satisfying, I strongly suggest "Time Out."