Speck

Rented this from my local Blockbuster under the title SPECK - that may be the way to look for it if you still feel the need to see it after this review.

It's a movie about the serial killer Richard Speck, who killed several nurses in Chicago in the sixties. Watching the movie, one gets the feeling that it follows the crimes to the letter. Unfortunately, that doesn't make for a good movie.

Another problem I had was the near-constant music letting us know that this was a SCARY MOVIE, and some god-awful narration letting us know what's motivating Speck. The acting was average for this type of film; to give credit where credit is due, the movie is very beautifully photographed for my taste. Your mileage may vary.

Over all, if you're interested in the subject matter, it may be worth your time.

I rented the Rated R version of Speck, and i can only imagine what the Director's unrated version is like. To call this is a disturbing movie is an understatement. This is not a film to be entertained by, it is rather slow-paced at times. I am not saying this is a bad movie, it serves it's function very well. The acting is very well done. I say this because the women who play the nurses truly made themselves believable in their performances in sheer terror.

I am no expert on the actual story of Richard Speck, so i can't say just how accurate this film really is. I do know that he was surely a complete psychotic in every meaning of the word. Not everyone will enjoy this film, or even like it. Some will be turned off simply due to the fact that it is so dark and depressing. It's a coin toss, but i would recommend it for fans of the genre.

Where to start with 'Speck' the true story of Richard Speck, a killer of eight nurses in the 1960s. Director Keith Walley has worked on a few of the extremely low budget Full Moon Releasing movies (such as Birth Rite) and here works from a script by (at the time) Full Moon regular Don Adams. Unfortunaly whilst the film seems like a accurate portrayal of the horrendous crime the script isn't great, perhaps because the real Speck's ramblings were not terribly interesting!? Despite the care that has been taken to make this authentic it wreaks of a cheap cash-in of the acclaimed cinematic serial killer movies of the same period (such as 'Ed Gein'). Filmed in a dirty brown, not quite sepia, for the most part and narrated by star Doug Cole the film fails to present the horror of the crime because the narration is irritating, the colouring distracting from the story and the crime, though gruesome and upsetting to watch, is merely that and no editorial work seems to have occurred on what is pretty much a very poor quality camcorder viewing on the events. There is no examination of the motivation or of Speck's life really, just a cheap shot at a gruesome crime. Released by Full Moon there is little evidence of Full Moon's better output here, Charles Band ignoring his own rule that his films feature fantasy killings (e.g. dolls, monsters and so on) and not quite knowing what to do with this new reality. Incidentally Band introduced a special label for these films called 'Shadow Entertainment'. Band has said that he regrets the period of Full Moon output alongside Tempe Entertainment (whose Creator J.R. Bookwalter and regular Danny Draven also speak very badly of Charles Band). The Tempe era features uniform Apple Mac editing and brutal hand-held camera filming, very much like a home movie. Speck retains these qualities and whereas Witchouse 3, for example, managed to use these well, Speck is merely boring and gross.

RELEASED IN 2002 and directed by Keith Walley, "Speck" stars Doug Cole as the real-life mass murderer, Richard Speck, who savagely terrorized nine nursing students at a townhouse functioning as a dormitory in south Chicago, 1966. He murdered eight of them one-by-one. The ninth woman (Beverly Sotelo) only managed to survive by hiding under a bed while Speck was out of the room. In his drug-addled state the killer probably lost count. The woman's witness was key in capturing the man with the crude forearm tattoo that read: "Born to raise hell."

The topic is distasteful, to say the least, but the movie effectively chronicles the events of late night July 13, 1966. Although this is a low-budget independent flick, it's competently made with quality actors. The score is one-note disturbing and haunting while the tone is dream-like, thoroughly austere and horrific. The murderer's narration throughout by Cole is akin to Willard's narration in "Apocalypse Now" (1979). It's based on the real-life Speck's blatherings combined with that of other renown murderers (e.g. Dahmer) and no doubt the writers' imagination. Regardless, the well-written sociopathic verbiage successfully puts you in the mind of the slayer and doesn't cop-out in regards to psychological scrutiny. In short, the narration boldly unveils the awful truth and is expertly delivered by Cole; the movie should be commended for this.

The only thing that holds "Speck" back is the one-dimensional story itself. The first hour is comprised of the thug's invasion of the townhouse, his terrorizing of the girls and their systematic murders. The compelling final act records the aftermath and ultimate apprehension. It's all thoroughly convincing, but not entertaining in the manner of, say, the Friday the 13th flicks, probably because the producers intended "Speck" to be a wholly realistic account of the true murders; and it is. The Friday the 13th movies are sometimes fun and the murders can even be amusing; not so here.

A life-long prisoner, Speck died of a heart attack 25 years after his crime in 1991 (WAY too long of a wait for justice). Concerning his murderous transgressions he said: "I had no feelings at all that night. They said there was blood all over the place. I can't remember. It felt like nothing ... I'm sorry as hell; for those girls and for their families, and for me. If I had to do it over again, it would be a simple house burglary." He was a thoroughly sick bastage who unfortunately descended into depravity in prison, a sad waste of human potential, but at least he honestly admitted that he was sorry for what he did.

THE MOVIE RUNS 79 minutes. The script was written by Don Adams & Aaron Pope.

GRADE: B/B- (6.5/10)

My girlfriend and I enjoy the serial killer bio pics that have been coming out recently. We've seen "Dahmer" and "Bundy", both of which were released last year. I found both of those movies to be disturbing and realistic portrayals of the mindset of those men and the events surrounding their crimes.

"Speck" by contrast was highly stylized and contained absolutely no substance. I only watched the first hour and saw only the suggestion of violence along with a laborious soundtrack. The director wanted it both ways, he wanted you to be disturbed by this man but no *show* you anything disturbing. The acting was mediocre and the plot moved at a snail's pace. I am not a proponent of gratuitous violence, but if you're going to make a movie about a serial killer, especially a REAL one, then at least give us some sense of his rituals and behavior. They made Speck out to be a disgruntled cowboy that flashes his knife and does little else. yawn.

If you want to see a real dramatization of a serial killer and his mindset, see either "Dahmer" or "Bundy".