It's a Bird... It's a Plane... It's Superman!
- Película de TV
- 1975
- 1h 29min
CALIFICACIÓN DE IMDb
3.8/10
478
TU CALIFICACIÓN
Adaptación televisiva de una obra de Broadway de la década de 1960, en la que un científico contrata a un grupo de gángsters para intentar desestabilizar mentalmente a Supermán.Adaptación televisiva de una obra de Broadway de la década de 1960, en la que un científico contrata a un grupo de gángsters para intentar desestabilizar mentalmente a Supermán.Adaptación televisiva de una obra de Broadway de la década de 1960, en la que un científico contrata a un grupo de gángsters para intentar desestabilizar mentalmente a Supermán.
- Dirección
- Guionistas
- Elenco
Lesley Ann Warren
- Lois Lane
- (as Lesley Warren)
David Patrick Wilson
- Superman
- (as David Wilson)
- …
Stuart Goetz
- Jerry Siegel
- (as Stuart Getz)
Gary Owens
- Narrator
- (voz)
Opiniones destacadas
This movie could have been awesome, but it misses the mark. It's a Superman Musical, based on a Broadway flop, and aired at 11:30 at night; you know it's not going to be Oscar material. But the fun comes in that the movie knows it's bad, and revels in it. It bears its cheese like a badge of honour, and as such actually comes close to being pretty good. It's cheesy, low-budget, and self-referential: three of my favourite things. Plus, it's narrated by Gary Owens, which makes it hard to go wrong.
But there's two problems: 1. It goes on way too long. There's only maybe 20 minutes of plot, tops, stretched into an hour and a half. This is due largely to 2. The songs. There's a whole lot of them, and they're not very well written. In fact, when you get down to it, some of them are really badly written. The rhyme schemes are haphazard and lackluster, the tunes are decent but nothing special, and in general, they all end up being pretty forgettable.
The songs also tend to repeat themselves a lot, stretching a single point into five or six verses... Then repeating several of those five or six verses over for emphasis. It gets boring very quickly. And since a large portion of the movie is devoted to the songs, the movie also gets old pretty quickly.
Still... For all of its flaws, it ends up being a fairly enjoyable movie. And as bad as it is... It's still not nearly as bad as The Adventures of Superpup.
But there's two problems: 1. It goes on way too long. There's only maybe 20 minutes of plot, tops, stretched into an hour and a half. This is due largely to 2. The songs. There's a whole lot of them, and they're not very well written. In fact, when you get down to it, some of them are really badly written. The rhyme schemes are haphazard and lackluster, the tunes are decent but nothing special, and in general, they all end up being pretty forgettable.
The songs also tend to repeat themselves a lot, stretching a single point into five or six verses... Then repeating several of those five or six verses over for emphasis. It gets boring very quickly. And since a large portion of the movie is devoted to the songs, the movie also gets old pretty quickly.
Still... For all of its flaws, it ends up being a fairly enjoyable movie. And as bad as it is... It's still not nearly as bad as The Adventures of Superpup.
6tavm
Today, April 18, 2018, is the 80th anniversary of Superman's first appearance in Action Comics # 1 which premiered at newsstands on that date way back then in 1938. So it was with that in mind that I finally got to watch the entirety of this TV adaptation of the Broadway musical from the mid-'60s based on The Son of Krypton. It was meant to be campy, like the Batman TV show from that period, and, boy, there's a lot of camp here. David Wilson plays the Man of Steel who gets weepy near the end but I don't want to mention why just watch the thing if you're willing. Lesley Ann Warren plays Lois Lane with such cheery dreaminess that it's almost infectious. Kenneth Mars and Loretta Swit are fellow Daily Planet scribes created especially for the musical. And David Wayne is the main villain and he's the funniest one in the cast especially whenever he breaks the Fourth Wall! I also recognized Al Molinaro as one of the gangsters who help in the villainy. Two more characters are a couple of young men who address each other as Jerry and Joe, one ID's himself as wanting to draw and the other wanting to write about Superman. It's clear they're meant to be Jerry Siegel and Joe Shuster, Kal-El's creators. In fact, the last thing Superman says to them is "Hey, Jerry, Joe, what can I say without you there wouldn't be a Superman!" Truer words were never spoken and it's pertinent here since at the time, they still weren't credited as Supes' creators (in fact, they hadn't been since the last of the Famous Studios cartoons that featured him back in '43) and wouldn't be until the release of Superman: The Movie in '78. In summary, It's a Bird...It's a Plane...It's Superman! was a partly enjoyable take on the comic book legend.
Being a big SUPERMAN fan, I can remember when this musical was on TV. I think it was broadcast as an episode of the late night ABC WIDE WORLD OF ENTERTAINMENT. At the time, the old SUPERMAN TV show was popular in reruns again. What made me think to look this up, is that I am currently watching a vintage (c.1966) episode of I'VE GOT A SECRET on THE GAME SHOW NETWORK. The celebrity guest is an actor named Bob Holiday, who was currently starring on broadway in the original play. With songs by Charles Strouse and Lee Adams, who also wrote "Bye Bye Birdie." Holiday came dressed in his Superman costume, and his "secret" was to teach Steve Allen how to fly on a wire. I seem to recall seeing a TV GUIDE article about the play from around this time. I can remember the cast album of this play being available in budget "cut-out" record album bins for many years. The stars in the stage play (or at least on the show album) were Jack Cassidy and Linda Lavin. I sure wish I would have bought one then, but checking on the net, the cast LP was re-released on CD in 1992! Those are my memories of IT'S A BIRD, IT'S A PLANE. Mark R. Hill
I recommend tracking down the best quality version of this you can find, as there are some pretty horrible versions out there.
