Honey es una sexy y obstinada coreógrafa de videos musicales que da un giro a su vida después de que su mentor le dé un ultimátum: acostarse con él o ser incluida en la lista negra de la ind... Leer todoHoney es una sexy y obstinada coreógrafa de videos musicales que da un giro a su vida después de que su mentor le dé un ultimátum: acostarse con él o ser incluida en la lista negra de la industria.Honey es una sexy y obstinada coreógrafa de videos musicales que da un giro a su vida después de que su mentor le dé un ultimátum: acostarse con él o ser incluida en la lista negra de la industria.
- Premios
- 8 nominaciones en total
- Benny
- (as Lil' Romeo)
- Katrina
- (as Laurie Ann Gibson)
- Katrina's Friend
- (as O'Neal McNight)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Only the most Scrooge-like curmudgeon could object to the positive, laudatory, pull-yourself-up-bythe-bootstraps message the film is trying to convey, and one would have to be downright inhuman not to feel uplifted by the final dance sequence. But good intentions and noble aspirations do not, in and of themselves, make for a quality film, and `Honey' is a long way from fitting that bill. The movie wants to be taken seriously as a realistic view of urban life but very little of what we see ever rings true, starting with Honey herself who, with her invariably perky demeanor, seems like a cross between Little Mary Sunshine and Mother Teresa in form fitting jeans and matching halter top. Everything that happens to her from her meteoric rise in the music video world to her purchase of an empty store for her new dance studio to the benefit performance she and her dancers stage to raise the money for the project all come about way too easily and with virtually no noticeable effort on her part. We never believe for a moment that any of this would happen in this way in the real world. Thus, `Honey' is really little more than an urban fairy tale, fine for children, I suppose, but not of much use for adults with a more pragmatic understanding of how life actually works.
Jessica Alba is no great shakes as an actress, though she has an infectious smile and a bubbly demeanor that work well on screen. But it is Zachary Williams, as the adorable, gap-toothed eight-year-old Raymond, who steals the show. Now that is one hell of an endearing little kid.
But who cares?
If you have nothing to do on a saturday night and your boyfriend/girlfriend just dumped you this movie will get you right up! You've got good vibes coming from all over this movie.
The dancing scenes are really tight, the casting has been done beautifully especially casting Jessica Alba. God she likes shines of the screen.
Go and see this movie, it's fun...
Oh but there is one thing that I kept noticing. And that was that the movie resembles "Glitter" in so many ways. I see that the scriptwriter Kate Lanier worked on both projects.
When the film starts, Honey Daniels (Alba) is working at the bar in a disco serving the usual free drinks to her best friend Gina (Joy Briant): "One, please", the friend says, and two guys standing right by her get closer: "Make that three". Honey, with a big smile in her face, tells the guys: "Today is your lucky day", and then Gina interrupts: "Don't get to excited though; she'll not be here much longer She's gonna make it". So the guys ask how she's gonna make it.
Right away we find out Honey dances; and that she dances awesomely well. If Alba did her own dance moves I don't know for sure, but it always looks like her; in the dance floor, in the videos, in the dance lessons. OK, the film: Honey has a great talent for dancing and she could be a classic ballerina but she prefers to teach hip-hop in a place her mother owns. She goes to auditions, she works hard, and she ultimately gets recognized.
But Alonzo Brown and Kim Watson's story is not about "making it"; it is about the good-hearted people who fight for what they want, don't sell and don't quit. I don't even know if this is a veridical portrait of the hip hop world, but the video shoots seem real and I guess the artists/directors relationships should be how the movie shows them. What I wanted to say is that in the music world, mostly with hip hop (which I consider the easiest market today), when people make it, it goes over their heads, and they leave everything behind.
Although not Honey Daniels; she'll not fall into temptation, and she'll be there for the ones she cares for. It may sound too formulaic, but it's beautiful. Debutant director at the time Bille Woodruff, with previous experience from musical videos, shows us the nice face of his characters' world. Everything is shiny, everyone's happy, everyone's smiling. Yeah, sure some bad things happen, but everything will be ultimately worked out.
Great casting work with the youngsters, especially with Zachary Williams as a little boy, Raymond, who needs someone to watch over him; and Lil' Romeo in a tremendous and talented performance as the teenager Benny, who debates himself about being a gangster or a normal child. This plus Missy Elliott's cameo and Mekhi Phifer in the most charming performance of his career, and the some of the best lines as: "You peoples? Playa, playa, how'd you swing that? I've been trying' to be her peoples for weeks; ain't had no luck".
Not enough? Alba looks gorgeously beautiful in every outfit she wears and her acting skills are way above the film's requirements She's stunning now and it is only the beginning.
¿Sabías que…?
- TriviaFor years it was alleged that title role was written with Aaliyah in mind and she had actually accepted the role but died in August 2001 before she had begun filming. In 2020, however, director Bille Woodruff dispelled this rumor and revealed that the role was actually written with Beyoncé in mind but Knowles was unable to due the project due to touring.
- ErroresWhen Honey and Raymond are out looking for his brother Benny, they see him entering a restaurant and they start to cross the street, but in the next scene he is already eating a big plate of food when they approach him. From the time it took them to cross the street and enter the restaurant, he could not have had the time to order, receive and start eating his food.
- Citas
Chaz: Besides, I never mess up a kid's head, especially when his mom's in the shop.
Honey: [Chuckles] He's eight. That would have made me 14. I'm not that kind of girl.
Chaz: My bad.
Honey: We just peoples.
Raymond: Yeah, we peoples.
Chaz: You peoples? Playa, playa, how'd you swing that? I've been tryin' to be her peoples for weeks. Ain't had no luck.
Raymond: I got flow.
[All laughing]
Chaz: I got flow too. You don't think I got some flow?
Raymond: Maybe not as much as me.
- ConexionesFeatured in MsMojo: Top 10 Dance Movies of the 2000s (2020)
- Bandas sonorasOoh-Wee
Written by Bobby Hobb
Performed by Mark Ronson (featuring Ghostface Killah, Nate Dogg, Saigon & Trife Da God (as Trife)
Courtesy of Elektra Entertainment Group
Contains a sample of "Scorpio"
As recorded by Dennis Coffey
Licensed courtesy of Avant Garde Enterprises, Inc./Interior Music Corp.
Selecciones populares
- How long is Honey?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Honey
- Locaciones de filmación
- Lower Bay Station, Toronto, Ontario, Canadá(dancing on subway platform)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 18,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 30,308,417
- Fin de semana de estreno en EE. UU. y Canadá
- USD 12,856,040
- 7 dic 2003
- Total a nivel mundial
- USD 62,228,395
- Tiempo de ejecución
- 1h 34min(94 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1