Representa las últimas doce horas en la vida de Jesús de Nazaret, en el día de su crucifixión en JerusalénRepresenta las últimas doce horas en la vida de Jesús de Nazaret, en el día de su crucifixión en JerusalénRepresenta las últimas doce horas en la vida de Jesús de Nazaret, en el día de su crucifixión en Jerusalén
- Dirección
- Guionistas
- Elenco
- Nominado a 3 premios Óscar
- 30 premios ganados y 24 nominaciones en total
Christo Jivkov
- John
- (as Hristo Jivkov)
Hristo Shopov
- Pontius Pilate
- (as Hristo Naumov Shopov)
Aleksander Mincer
- Nicodemus
- (as Olek Mincer)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
For the first time in my life, when it comes to discussing a film, I've been rendered nearly speechless. Mel Gibson's `The Passion of the Christ,' which depicts the last 12 hours in the life of Jesus, defies the typical `it's good' or `it's bad' mentality of a review. It's so visually gripping, so heart-wrenching and so emotionally draining that writing about it simply can't do it justice.
Gibson, who directed and co-wrote the screenplay, went to great lengths to make sure his film was Biblically accurate and it shows. Jesus (played brilliantly by James Caviezel, `Frequency') looks Jewish, instead of the blond-haired, blue-eyed man usually seen in the role. Every line spoken is in Aramaic or Latin (with English subtitles). Every prop used, from whips and swords to clothing and wigs, looks stunningly authentic. What emerges is the most realistic depiction of Christ's suffering ever put on screen.
Most films about Jesus begin at His birth, give a kind of Cliff's Notes glance-over of His life, and make crucifixion seem slightly unpleasant - not `Passion.' The film is entirely about the journey to that specific event and shows it's possibly the most horrific method used to kill someone. `Passion' begins as Jesus agonizes in the Garden of Gethsemane, so troubled by His upcoming duty that His sweat turns to blood.
As He prays, He fights a spiritual battle. He knows He must die and, despite leading a sinless life, take on the sins of mankind so they can be saved. He has been abandoned by His followers. He is constantly tempted by Satan, who tells Jesus that one man can't possibly die for everyone's sins. After setting aside His own will and seeking His Father's, Jesus is betrayed by Judas Iscariot (one of His disciples) and handed over to Jewish authorities and eventually the Roman government.
What follows is an unflinching look at the way Christ was killed. His beatings, scourging and eventual crucifixion at the hands of Roman soldiers is shown in graphic detail. Where other films would cut away, `Passion' zooms in - every punch, every piece of flesh ripped away, every drop of blood, every thorn in His crown and every nail driven into His body is vividly captured on camera.
The film is slightly over two hours long, starts with Christ's arrest in the Garden and ends with His resurrection (covered in about 12 seconds). Everything between is His brutal suffering and it is relentless. There are several brief flashbacks to earlier times in Christ's life to provide a short relief from the violence, but none long enough for the audience to forget what they are watching.
The controversy that has surrounded `Passion' in recent months (consisting mostly of claims that it's anti-Semitic) is unfortunate. Yes, some Jews are responsible for the death of Jesus. But so are some Romans and, most importantly, so are the rest of us. Everyone, whether literally or symbolically, placed Jesus Christ on that cross to die. The film in no way implies that the Jewish nation as a whole is to blame for killing Him.
As a Christian, this film is a wake-up call. I've always known that Jesus suffered and died for me. I even know the physical things that happen during a scourging and crucifixion. Seeing the process right in front of you, however, is a completely different matter. I have never cried as hard as I did during `The Passion of the Christ.' As I watched Jesus being beaten, spit upon, whipped to near-death and ultimately nailed to a piece of wood, all I could keep thinking, over and over again, was `He did that for me. He did that for all of us.'
C.S. Lewis once said that Jesus could only be one of three things: Lord (as He said He was), a liar or a lunatic. Before viewing `The Passion of the Christ,' and strongly reinforced afterward, there is only one option for me. Whether Christian or non-Christian, I strongly urge you to see this film.
