Merci Docteur Rey

This French-American comedy produced by Merchant Ivory (but nothing like their usual staid fare) is totally unpredictable - you never know what's coming next. It's hard to talk about the plot without giving anything away, since there are so many twists and turns - but it all fits together perfectly at the end. The actors are great. Stanislas Merhar (Dry Cleaning) shows that he's great at comedy too, and he's still really cute. What can be said about Dianne Wiest - she's always so great. Jane Birkin is stupendous and so is Bulle Ogier, who I saw and loved in "Gang of Four" by Jacques Rivette. Definitely go see it or rent it when it comes out - you'll be surprised how much fun you'll have. I can't wait to see it again!

I went to see it because the reviews were so mixed - I couldn't resist. And I have to say I was very impressed. For all the people who complain about the (gloriously) contrived plot, I would like to point out that it's certainly no more implausible than Bunuel or Almodovar, and I doubt that people would level the same accusations at them. For some reason it seems that it's fine to explain nothing in a film, but unpardonable to explain things via outrageous coincidence.

If you like 'quirky' French films, knowing in-jokes, and Paris then you should go and see this film. But on the other hand, if you're an old curmudgeon whose disbelief couldn't be suspended with industrial lifting equipment then stay away.

PS Though I do agree about the cheeky poster... It's full of blink-and-you'll-miss-it-cameos!

A black comedy with a parade of unlikeable characters, but with occasional touches of grace that kept me watching. Dianne Wiest, usually great in funny or funky roles, is squintingly annoying and unconvincing as the puffy diva mother, but Jane Birkin nails the egotistically insecure psych patient (her changing into a nice frock to meet the Diva is a visual pun.) Slavic-cheeked Stanislas Merhar of Gerard Depardieu's 'Count of Monte Cristo' is well-cast as the Diva's cruising son, and Bulle Ogier, almost unrecognisable from the tour-de-force Dominatrix in 'La Maitresse', as the opera director who cribs from a psych textbook is fun. Like the movie itself which swings wildly from murder mystery to farce, the language swings from English to French; subtitles on the DVD come in handy.

An extra half-star for the Parisian street scenes and Penelope's apartment. 5 1/2 stars

This movie is what it is: a silly farce. It's great if you are looking for a light film to while away an evening. If you are looking for deep cinema, give it a pass. If you like whimsical silly films, you'll love it. I got some good laughs out of it, and the plot is certainly unlike any other film I've seen. Jane Birkin was terrific, especially the scene in the doctor's office. I was glad to be introduced to some fresh faces in this film. Diane Wiest was great too. I had not seen her in any recent films and it was nice to see her taking on a different role in a non-traditional film. The various plot lines all tie up at the end. Films with that kind of structure are usually fun to watch as you anticipate each character learning what's really going on. If you like ensemble cast films, you will probably like this one. It has a number of actors in it, some with small but funny parts. Check it out!

This is not the kind of movie that is going to make it to every theatre - it's only playing at one theater in Paris (but the best theatre!) and when I saw it, the show was completely sold out, but still, it's probably too sophisticated for most movie spectators. The excellent review in Le Monde on Decembre 3 (which is the reason I went to see it) said it was a mixture of Ernst Lubitsch and Woody Allen. This is very true - it's light and funny and very intelligent. Go if you can, if not wait for the DVD, but it's really worth seeing it on the big screen.