La vida de nadie

I wish that I had a grain of sugar for every story about a woman who is married to a man who turns out to be someone else, or in this case, a total fraud. I could make a few pounds of candy with all of that sugar, but with this film, I'm not even left with anything resembling a satisfying ending. If you read the synopsis, you know exactly what the film is about so waiting for the story to unfold was extremely anti-climatic. After we see what's going on, it's just a matter of running out the clock.

I've read that this was based on a true story, and there are countless examples of men who have parallel lives, sometimes several of them. I just seems like way too much work, at least to me. Lord, one family would be way too many as far as I'm concerned.

Overall, this was a huge bore and I mostly fast-forwarded through it.

Dramatic film about an eternal lie proceeded by Emilio Barrero (Jose Coronado) , a successful man and allegedly banker , he has a good job at Bank of Spain , a luxury house , a lovely wife (Adriana Ozores) and a son who admires him ; but he has built his image around a lie that has been deceived for many years . He's about to turn 40 and his family along with his friend couple (Roberto Alvarez , Laura Conejero) prepare a surprise party . However , they take their surprise when they find out that Emilio is not the man who appears to be , and it all began with a little white lie until a tragic and twisted finale .

An impressively crafted , well-played drama , founded on a perfectly calibrated screenplay whose emotional grip tightens as it proceeds . Debut director Eduard Cortés, from the world of television , where he has extensive experience as a director of TV3 regional channel . Cortés, also writer, was inspired by the true story of Jean-Claude Romand, who in 1993 murdered his family, which he held for 18 years deceived into believing that he was a successful doctor. An unfortunate incident brought to life in two films : 'El Empleo del Tiempo' or 'Time Out'' and 'El Adversario' or 'The Adversary' . The film has a first part key comedy almost to end leading to a dark tragedy . The protagonist of this great deception , Emilio Barrero , is well starred by José Coronado, who appears with Adriana Ozores and Marta Etura , both of whom nominated for a Goya for their perfect acting . Jose Coronado is simply awesome , he steals the show as a pathological liar with dark secrets , ten years later he achieved a hit smash with "No Rest for the Wicked" . The picture deservedly had winner best actress in Valladolid Film Festival and Goya Award Nominee to best new director , best actress and best new actress . Agreeable support cast gives nice acting as Roberto Alvarez , Eduardo Marchi and Laura Conejero . Colorful photography with juicy atmosphere , being filmed in Madrid by Jose Luis Alcaine , Pedro Almodovar's usual, deemed to be one of the best Spanish cameraman . Lively and atmospheric musical score by Xavier Capellas , he is a good musician who has composed superb jobs . Well produced by Enrique Cerezo and Pedro Costa , the latter a fine producer expert on renditions based on true events such as ¨Huella Del Crimen¨, ¨Crimen Cine Oriente¨ , ¨Casa en Afueras¨ , ¨Redondela¨ , ¨Caso Almeria ¨ and of course this ¨La Vida de Nadie¨ or "Nobody's Life" International , English title . The motion picture was professionally directed by Eduard Cortes , being his first film , though has realized several TV episodes for known series and subsequently shooting other films as Ingrid , Los Pelayo and Atraco . The motion picture will like to trio protagonist fans , Jose Coronado , Marta Etura and Adrian Ozores ; all of them make an excellent work . Rating : Better than average , worthwhile watching .

Of course, how could he. He obviously co-opted several aspects from that excellent movie, which was also based on the sensational French case of the self-described "doctor in the World Health Organization" who murdered his family and himself when finally unmasked as a fraud. Emilio refers to his son as "monster," he sings to the radio in his car, he hangs out on park benches, and he specializes in investment schemes to defraud his family and friends -- all of this and more directly lifted from "Time Out," which came out the year before "Nobody's Life." It's too bad because this movie is pretty good on its own, with good acting and writing. Whereas Vincent from "Time Out" is a much more subtle character who seems to have a sense of ethics even though at times it gets twisted into knots, the protagonist here seems devoid of any character at all save for his winning looks and charm. Seriously, the part where he used X-rays that show his mother-in-law's cancer to bilk more money from his father, then utilizes a subtle twist on the same scam to avoid eviction from his fancy home for failing to pay the lease on time -- it's almost too much. The guy has no shame whatsoever, In fact, he's more like the lead in "Stepfather" than some poor schmuck who gets fired and is so humiliated that he can't face the disappointment of his family and friends and feels forced to invent a shiny new life for himself, as Vincent did in "Time Out." Thus, one could feel the tension mounting in "Nobody's Life" and the violent conclusion coming. One thing "Nobody's Life" has that "Time Out" definitely lacked was a love interest apart from the protagonist's trusting wife. It's not hard to understand how the sexy babysitter was able to fascinate and ensnare Emile to the degree that he ignored the danger of her natural curiosity and allowed it to lay bare his less than carefully constructed con. Given the reservations mentioned, this is a pretty good movie that we found entertaining. If you long for something touching on similar elements that goes a might deeper and is more intellectually and spiritually satisfying, I strongly suggest "Time Out."

I enjoyed the suspense, but I felt the movie to be rather clinical and Hollywood in style. It could have been set anywhere. There is nothing in the movie that gives me that 'made in Spain' sort of movie appeal, such as Almodovar movies do.

Emilio is a successful business man, a perfect father and a good husband. Or that is what everybody think. The perfect storyline he has carefully built all along these years will start closing around him all of a sudden. Will he be able to keep up with his own lies?

This is a very well laid out drama, with great acting and steady direction. Even though the plot is pushed up to the limit to increase the tension, the movie explores some of our worst fears... Do we really know the people we deal with? Can we be so sure?

The story develops at an increasingly faster pace as it reaches the point where Emilio is not in control of his lies anymore. A good deal of Spanish movies have interesting stories but are far from technical proficiency. The perfect rhythm and well shot scenes make the actors so credible, we get inside Emilio, and hate him, and suffer for him, as his situation gets more and more desperate. There is no need for any Spanish folklore, nor is this an attempt to create a Hollywood style flick. This is real Spain, 2002, and regardless the obvious unlikeliness of Emilio's life existing in reality, there are good chances somebody we know is not quite like the person he claims to be. Not just a great commercial product, it will let you wondering where lies can get us to. Can we keep up?

Well done.