Gibson, who directed and co-wrote the screenplay, went to great lengths to make sure his film was Biblically accurate and it shows. Jesus (played brilliantly by James Caviezel, `Frequency') looks Jewish, instead of the blond-haired, blue-eyed man usually seen in the role. Every line spoken is in Aramaic or Latin (with English subtitles). Every prop used, from whips and swords to clothing and wigs, looks stunningly authentic. What emerges is the most realistic depiction of Christ's suffering ever put on screen.
Most films about Jesus begin at His birth, give a kind of Cliff's Notes glance-over of His life, and make crucifixion seem slightly unpleasant - not `Passion.' The film is entirely about the journey to that specific event and shows it's possibly the most horrific method used to kill someone. `Passion' begins as Jesus agonizes in the Garden of Gethsemane, so troubled by His upcoming duty that His sweat turns to blood.
As He prays, He fights a spiritual battle. He knows He must die and, despite leading a sinless life, take on the sins of mankind so they can be saved. He has been abandoned by His followers. He is constantly tempted by Satan, who tells Jesus that one man can't possibly die for everyone's sins. After setting aside His own will and seeking His Father's, Jesus is betrayed by Judas Iscariot (one of His disciples) and handed over to Jewish authorities and eventually the Roman government.
What follows is an unflinching look at the way Christ was killed. His beatings, scourging and eventual crucifixion at the hands of Roman soldiers is shown in graphic detail. Where other films would cut away, `Passion' zooms in - every punch, every piece of flesh ripped away, every drop of blood, every thorn in His crown and every nail driven into His body is vividly captured on camera.
The film is slightly over two hours long, starts with Christ's arrest in the Garden and ends with His resurrection (covered in about 12 seconds). Everything between is His brutal suffering and it is relentless. There are several brief flashbacks to earlier times in Christ's life to provide a short relief from the violence, but none long enough for the audience to forget what they are watching.
The controversy that has surrounded `Passion' in recent months (consisting mostly of claims that it's anti-Semitic) is unfortunate. Yes, some Jews are responsible for the death of Jesus. But so are some Romans and, most importantly, so are the rest of us. Everyone, whether literally or symbolically, placed Jesus Christ on that cross to die. The film in no way implies that the Jewish nation as a whole is to blame for killing Him.
As a Christian, this film is a wake-up call. I've always known that Jesus suffered and died for me. I even know the physical things that happen during a scourging and crucifixion. Seeing the process right in front of you, however, is a completely different matter. I have never cried as hard as I did during `The Passion of the Christ.' As I watched Jesus being beaten, spit upon, whipped to near-death and ultimately nailed to a piece of wood, all I could keep thinking, over and over again, was `He did that for me. He did that for all of us.'
C.S. Lewis once said that Jesus could only be one of three things: Lord (as He said He was), a liar or a lunatic. Before viewing `The Passion of the Christ,' and strongly reinforced afterward, there is only one option for me. Whether Christian or non-Christian, I strongly urge you to see this film.
10diddykv
I've seen a lot o people talking trash about this movie - even a lot of christians -, and I find it hard to understand why. Philosopher Peter Kreeft called it the "most beautiful movie ever made", and when I think about it in the light of the Christian faith, it's hard to disagree.
First of all, passion means suffering, and for all those people that complain about the violence in the movie, I think it's because they don't get Christ's Passion at all. The emphasis on violence is fundamental, as it's what reveals how much God suffered because of what I did. So I, the spectator, am experiencing with all my emotions what I can only imagine and reflect about when reading the Gospels. And I'm not the kind of person that reads about Jesus crucified and direct relates it to all the bad things I did to contribute to that moment, and even when I do, it's more like in a lucid, almost indifferent way, while the movie forces me to feel the burden that I've put on My Lord's shoulder.
