The Wicker Tree

Admittedly, you could have taken a 6 inch brush and coloured me sceptical for this one. I am a huge fan of the original Wicker Man (less so of the Nicolas Cage version) and so it was with apprehension and doubt that I ventured into this sequel of sorts. The one saving grace may have been the close involvement of Robin Hardy, the original author and director of the Christopher Lee classic.

Lee was pencilled in to star in this movie but unfortunately health problems excluded him from doing so, his appearance is stripped down to a very incidental flashback scene, yet his name still rides high in the opening credits. This is only the first disappointment that you will experience when it comes to The Wicker Tree.

It is essential to be fair and state that it is far from the worst horror movie you will see this year, as it has a certain amount of redeeming features. The problem is the unfortunate fact that it will always have to stand comparison to the original, a movie which has cemented itself as an indisputable classic.

One of the primary difficulties which The Wicker Tree stumbles to overcome is the overall tone of the movie. It can't seem to decide whether it's a knowing and acerbic in-joke, a serious thriller or a humorous homage to its predecessor. This is one of the main reasons that it fails to have any definite resonance with the viewer, although it doesn't make it difficult to watch. There are some beautifully composed shots of the unforgiving Scottish countryside and a particularly handsome raven, but there's so little going on under the surface that it quickly becomes the equivalent of a rushed meal at a fast food restaurant, complete with the subsequent guilt, nausea and comedown.

The American leads are satisfactory in that all they have to do is play vacuous Evangelist Christians, sent over on a mission to the remote Scottish village. The villagers are played for comic relief rather than any form or actual menace and so the inevitable 'scene' that we're all waiting for the entire movie is played out like a community centre theatrical production of The Wicker Man, only with a slightly bigger budget and more actors.

If you're a Hardy obsessive, by all means give it a shot. If you're unfamiliar with the movie's origins, you'll probably get a few laughs out of it, but that's hardly what one would expect when a story comes from such good original stock. A missed opportunity.

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Just saw a screening of this spiritual successor to The Wicker Man at the London FrightFest. Director Robin Hardy's film (based on his own book 'Cowboys for Christ') shares many similarities with the cult British horror classic that he found success with in the 1970's, but The Wicker Tree is different enough to stand-out on it's own and not be classified as more of the same, even if the basic plot-lines are almost identical. This time around it's about a born again duo of evangelical country & western singers who have come to Scotland as 'redeemers' to convert an isolated pagan village to the path of Christ. However, where The Wicker Man was at turns as equally dark as it was intriguing, The Wicker Tree is a far more satirical affair, with jibes aimed at the genre and the background and beliefs of the protagonists.

Christopher Lee makes a brief appearance as an old man in a flash back, who may or may not be intended as an elderly Lord Summerisle, but while his ill-health prevented him from taking on the role of the main villain his shoes are well filled by Graham McTavish, who provides some much needed fire and brimstone in contrast to the rather stilted performances from the two lead characters, although there were some good performances from the supporting cast, most notably Clive Russel as the butler Beame and Honeysuckle Weeks as the promiscuous pagan Lolly.

I found the setting and direction to be excellent and again Hardy has created an intriguing pagan culture that I would loved to have seen more focus upon, but while we all know what the outcome of the story is going to be at the outset of the film it often seems to concern itself more with poking fun than with captivating and intriguing, or even scaring the audience. It got a good share of laughs throughout and even a round of applause at one point, and I enjoyed it in that respects, but as a horror film, as a film doomed to stand in the shadow of The Wicker Man, I found it to be lacking.

Did we really think writer/director Robin Hardy could better "The Wicker Man", that masterpiece of horror, which along with William Friedkin's "The Exorcist" defined the genre in the 1970's? It was a tall order, but he did come up with one surprise - he more or less repeated himself.

A couple of born-again Christians, 'Cowboys for Christ', Beth Boothby (Brittania Nicol) and Steve Thompson (Henry Garrett), cross the Atlantic on a mission to spread the Lord's word to the spiritually challenged flock in Scotland. After meeting a local laird, Sir Lachlan Morrison (Graham McTavish), they are directed to Tressock, a community that has an infertility problem caused by a leak from a nuclear power plant.

The innocent couple become central to the town's May Day festivities, involving human sacrifice to get the community's seed germinating again. All conspire against them except for Lolly (Honeysuckle Weeks), the head groom on Sir Lachlan's estate.

We know how it will end because there was no mercy for Edward Woodward in the first version so we don't expect any for Beth and Steve in this one.

The problem with knowing the basic premise is that the only tension comes in seeing how the ritual will be carried out. However, for some reason, Hardy holds back - we see nothing that compares to the anguish of Edward Woodward locked in his blazing wicker prison in the 1973 film. The Wicker Tree itself is an artistic looking number, but it doesn't project the menace of the giant wicker cage of the original.

Where the "The Wicker Tree" breaks from "The Wicker Man" is in the attempts at black humour; the naive Beth and Steve are treated as somewhat comic characters, as is Beame, Sir Lachlan's head man, who is involved in a number of jocular bits of business such as being stabbed up the kilt with a broken glass; it's hard to know quite how to take this movie as it changes mood at odd times.

