La joven con el arete de perla

I have just seen "Girl with a pearl earring" and I am already willing to see it again. The feeling is very much the same as wanting another tour in a gallery of paintings of old Dutch masters, to enjoy repeatedly the beauty of light and shadow and colours. Scarlett Johansson is both very pretty and talented and the camera lovingly moves around her, searching for her beautiful eyes and puffy lustful lips, very much reminding me of Bertolucci's love for the beauty of Liv Tyler in "Stealing beauty". Colin Firth is again producing a most powerful impact by his tall dominating figure, deep beautiful voice and reserved yet sensual and passionate attitude. A strikingly good picture in the ocean of mediocre productions.

Is this an incredibly dull movie about a single painting - or is it a mesmerising and penetrating insight into art and a particular 17th century Dutch artist? It probably depends on your point of view.

Griet is a poor young girl who goes to work for the great Vermeer as a humble servant. She is pushed around emotionally by his overwrought and jealous wife, mischievous children and all-powerful lustful patron. Yet the biggest force in her life, gradually teasing out her own artistic sensibilities, is the Master himself. Griet becomes the subject of his most famous painting, lured by a mixture of dread and fascination.

For Vermeer the artist, his work is all-consuming. Every part of his world – the welfare of his family, his eccentricities, his whole energy and purpose in life, is concentrated into his work. That is not to say he lacks morals but simply that his work is his higher calling. To justify such a character, we could look to the role of art and its importance. Art can be worshipped for its own sake, like some wicked effigy, and used to excuse all manner of moral turpitude in its creator; or it can be seen as the entrance by which light can enter our soul, illuminate thought and our world in a way that cold logic alone would deny us, move us beyond the bounds of our immediate impressions and let us see the world about us in a new way, inspired and informed.

Griet carries this seed, to see beauty where others see only common place things, and it is a seed that the Master nourishes. There are times when Vermeer protects Griet from the people around he,r to whom she is so vulnerable, but is his concern towards her concern for her welfare, secret desire, or just a tool, an exquisite tool, of his trade?

Cinema is also being part of this artistic spectrum, if we allow it to be, affecting us in ways that let the viewer grow rather than just be entertained. Girl With a Pearl Earring certainly has sufficient integrity to do that, but if one just wanted to be entertained then it probably falls short. The art direction beautifully recreates Holland of the period and Scarlett Johansson gives a very well-tempered performance as young Griet. Costumes, music and overall cinematography are accomplished and haunting without loss of subtlety, producing a memorable film for lovers of art and cinema; but if paintings don't do anything for you, this film might not either.

Griet is a young maid in the household of painter Johannes Vermeer. She is responsible for cleaning his studio when he is not working but eventually Vermeer sees her carrying out her tasks and is taken by the imagery and beauty of her. He convinces her to pose for him to paint, although it must be done in secret due to tensions within the Vermeer household as well as gossips and slanderers on the streets.

The Girl with a Pearl Earring was one of those films that I knew I should watch but that sat on my HDD for quite some time. It was a windy Bank Holiday that finally moved it to the top of my viewing list. In a way I felt vindicated of both my delay and my decision to watch it because the film does have flaws and strengths that make it worth seeing but not a brilliant film. The fictional story is quite simple and short but engaging nonetheless – a lot of emphasis is put on the feelings and characters to carry the story rather than events or action but it does work. What helps the slow pace is how convincing the sets and costumes all are – you never doubt the period and the direction works with this very well.

The cast are the key to it working and thankfully they are mostly good. I'm not a massive fan of Johansson because I do think that there is an element of "fortunate blonde starlet" about her career that isn't always backed up by performance. Here though she is very good and is suitably restrained and innocent. This allows Firth to be more of a presence with her and this dynamic is important. Support from Davis and Wilkinson is good and they do add to the passions of the story with their characters and delivery.

The Girl with a Pearl Earring is a slow paced but quite rewarding film. Those looking for action or energy should leave this on the shelf for another time but, when you are in the mood for how it works then it is a most enjoyable film with a simple but well-delivered story.

Young woman in Holland circa 1665, innocent and wide-eyed but hard working, leaves home for job as scullery maid to a painter named Vermeer and his family; soon, she becomes the artist's secret assistant and muse, eventually posing for Vermeer's famous title-named portrait. Stunning art direction, lively pacing and an absorbing narrative all make up for a few key performances which seem too modern, and minor instances where the editing isn't as sharp as one might hope. The maid's many entrances and exits are repetitive, but Scarlett Johansson proves to be an intuitive actress who excels in a role with very little dialogue. Quite good overall, and with a finale that smartly leaves the breathless viewer wondering...asking...wanting more. *** from ****

Behind every picture there lies a story, and the film `Girl With a Pearl Earring' purports to give us the inside scoop into the making of Vermeer's classic painting of the same name. In the mid 1600's, a young, illiterate peasant girl named Griet came to live and work as a servant in the home of the promising, yet still financially struggling, Dutch master. Obsessed by her beauty, Vermeer insisted on using her as the subject for one of his works, much to the horror and chagrin of his jealous and shrewish wife. Despite the domestic havoc it caused, the collaboration between artist and subject resulted in one of the genuine masterpieces of the art world.

Visually, this film could not be more stunning. Thanks to luminous cinematography, art direction and costume design, the audience watching this film feels almost as if it has been transported into a Vermeer work. Director Peter Webber recreates every element of that world in loving detail, right down to his choice of actress Scarlett Johansson, who is a dead ringer for the model in the original portrait. Alexandre Desplat's score also captures the lyrical, haunting tenderness of the subject matter.

`Girl With a Pearl Earring' is a very fine movie in many respects, but it is ultimately unsatisfying because it cannot match in content what it achieves in style. Despite the exquisite look of the film, the characters seem strangely underdeveloped, most especially Vermeer himself, who remains frustratingly superficial throughout. Thanks mainly to his taciturn moodiness, we never get to know much of what he is thinking or feeling. The romantic moments between artist and subject are admirably restrained – and thereby all the more erotic in nature – but we do feel as if we would like to know more about him as a person. Griet is only slightly more fully developed, although, in her case, we can at least ascribe this lack of information to the restrictions placed on her by her station in life and the society of her time. Unlike Vermeer, Griet was conditioned by the world around her to be a passive observer. But Vermeer needs to be a more dynamic presence in the story.

One admires the fact that the filmmakers have remained truthful to the spirit of the enterprise, refusing to indulge in cheap melodramatics to make the story more salacious and scandalous than in truth it really was. Yet, in dramatic terms, such integrity comes with a price, for the film often has the effect of lulling rather than stimulating us, of raising our expectations then failing to fully satisfy them. Perhaps, in the case of this particular artwork, the story-behind-the-picture wasn't really all that interesting to begin with.