This is of course from my Christian perspective, and I wouldn't even try to talk about what's great in the movie from a secular perspective. The lens through which one watches it it's what define its greatness. And that lens is faith. So I really don't think it's a big deal if an atheist doesn't like it; but if a catholic doesn't like it I'll be confused.
The way Jim Caviezel plays Jesus is so powerful. He seems very humble, very vulnerable, very soft, yet very strong and confident. When he talks to the people, you feel so much goodness in his tone; when he is accused of blasphemy you can feel his innocence even if nothing is spoken. When he is carrying the cross and falls, Mary runs to him and it's such a symbolic scene of how much she loves her Son, and how much she wants His suffering to end, even though she accepts the will of God.
Mel Gibson did a great job with all the symbolism in the movie: Mary's obedience; Judas' desperation; all the people shocked by Jesus' mere presence. There's so much of it, and it feels so natural.
I can only assume that christians that don't like The Passion of the Christ are those that didn't actually take their time to think about the Passion of Christ. The movie is a chance to do so. It's ugly and repulsive? Yes, but only for a moment. When you realize that it captures the essence of God's love for humanity, it becomes eternally beautiful. Jesus didn't have to do that. He did because of me, because of you; because He is the good shepherd that lays his life for the sheep.
So what if the reality of the Passion is full of gore and tears and injustice? We are the cause of that, and sometimes we better realize it by having it thrown on our faces, however hurt we may end up feeling. Just remember that our pain is nothing compared to our Lord's pain. I can only speak for myself when I say that my love for my Savior is very small; but I know very well that He loves me with a heart that is ready to bleed without hesitation, even though I'm not worth it.
First of all, passion means suffering, and for all those people that complain about the violence in the movie, I think it's because they don't get Christ's Passion at all. The emphasis on violence is fundamental, as it's what reveals how much God suffered because of what I did. So I, the spectator, am experiencing with all my emotions what I can only imagine and reflect about when reading the Gospels. And I'm not the kind of person that reads about Jesus crucified and direct relates it to all the bad things I did to contribute to that moment, and even when I do, it's more like in a lucid, almost indifferent way, while the movie forces me to feel the burden that I've put on My Lord's shoulder.
This is of course from my Christian perspective, and I wouldn't even try to talk about what's great in the movie from a secular perspective. The lens through which one watches it it's what define its greatness. And that lens is faith. So I really don't think it's a big deal if an atheist doesn't like it; but if a catholic doesn't like it I'll be confused.
The way Jim Caviezel plays Jesus is so powerful. He seems very humble, very vulnerable, very soft, yet very strong and confident. When he talks to the people, you feel so much goodness in his tone; when he is accused of blasphemy you can feel his innocence even if nothing is spoken. When he is carrying the cross and falls, Mary runs to him and it's such a symbolic scene of how much she loves her Son, and how much she wants His suffering to end, even though she accepts the will of God.
Mel Gibson did a great job with all the symbolism in the movie: Mary's obedience; Judas' desperation; all the people shocked by Jesus' mere presence. There's so much of it, and it feels so natural.
I can only assume that christians that don't like The Passion of the Christ are those that didn't actually take their time to think about the Passion of Christ. The movie is a chance to do so. It's ugly and repulsive? Yes, but only for a moment. When you realize that it captures the essence of God's love for humanity, it becomes eternally beautiful. Jesus didn't have to do that. He did because of me, because of you; because He is the good shepherd that lays his life for the sheep.
So what if the reality of the Passion is full of gore and tears and injustice? We are the cause of that, and sometimes we better realize it by having it thrown on our faces, however hurt we may end up feeling. Just remember that our pain is nothing compared to our Lord's pain. I can only speak for myself when I say that my love for my Savior is very small; but I know very well that He loves me with a heart that is ready to bleed without hesitation, even though I'm not worth it.
