L'esquive

I think this film deserve theirs Césars for a lot of reasons. The actors are excellent, especially Sara Forestier who's not from suburbs and has learned all words of this 'particular' vocabulary. The screenplay is very well, finally that's a play in a play ("le Jeu De l'Amour Et Du Hasard" written by Marivaux). This film shows almost the reality, is sometimes funny. The french teacher is disgusting, she is exactly what the director wants to fight : a society were there is no hope for an inhabitant of suburbs. As to her, Kremo is an idiot because he will never be Arlequin, he 'll never be in love and he doesn't even know how to play it. The film shows how wrong it is... The low point of the film is the sound, very bad, I think they wanted to be more realistic but that could be better, and realistic. This film is well to see, everyone can learn something.Even for french the language is hard to understand(sometimes we would have wanted subtitles!). I don't think the foreigners (particularly the ones who watch only blockbusters) will enjoy, or/and understand. But this freshly film is worth to be seen with attention.

I saw L'Esquive at the San Francisco Film Festival on April 24. I was prepared for a sappy coming-of-age romantic movie but with the first dialogue which whisks you up before even the titles are shown and doesn't put you down until the end of the movie, I got something much more fulfilling. This is one realistic and well-performed movie. The director got some fantastic acting out of an almost 100% amateur cast. Very realistic and fast-paced. It is not a perfect movie, but it is very energetic and definitely a must-see.

Well worth seeing and probably the highlight for me at the festival. Hopefully it will screen in the US.

Although imperfect from a cinematographic point of view, this film is remarkable as it penetrates deep into the lives of suburbia kids in Paris.

All kids are from North Africa. They are boeur, which means arab in their bizarre dialect of french. I really doubt an old french man or woman understand what they are saying without subtitles.

To love someone, to leave someone make deep marks in our souls when we are young.

This sincere and honest film about teenage love should not be missed, if there is any screening available.

I really did like this film! - those viewers, French or otherwise, who have seen, and been able to follow the sound track of La Haine, will be quite at home in this environment, will know what to expect, and will be sensitive to the message the film conveys. True, it may lack the sort of 'excitement'that some film-goers may seek, but one has to take it for what it is: a hard-hitting social document which will resonate with many who are familiar with the inner-city tensions found in many French towns in recent years. The gambit of choosing amateur actors worked very well,in my opinion, a point which other viewers seem to echo.

I'm going to keep it short.

To be honest I didn't want to see this film, however I had to go so a movie at a film festival for my international cinema class. When I left it was one of those experiences where you want to truly thank a teacher for making you do something. Altogether this was a great movie, yes it was long, however the director captured the real emotions and nuances of teens in love so amazingly you feel like he stole the performances from the young actors. Not to mention this movie gives a great view of the hardships for minorities in the south of France, by not directly addressing them.

Check this movie out, no matter what you won't be mad that you saw it.