CALIFICACIÓN DE IMDb
7.7/10
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Un adolescente expulsado del colegio por pelearse llega a un internado donde se fomenta el acoso sistemático a los alumnos más jóvenes para mantener la disciplina, pero él decide luchar cont... Leer todoUn adolescente expulsado del colegio por pelearse llega a un internado donde se fomenta el acoso sistemático a los alumnos más jóvenes para mantener la disciplina, pero él decide luchar contra ello.Un adolescente expulsado del colegio por pelearse llega a un internado donde se fomenta el acoso sistemático a los alumnos más jóvenes para mantener la disciplina, pero él decide luchar contra ello.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 9 premios ganados y 10 nominaciones en total
Opiniones destacadas
Swedish "Ondskan" competed against a strong field in the Foreign Language Film category in last year's Oscar which was won deservedly by Canada's "Les Invasions Barbares". While my personal favorite is "Tasogare Seibei", Ondskan is a worthwhile contender.
The scene is familiar, boarding school bullying, upper class domination and violence. The message however is broader and more general. Ghandi has been mentioned a couple of times in the movie, which reminds me as well of the "enduring" heroes in the westerns in the fifties who adhere steadfastly to their principle, refusing to be provoked into violence (the best example is The Big Country). The motivation of the "hero" in Ondskan is however a little less lofty, as I'm going to explain.
Thanks to his dominating and sadistic step-father, Erik (Andreas Wilson) is well-equipped to endure violence and abuse when he is sent to a prestigious boarding school after causing a lot of problems at his local high school. While a veteran perpetrator of violence himself, Erik is effectively constrained as if by a spell cast by the boarding school: anyone fighting with a member of the student council will be expelled.
Most of the movie surrounds the senior students' tyrannizing over the juniors, and it gets a bit too long. There's no point in elaborating other than saying that the violence is not particularly graphic (accepting that some may disagree) and if you're going to throw up in the cinema, it's most likely due to some other revolting scenes, the details of which I'll spare. Although Erik's motivation in enduring the abuses and violence is essentially self-preservation (from expulsion), he does earn the audience admiration, which makes the poetic justice at the end rather sweet.
A great part of the movie's success owes to Wilson's excellent performance. Although most of the audience start with thinking that Erik is the "evil" character, they would soon turn completely around and empathize with him, and eventually love him. Also excellent is Henrik Lundstrom, playing Erik's meek, plump roommate who is victimizes as he becomes the villains' tool to break tough Erik. In addition to this affecting friendship, there are two other sub-plots which enrich the movie without detracting from the main theme. One is Erik's romance with a maid at the school. The other is his success with the school's swimming team.
Finally, one interesting point is that Erik's way out, his "court of final appeal", turns out to be indeed the legal route. While this makes it a little bit of a fairy tale ending, there is something to ponder over. There may really be numerous pockets of quasi jurisdictions such as the boarding school that really need to be straighten out by the real legal system. That point I'll leave to the legal experts.
The scene is familiar, boarding school bullying, upper class domination and violence. The message however is broader and more general. Ghandi has been mentioned a couple of times in the movie, which reminds me as well of the "enduring" heroes in the westerns in the fifties who adhere steadfastly to their principle, refusing to be provoked into violence (the best example is The Big Country). The motivation of the "hero" in Ondskan is however a little less lofty, as I'm going to explain.
Thanks to his dominating and sadistic step-father, Erik (Andreas Wilson) is well-equipped to endure violence and abuse when he is sent to a prestigious boarding school after causing a lot of problems at his local high school. While a veteran perpetrator of violence himself, Erik is effectively constrained as if by a spell cast by the boarding school: anyone fighting with a member of the student council will be expelled.
Most of the movie surrounds the senior students' tyrannizing over the juniors, and it gets a bit too long. There's no point in elaborating other than saying that the violence is not particularly graphic (accepting that some may disagree) and if you're going to throw up in the cinema, it's most likely due to some other revolting scenes, the details of which I'll spare. Although Erik's motivation in enduring the abuses and violence is essentially self-preservation (from expulsion), he does earn the audience admiration, which makes the poetic justice at the end rather sweet.