Having avoided this film during its cinema release - partially thru fear as to whether I would be able to handle the violence etc I did eventually catch this on DVD. Bye the way - I write this as a non-religious person. The film was very watchable, never boring and Caviezel was superb in the main role. Your heart really went out to him - even as a "non-believer". I have to say that after all the acres of print I had read about the violence and bloodshed in the film, I actually felt it was rather less nasty than I may have feared. Certainly more visceral than, King of Kings, Greatest Story ever Told etc, a lot of the worst scenes took place in slow motion, off camera etc which somehow did make things easier to stomach. I can imagine if Mike Leigh or Ken Loach had made this it would have been far more unpleasant!
Powerful, moving, even if you don't actually "buy" the central storyline. Jim C truly looks as if he has gone thru hell. Respect is due - to him and all.
I think that the final few moments, segueing into the closing credits would have been quite something to experience in a full cinema!
Powerful, moving, even if you don't actually "buy" the central storyline. Jim C truly looks as if he has gone thru hell. Respect is due - to him and all.
I think that the final few moments, segueing into the closing credits would have been quite something to experience in a full cinema!
A lot of critics I have heard disliked or even dismissed this movie. They seemed to think that the movie should have focused on Christ's ministry and his teachings, and not on the crucifixion and the events leading up to it. These critics miss the point of this movie. As with all movies, The Passion was directed at a target audience, in this case Christians. The point of the movie was simply this: to make Christians understand, in a visceral way, what they knew intellectually from reading the bible: that Christ endured a horrible and brutal death in order to save us from our sins. It was completely successful in this, and was, perhaps, the most powerful movie I have ever seen.
Director Mel Gibson brings the last day of Jesus (Jim Caviezel) to the screen. It is after the last supper and Judas betrays Jesus to the authorities for 30 pieces of silver. Jesus is arrested, beaten, convicted of blasphemy and sentenced to death. Roman Governor Pontius Pilate sends him to King Herod. Herod sees Jesus as a fool and releases him back to Pilate. Fearing a revolt, Pilate offers a choice to the crowd between Jesus and Barabbas.
This is a relatively literal interpretation of the passion play. Mel even uses Aramaic. It is expertly made and delivers the material. There is a vein of anti-semitic bend while Pilate is excused with more humanity. I don't think the film can force modern values on the 2000 year old text. For true believers, this is heaven. Every whip mark is felt. For non-believers, this is a good representation of the text.
This is a relatively literal interpretation of the passion play. Mel even uses Aramaic. It is expertly made and delivers the material. There is a vein of anti-semitic bend while Pilate is excused with more humanity. I don't think the film can force modern values on the 2000 year old text. For true believers, this is heaven. Every whip mark is felt. For non-believers, this is a good representation of the text.
¿Sabías que…?
- TriviaJim Caviezel experienced a shoulder separation when the 150-pound cross dropped on his shoulder. The scene is still in the movie.
- ErroresSatan moves through the crowd while Jesus is being beaten. Jesus is the only one who is supposed to be able to see Satan. However, one man in the crowd follows Satan with his eyes as Satan moves past him.
- Créditos curiososThe movie doesn't begin with credits, but only with a verse from the Bible: "He was wounded for our transgressions, crushed for our iniquities; by His wounds we are healed." Isaiah 53; 700 B.C.
- Versiones alternativasIn January 2005, Mel Gibson announced that a slightly (5-6 minutes) shorter version would be released to theaters in March 2005 (just in time for Easter), under the title "The Passion Recut". The new version features no new scenes, but trimming of the most graphic scenes, particularly the scourging.
- ConexionesEdited into The Arrivals (2008)
- Bandas sonorasAzeri
Written and Performed by Göksel Baktagir (as Goksel Baktagir) and Yurdal Tokcan
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Passion of the Christ
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 370,782,930
- Fin de semana de estreno en EE. UU. y Canadá
- USD 83,848,082
- 29 feb 2004
- Total a nivel mundial
- USD 610,063,438
- Tiempo de ejecución2 horas 7 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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