Por no quedar pobre

'Torremolinos 73' is the proof that Spanish cinema is nowadays one of the best in the world, and that Almodovar is not the only one who makes it deserve this honor. Pablo Berger is the director and this is only his second film, but the work is of a mature creator, mastering the subject, with a deep understanding of the time the plot happens, with a strong hand in directing his actors, while leaving them enough space for creativity.

The plot happens in 1973, a moment before the fascist dictatorship in Spain fell, and Spain re-joined the family of democratic nations. A not so young couple anticipates in a way the cultural and economic revolution all Spain will go soon, by acting and producing porno movies for the Scandinavian market under the pretext of 'researching reproduction morals in different countries'. The film tells a lot about the process of transition between dictatorship and democracy and its moral risks, about the contrast between tradition and liberal morals, about the relation between pornography and art. All is done in good taste, even the soft core porno scenes are justified for a change. The actors are wonderful, they create empathy with the viewer, and they are credible as characters.

9 out of 10 on my personal scale.

"Torremolinos 73" starts out looking like just another dreary dirge about the down-on-his-luck salesman whose soul is being crushed by the emptiness of his existence. Alfredo is struggling to provide for his wife, but failing. Door-to-door sales are being phased out.

Not to worry--his employer has an alternate plan. They will produce "scientific" films about Spanish reproduction customs for sales in Scandinavia.

I don't want to relate any more of the action, but the story turns into a light-hearted comedy about a married couple who truly love each other. By following an odd pathway--spurred by their need for money--they manage to achieve what each wants from life.

Some of the best touches are the use of iconic cinematic images in the filming of the titular film within this film.

Though some reviewers focus on political commentary within the film, this film can be enjoyed on a purely comedic level. Javier Camera, who plays Alfredo, is an affable everyman. Candela Pena, as his wife Carmen, is an unassuming woman who longs for the simple things in life. Together they are a likable couple whose happiness springs from their love for each other.

I think everyone is being a tad harsh on this film, there is no way they could have kept the pace of the first half of the film up it would have been exhausting.Seeing this film in a packed cinema @ cornerhouse certainly helped, seen Candela Pena in two films recently she shines in both.As for the second half of the film & the transition from comedy to drama the laughs didn't dry up they just were a bit more subtle i thought he bergman stuff especially carrying the sithe on the rollercoaster & playing chess on the pedolo was hilarious. An honourable debut for me it looked like the seventies, all brown & beige. The donkey bit was very funny, definitely not subtle.

Spanish Cinema has a fairly different wave and it is pleasant to see such movies coming from the new directors with different content & storytelling.

"Torremolinos 73" is an honest movie, as a débutant Pablo Berger has come up with something amusing and solemn.

Set in 1973, an encyclopedia salesman Alfredo who sells it door-by door is not able to meet his ends. He has been given only an alternative by his chief – to make adult movies with wife Carmen or leave the company. After some dithering, they reluctantly accept the proposal and it starts the journey of ecstasy & agony.

Using fade colors, it gives a feel of 70's with some good dialogs and funny situations. Javier Cámara is good as a Bergman's admirer (camera Buff), Candela Peña is incredible as a timid person having some desires to fulfill.

Recommended

7.5/10

My wife is kinda obsessed with non-American filmography and she insists on watching every non-American movie on a theater near us. Well, I can't say I am a fan of Hollyweird myself - on the contrary - but I like the independents and on occasion I can even rent a blockbuster for a couple of popcorn hours at home.

So, she dragged me (almost literally) to said theater to watch "a Spanish comedy". She's an avid Almodovar fan (I am not) and so gets pretty much excited over Spanish films.

We went into the theater along with 15 (yes, fifteen) other spectators... not much of an atmosphere, huh? I was not fairly predisposed towards the film, to say the least.

After the two hours have passed, though, I was in love with this little gem! Torremolinos '73 is a very smart film, and has lots to give to any open-minded person, especially if said person has a decent knowledge of Bergman's films.

The first part is extremely funny. Especially the scenes with the couple shooting the ...educating movies, are hilarious. Irony is all over the place, subtle references to Frankist Spain are obvious to those who know what they should look about, but everything serves the purpose to have a good laugh, even if you have to actually think about the film to do so.

The second part is not as funny, but I almost wet myself while the aspiring director Bergman-wannabe shoots a number of scenes with his utterly talent-less wife, imitating every last cadre of a Bergman film! To sum this up: If you are not annoyed by ample nudity (I have to say this since IMDb is also accessed by... ahem... cultures not quite fond of nudity), you like witty (the Spanish way) humor and you are a bit of a Bergman-geek (does such an animal even exist???) you are going to adore Torremolinos '73, as I did.

Probably the best comedy (by far...) I watched this summer.