I have seen this twice now. It's mostly quite boring, it's silly, many of the jokes are dumb, and the songs aren't that catchy. As a musical, there's not much of a reason to go looking for this. The same goes for those who are after a good Superman-movie. This isn't it. Superman is an overly insecure side-character in this story, that mostly revolves around the goofy villains.
But if you like so-bad-it's-good, things that are campy, or just interesting pieces of popular culture - then you can do worse than this musical. It's interesting to note that the people who wrote it, also took part in writing the 1978 Superman-movie (maybe this explains why both movies featuring Superman using x-ray to look at underwear). For superman-fans, you might notice how the creators of Superman, Jerry Siegel and artist Joe Shuster, appears as characters in the movie. As a Norwegian, I took great delight in the villain's end goal being to destroy Sweden(!). And there are some gags in the movie that are genuinely funny.
That said, the movies doesn't take itself seriously on any level, and there's not much more than the novelty of it, that makes this worth a watch.
I have seen this twice now. It's mostly quite boring, it's silly, many of the jokes are dumb, and the songs aren't that catchy. As a musical, there's not much of a reason to go looking for this. The same goes for those who are after a good Superman-movie. This isn't it. Superman is an overly insecure side-character in this story, that mostly revolves around the goofy villains.
But if you like so-bad-it's-good, things that are campy, or just interesting pieces of popular culture - then you can do worse than this musical. It's interesting to note that the people who wrote it, also took part in writing the 1978 Superman-movie (maybe this explains why both movies featuring Superman using x-ray to look at underwear). For superman-fans, you might notice how the creators of Superman, Jerry Siegel and artist Joe Shuster, appears as characters in the movie. As a Norwegian, I took great delight in the villain's end goal being to destroy Sweden(!). And there are some gags in the movie that are genuinely funny.
That said, the movies doesn't take itself seriously on any level, and there's not much more than the novelty of it, that makes this worth a watch.
The Broadway production was named in the Broadway ten best list for that year. You've got Possibilities was recorded by Jane Morgan, Edie Gourme and Streisand. The staging was by the legendary director Hal Prince. The writers of the book enentually used some of their often humorous story as part of the screenplay that they eventually wrote for the Christopher Reeve film.
The TV production was unfortunate in being broadcast out of prime time, and it did look cheap. Best line ... when Perry White receives a news article from a reporter and says "Rosebud..a sled!!!! no one will believe that!". Was anyone paying attention? Why do people on this board keep saying there was no Perry White? Even the Broadway production had a Perry White, played byEric Mason. It was Hal Prince the director who replaced the character of Jimmy Olsen with a more mature pragnmatic character named Jim Morgan. This vharcter was cut from the TV production. Benton and Newman's main plot line and tongue in cheek humor are maintained in the Salkind film. The biggest objection to the Broadway show was it looked too much like Bye Bye Birdie, and the villains parts were bigger than Superman's or Lois Lane's.
The TV production was unfortunate in being broadcast out of prime time, and it did look cheap. Best line ... when Perry White receives a news article from a reporter and says "Rosebud..a sled!!!! no one will believe that!". Was anyone paying attention? Why do people on this board keep saying there was no Perry White? Even the Broadway production had a Perry White, played byEric Mason. It was Hal Prince the director who replaced the character of Jimmy Olsen with a more mature pragnmatic character named Jim Morgan. This vharcter was cut from the TV production. Benton and Newman's main plot line and tongue in cheek humor are maintained in the Salkind film. The biggest objection to the Broadway show was it looked too much like Bye Bye Birdie, and the villains parts were bigger than Superman's or Lois Lane's.
¿Sabías que…?
- TriviaThis show was based on the 1966 musical of the same name which was considered the biggest Broadway flop of its time, closing after 3 1/2 months and costing $600K (equaling over $5 million in 2022). Although the play was praised by critics and audiences, it wasn't well promoted and found itself in direct competition with ABC's unexpected hit Batman (1966), which had just begun airing on TV twice a week. As a matter of fact, Superman's debut was intended to be heralded on the cover of Life Magazine, but it was ultimately reduced to a small sidebar in a flashy cover story about Batman. This heavily reworked TV special was an attempt to recoup some of the show's financial losses and to boost interest in licensing it for high school and regional theatre productions, but ABC buried it on their late-night schedule for both broadcasts.
- ErroresDr. Sedgwick's dates on the Nobel Prize winners are inaccurate. Richard T. Zsigmondy was awarded it in 1925, not 1938, and Sir Chandra V. Raman got his in 1930, not 1949. Also, although he didn't cite a date, Harold Urey received his award in 1934, so he would not have been in direct competition with Sedgwick, who didn't earn his P.H.D. until 1938.
- Créditos curiososEach cast member is shown in a brief clip that accompanies their name in the end credits sequence, and then - unusually - many of the crew members are similarly credited with an on-set photo.
- Versiones alternativasThe heavily bootlegged version is just titled "Superman." The original broadcast version featured the complete name and included an additional card in the end credits with copyright information.
- ConexionesFeatured in Look, Up in the Sky! The Amazing Story of Superman (2006)
- Bandas sonorasWe Need Him
Music by Charles Strouse
Lyrics by Lee Adams
Sung by David Patrick Wilson, Nita Talbot, Joanna Kerns, Ronnie Claire Edwards, Udana Power, and Chorus
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