The film doubles up on a couple of elements from the original, namely the number of sacrifices and the amount of nudity. Honeysuckle Weeks sheds her "Foyle's War" khakis and everything else for a couple of airy romps, including a brave effort in a chilly Scottish stream.

Although it's nice to see Christopher Lee back for a little homage, the biggest problem with "The Wicker Tree" is that it pays just too much homage to the original movie. The most important sacrifice of all would have entailed letting go of the old plot and heading off in a new direction.

Instead of a lop-sided remake, maybe a follow-up to the original would have been a better option - by 2011, the number of disappearances on Summerisle would have reached epic proportions with the supply of wicker also running dangerously low. At least that approach may have provided a few surprises.

...and NOT in a good way. THE WICKER TREE is one of the most awful sequels in existence, a completely terrible movie made all the worse by the fact that THE WICKER MAN is one of the best British horror films in existence. I truly have no idea what Robin Hardy was thinking when he wrote and directed this; it looks like the man's talent left him many, many years ago.

This time around, the action is set on the Scottish mainland, where a couple of American evangelists have turned up to preach their usual guff to the residents of a village. The American characters are one of the worst things about this; the acting is horrendous and they're saddled with the kind of goofy charm of an American PIE movie, not a supposed horror movie like this. They're completely at odds with the rest of the production.

Elsewhere, the main thrust of the story of the first film is copied almost word for word, with a couple of (poor) twists to differentiate things. There's time for an extensive sub-plot to graphically portray what the "riding of the laddie" is all about, but I wonder why they bothered because it's hardly profound. Christopher Lee was meant to star in this but had to pull out due to ill health, with the reliable Graham McTavish (RAMBO) stepping in; Lee still appears but only in a brief greenscreen cameo. For once I'm glad he didn't appear for longer and debase himself with a leading role here.

Former child actress Honeysuckle Weeks turns up, unrecognisably aged and forced to strip for the majority of her running time; you have to feel for her that things have come to this. But it's the tone of THE WICKER TREE that is so very, very wrong; that a sequel to one of the classics of British CINEMA, let alone the horror genre, made by the same writer/director of all people, should totally miss the mark and become this kind of mess. All you can do is shake your head and cry.

You might've heard of a film called The Wicker Man? I've not seen the Nicolas Cage version, but I know it's legendary for being bloody awful. No, I'm talking about the original film from Robin Hardy which featured Edward Woodward becoming embroiled in an increasingly disturbing mystery accumulating to one of the greatest endings in movie history. After a thirty year absence from the big screen, Robin Hardy himself decided to film a sequel called The Wicker Tree. We're allowed to get excited because it's the original director coming back to do it all with a cameo from Lord Summerisle himself! I remember watching the trailer when it came out and thinking that it looked really promising with its surreal, unsettling imagery. The trailer didn't reveal anything about the plot, and after seeing the film I can see why.

The Wicker Tree is complete shitake mushrooms. I'm not quite sure what Robin Hardy has been doing for three decades, but he must have been going through some sort of hideous artistic crisis. Maybe he's become a drug addict because he must've been smoking something unsavoury when he was behind the camera for this. The film follows a couple of young, Bible bashing Americans going on a pilgrimage to Scotland to spread the word of God. Just in case you're not sure whether they're American or not from their strong Texan accents, they're complete with cowboy hats and have to sing a country song every five minutes. Our virginal hero, Beth Booby, is even a famous country singer despite having a fairly crap voice.

Beth Booby is like the anti-Miley Cyrus which is revealed in a hilarious sequence where Beth and her bo watch themselves on Scottish news performing like Katherine Jenkins in a Church. The news reporter then shows us what Beth Booby used to be like by popping on the world's worst music video featuring Beth line dancing in tiny shorts singing about how much of a harlet she is. All that's missing is her straddling a wrecking ball and licking a sledge hammer. It's an absolutely hilarious moment, just because it's so badly done. It sets the tone for the rest of the film. Her bo is a born again virgin just like his fiancé, although he still finds time skinny dipping and having sex with strangers in lakes.

The original Wicker Man became a cult classic after being re-discovered by some small cinemas in 1977. The same is likely to happen to The Wicker Tree, although this will of course reach cult status for all the wrong reasons. The film itself looks like some sort of shoddy Drama for ITV and the acting from the entire cast is even worse. I read somewhere that Joan Collins was going to star in it at one point and that really would've just been the cherry on top of the cake! Some of the cast actually look like they've just been dragged off their local Scottish street and forced to star in the film. My heart broke a little when the great Christopher Lee appeared for a pointless cameo, acting opposite a hopelessly wooden lad painting a bridge.

The attempts at intentional comedy are cringe-inducing and completely out of place. The film works much better when it's not trying to be funny. It definitely falls under the 'so bad it's good' category and is brilliantly entertaining all the way through. I must say that the attempts of Wicker Man-esque horror in the last 15 minutes got a bit tedious, because it felt like they were trying to actually generate scares. The rest of the film is a hoot though, for all the wrong reasons. It's as if some kids saw The Wicker Man, got hammered and decided to do a remake. It's extraordinary that it's the total opposite and Robin Hardy himself created this masterpiece of disaster. If I were to rate this film on quality, it would struggle to receive a 2/10, however as it's such a blast to laugh at I have to go higher.