Stateside

I don't know if it matters to anyone, but the 'real life' model for this picture is supposedly Sarah Holcomb, a luminous young actress of the late 70's and early 80's. She played the 13 year old check out girl in 'Animal House' who befriends Tom Hulce (and passes out naked after dropping the bombshell of her age), and later played the Irish waitress Maggie in 'Caddyshack'. After that, she disappeared. I guess the movie explains why.

A Danny Holcomb is cast in the movie, and the credits thank an anonymous 'S.H.' Ms. Holcomb these days lives in deliberate obscurity far away from show business.

Interesting movie. Has some real thought provoking parts. The main female lead (Cook) is shown as having schizophrenia. Usually, movies show such people as evil and people to be feared, which is not accurate and only worsens the negative stigma of mental illness - but makes for money making movies.

Knowing a lot of the mental illness of schizophrenia, I can state that the producers of this movie have done a very good job of showing a real person with schizophrenia. Cook does a great job of showing that person.

Yes, movie is somewhat disjointed and the ending somewhat abrupt. But it's still a meaningful movie.

Stateside breaks the mold of teen love stories. Though it might not appeal to a mass audience of younger teens, this movie appeals to people ranging from young adults to baby-boomers and gen-x-ers who lived through this period. The cast is stellar, and the direction seems solid and the camera-work deliberate. The real-life Marine experience of director of Reverge Anselmo brings a sense of realism to the film that is often lacking in pictures about the military – which tend to be heavy with political rhetoric and are often written by people who experience wartime from Berkley CA.

This picture is enhanced by a spectacular soundtrack that compliments the film well. It's always a good sign for a film when major actors accept minor roles. Stateside finds Penny Marshall having an un-credited role as a nurse, and Carrie Fisher as Mrs. Dubios – a part which is concentrated in mostly one scene. Val Kilmer and Joe Mantegna combine for about 15 minutes of screen time.

The reviews for this movie were mixed. However, I find it impossible to change the channel when it comes on TV, and it's quickly climbing my short-list of favorite films. Clearly not everyone will like this Stateside. It does have continuity issues, and there are some dialogue and plot details that don't make sense until the second or third time you see it. And I agree that the ending is slightly abrupt. However, if you're looking for a romantic movie or a hidden gem drama, you can do a lot worse with an hour and a half of your life.

I saw a prescreening of this lovely movie. It explores fresh exciting territory while telling an extremely realistic teen love story. When the leads sneak around and struggle to be together, it has the romance and fun of ROMEO AND JULIET. In other ways it reminds me of THE MAGDALENE SISTERS in that it tells a story that is important for people to see. However, just like in Magdalene Sisters the message doesn't interfere with the high level of entertainment. The mental illness doesn't take over the film. It just provides a unique obstacle that the lovers must get over to be together.

The acting is excellent and the all the characters are really alive, flawed,

passionate and interesting. All in all, this is a warm and funny movie.

Having shared many conversations with Reverge Anselmo, I found him to be the honorable person portrayed in this wonderful film based on a time in his life. Both he and his film deserve high praise. With "Stateside" R. Anselmo brings the audience an intimate story with the ring of universal truth. Jonathan Tucker captures what I would imagine the young Anselmo to be, a young man of honor who grew up to be an honorable adult. I look forward to seeing future films from this talented writer/director, who presents glimpses of his interior with each project and who will meet with continued success telling stories that resonate with audiences.