Daltry Calhoun

I am writing because the only person, so far, who has posted a comment was clearly a man. It is so easy for someone to dismiss this movie as a "chick flick," but it only falls into that category if you are the kind of man who is totally out of touch emotionally. Yes, that is the norm, but still. I would highly recommend this film to anyone. Mothers will cry and young women will relate to the wonderful young actress who stars in the movie. Johnny Knoxville is surprisingly good as the unwitting father, and there are some very sweet father/daughter scenes. Juliette Lewis is, as always, fun to watch, and she handles her small role perfectly.

This is a wonderful, sweet, and (to me)spiritual movie about people needing each other, and coming together to help each other heal. If you're looking for car chases or moronic dialogue, this isn't the movie for you. Daltry Calhoun is in some ways reminiscent of "To Kill A Mockingbird", (a book the character June happens to be reading in one scene). Lots of subtle playbacks and references,(Johnny Cash, Charlotte's Web) and it's funny too. I have a great deal of respect for Johnny Knoxville, who, as a father himself, chose a vehicle that his own daughter will be proud to watch. He had great credibility as a father. Juliette Lewis was likable and believable as a woman falling in love after the loss of her husband.I liked the fact this movie didn't have gratuitous sex and showed people developing relationships, all in a humble, non-preachy way. The plot unfolded slowly and with subtleness. It made you work, and made you think more deeply, which to me, is what an indy film should do. I liked the subtle, yet impactful emphasis on values and spirituality. The main characters in this film, including Knoxville's and Lewis' characters were just plain, decent people. This might be the kiss of death in reviewing it, but you could show this film to a church group, and have plenty to discuss. Plus, it is funny, and has a kick-ass soundtrack. And, while this isn't a selling point for everyone, I find Johnny Knoxville someone who, despite all the fun (and rapier wit)of Jackass and Wildboyz, appears to be a deep thinker, with intelligence, and, dare I say, the desire to make a nice family film with a moral message. I loved it!

"Daltry Calhoun" is a tall refreshing drink of pure spring water in the sewage that's spilling out of Hollywood today. A beautiful, poignant, sweet character drama about a father who reunites with his 14 year old prodigy daughter. Johnny Knoxville is both funny, sweet, and endearing, but the real star is Sophie (I forget her last name) who plays June. Her performance is so powerful, funny, and magentic that you feel you're watching someone who will be a major star in a few years. Katrina Bronson's script and direction has that delicate but surehanded touch that I felt when I first saw "Lost in Translation." If you want to go to a movie to feel good and have something truly tug at your heartstrings, go see it.

Going into "Daltry Calhoun", I really didn't know what to expect. I've been a long time fan of it's star, the likable Johnny Knoxville, and knew it was something of a comedy, but that was about it. I surely wasn't expecting the type of movie that I got, but it was by no means a let down either. "Daltry Calhoun", While named after Knoxville's character, is actually more the coming of age story of Calhoun's daughter, June, as she's reunited with her father. The story is told from her point of view and is very pleasant, heartwarming and damn near a "family" type of film, save for a bit of bad language (probably the only time you'll hear "family" describing a film with Quentin Tarantino's name on the cover). It almost reminded me of a more contemporary and far less cheesy version of "My Girl", which will leave most of it's audience going "awww." as oppose to "haha". But for the kind of movie it was, a light sentimental comedy, I found it quite enjoyable.

Despite good performances and solid direction, this movie leaves you wholly unsatisfied because essentially nothing climactic or surprising happens to tie it all together in the end.

The conflicts between the various characters resolve themselves all too easily, as does the problem Daltry is having with his failing empire. The ending leaves you feeling that once the script hit 100 pages, the screenwriter just decided to finish things off.

Worth seeing for solid performances by Knoxville and newcomer Sophie Traub, but overall it just feels like a good idea that never develops fully.