Sin rastro

A little while ago,I'd written a user comment that was faintly praising and perhaps a little more than cruel in dismissing this show as a sort of pedestrian,superficial attempt at sincere drama that is acted well-enough and scripted competently enough to be interesting. After watching more episodes(mostly in re-runs) and getting roundly unsupported by those who bothered an opinion of my review,I decided to do a rewrite.

While I still stick by my assertion that this show isn't quite as innovative or searing as it aspires to be,it's still quite compelling a drama. While the acting varies,from superb and sublime(mostly Anthony LaPaglia as the chief,but Marianne Jean-BAptiste and Poppy Montgomery are good as fellow agents),to completely flat(mostly Roslyn Sanchez,who IS easy on the eyes but not much more),the stories DO draw the viewer in,and the earnest and deliberate means of spelling out the Bureau's investigating a missing case. Good storytelling that is not (ordinarily) as graphic or de-humanizing as a CSI episode,that still handles the subject manner soberly(if sometimes short-sighted),this show may not be my favorite on the telly,but I will watch it if it's on more often than not. That,to me,seems like a more accurate assessment.

I always enjoy a good mystery and this is definitely one of those.....They are not afraid to tackle social issues like Abortion and Middle Eastern politics and much more.....Definitely a great series and I wish it had lasted even longer...but it did have a long run..........

This is exactly what a procedural crime show should be.

Good plot lines, a regular premise (someone always goes missing) an engaging cast of misfit FBI agents with problems of their own, but who each week still manage to find the missions person and the bad guy. Or sometimes not.

A fine show.

First 2 seasons were fantastic and like most of the shows it started going a bit downhill on S3 but to make it worse they had to add an actress who can't act even a little. Any scene she is part if can be guaranteed to be bad. The original team was much much better on their own.

After reading a half-dozen of the reviews convinced that a lot of folks who didn't like it were expecting a typical cop show. It isn't. May have been an experiment on Bruckheimer's part - turning cop show conventions on their head.

First there's the shows low-key tone: no screaming sirens, no melodramatic hooks, no heart-pounding chases or rescues. Chases and especially rescues do exist but, like all of the other expositional elements, they're portrayed in measured, deliberate and muted tones. Just like the "teams" response to each week's puzzle. All very quiet with just a hint of intensity and a clear demonstration that they care about their victims.

All elements that, except for the tone, Without a Trace shares with most cop shows. Just reversed.

Now here's the really radical departure - the show's focus is centered on what are usually the secondary characters: the victims and the lives surrounding them. In fact, most of the "team's" interactions are with the secondary characters.

Think about shows, very good shows, like Bones or Castle or Burn Notice or any one of dozens of cop shows: all centered on the "team" and it interactions. Victims, perps and puzzles exist mainly to highlight those interactions.

This is not a criticism. I love the shows mentioned.

My point is simply that Without a Trace reverses those conventions and does it very successfully. One one hand, enough time is spent on the team to humanize it; on the other, just enough emphasis on the victims and their stories to elevate them to the the primary focus.

Takes some getting used to but well worth the effort. Surprising, those few scenes dedicated to the "team", either as individuals or a whole, wind up describing a very rich set of personalities, though you might have to watch a lot of episodes to realize it.

Like all cop shows there there are problems with plot integrity and, with Without a Trace, the very premise: the FBI getting involved before the local cops and their 48-hour window. And like all cop shows, the inconsistencies and questionable plot lines are simply elements meant to invoke the suspension of disbelief. Nothing more.

If this was an experiment on Bruckheimer's part, seven seasons speak volumes to its success.