A great part of the movie's success owes to Wilson's excellent performance. Although most of the audience start with thinking that Erik is the "evil" character, they would soon turn completely around and empathize with him, and eventually love him. Also excellent is Henrik Lundstrom, playing Erik's meek, plump roommate who is victimizes as he becomes the villains' tool to break tough Erik. In addition to this affecting friendship, there are two other sub-plots which enrich the movie without detracting from the main theme. One is Erik's romance with a maid at the school. The other is his success with the school's swimming team.
Finally, one interesting point is that Erik's way out, his "court of final appeal", turns out to be indeed the legal route. While this makes it a little bit of a fairy tale ending, there is something to ponder over. There may really be numerous pockets of quasi jurisdictions such as the boarding school that really need to be straighten out by the real legal system. That point I'll leave to the legal experts.
I would recommend Ondskan to anyone who is interested in coming-of-age films. American cinema has always been expert at such portrayals, and it is good to see so accomplished an example out of Sweden. I liked especially the fact that the director never wavers as he unmasks the unwholesome face of an angst-ridden, violence-prone, socially intransigent Swedish society of the not so long ago . Set in the fifties, mostly at a posh boarding school for the upper-class, where the sixth-form boys, led by an effete Swedish aristocrat, go about enforcing their arbitrary and violent rules while the faculty turn a blind eye, this film cleverly avoids the hooks, punches and triumphs of the underdog come to grips with the jack-booted status quo via his fists alone by allowing him to prevail to justice through the implementation of Swedish law. There are enough fisticuffs along the way, however, to satisfy the blood-thirsty among you. Well-acted, good script, beautiful cinematographic moments.
Erik Ponti(Andreas Wilson) is a young trouble maker who is constantly abused by his stepfather and often ignored by his mother. After a fight in his school, Eric gets enrolled in a boarding school by his mother. At the new school, Erik only makes one good friend Pierre(Henrik Lundström) but their lives slowly start falling apart when the older boys from the school make a pact to make Erik's life a living hell. This was a very gripping and disturbing movie. I saw this at the Vancouver Film Festival and enjoyed it quite a lot. Andreas Wilson is a gorgeous and talented young man and I hope he becomes big someday. I would give Ondskan or also known as "Evil" 8/10.
This is a great film. Truly outstanding. The characters are real and the story, however farfetched, rings true to life. Particularly enjoyable is the internal fight that transforms Erik from an angry youth to a man. And who could forget Andears' handsome good looks?!? Watch out Hollywood! Better prepare for the Swedish invasion! If you have the opportunity to see this film, do. It's well worth your time and money.
10chreb
I just saw "Ondskan" and I have to admit: It's one of the best films I've ever seen. I own approx. 200 DVDs and this is among the 5 best, without doubt. I also gave it a ten at the vote. What I don't understand is why the majority of voters have given this movie a 7. With an average of 7.7 that almost the same as "Secondhand Lions" on 7.4 - and that sucked(at least compared to this Oscar-nominated film). Maybe the reason it's so low is because the movie is made in a foreign language, so the American or non-Scandinavian speaking people won't understand all the points. This could very well be it. I just want future viewers of this IMDb-profile to know that there are others who also disagree on the grade given. And please reply to my comment if you agree.
¿Sabías que…?
- TriviaThe movie is based on a novel by Jan Guillou. Guillou attended a boarding school himself when he was a teenager and the novel is partly based on his own experiences.
- ErroresIt is sometime after Christmas when Erik is trying to see the Finnish girl for the last time but there are yellow and falling leaves visible behind him.
- Citas
Headmaster: There is only one word for people like you, and that is "evil"
- ConexionesFeatured in The 76th Annual Academy Awards (2004)
- Bandas sonorasStupid Cupid
Written by Howard Greenfield (as Greenfield) and Neil Sedaka (as Sedaka)
Performed by Connie Francis
With the kind permission of Warner/Chappell Music Scand.AB and Universal Music AB
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- How long is Evil?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Evil
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- SEK 22,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 15,530
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,448
- 12 mar 2006
- Total a nivel mundial
- USD 528,245
- Tiempo de ejecución1 hora 53 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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