Agrega una trama en tu idiomaBased on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues... Leer todoBased on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.Based on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 3 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Sadly, what could have been an interesting look at a clash of cultures, values and strong-willed individuals descends into something resembling a comedy sketch put on by a country repertory company.
Dennis Hopper does a stirling job as Sinatra, with very little directorial support. After a while you start to believe he is Ol' Blue Eyes. But virtually all the other characters are painted in the broad brush strokes of low farce.
Joel Edgerton plays the hapless promoter as a dim-witted surfer with a tendency to fall over or get beaten up in every second scene. Portia de Rossi is so loathsome in her role as the maligned journalist that I found myself cheering for Sinatra and the mob for most of the movie.
And, in a masterstroke of bizarre casting and makeup, David Field blithely appears on screen looking about as much like Bob Hawke as my mum. Moreover, he seems to have made a conscious decision not to even attempt Hawke's accent, nor any of his well known mannerisms. The overall effect is as if the producers had decided to cast Dame Edna Everage in the role and hope that no-one would notice.
Almost every Australian character in the film comes across as either a bumbling half-wit or a self-serving thug. I'm surprised Tourism Australia didn't try to have it banned. The sole exception is the delightful Rose Byrne who, as the love interest/voice of sanity, seems to have been beamed in from a parallel universe.
Lamenting the state of the Australian film industry is a national pastime. I think much of it stems from the industry's long love affair with 'daggyness' for its own sake. Who finds this quirky and endearing any more? It's just embarrassing, and the rest of the world obviously thinks so too. This film, with its woeful dialogue, wooden 'school play level' direction, zero character motivation and absurd plot, admirably demonstrates the problem.
This film gives a version of events from a notorious Frank Sinatra tour of Australia in the 70s. I'm not a big Sinatra fan - but I rented this film for a £1 from my satellite provider. You can afford to go wrong for a pound.
Sadly it isn't a comedy on any level really. It just doesn't function in that way. It's a solid (solid to wooden) sentimental romance story though - gentle if somewhat uninvolving, take it or leave it affair. Roguish main character with straight-laced opposite number - will they or won't they chemistry (which never really becomes that compelling).
A good solid performance can be found with pretty much every actor involved in this uninspiring, two dimensional script in a robust and professional fashion.
Nobody really manages to lift the script with a standout display.
If I would offer any criticism, it would be the lack of character development. The characters are incredibly under developed and shallow. We know that Audry Appleby is supposed to be intelligent because Rod Blue clumsily points out her degree certificate, and she stands next to it in shot a couple of times. We know that Rod Blue is a bit of an Aussie bloke because he gets into a couple of fights (you see the injuries, but generally not the fights). That's about the depth that you get offered.
I would describe this as forgettable and bland. I wouldn't recommend it - albeit, it's far from awful. You never really care what the film is ultimately going to culminate in. It won't irritate you, you won't dislike it - there is nothing to be offended by here. They are remarkably delicate with the portrayal of Frank Sinatra himself - so even the fans won't be barbed.
Watch it or don't watch it, but don't expect too much.
The story follows the usual Hollywood style of story telling with the end of "act 2" being a big downer (everything just goes wrong) and of course it all comes good in the end. The acting is quite good across the board with cheeky Aussie comedy sitting alongside moving drama effortlessly.
Frank Sinatra's music plays a big part in the film so if you're a fan you'll love the film, of course on the other hand if you can't stand his music then this may not be the film for you. The film makers did think to throw in a bit of 70s rock (think Led Zeppelin) and even an Elvis track to add a bit of variety to the mix.
The only time in cringed during the whole film was when Frank's US-based secretary pronounced Australia with a fake American accent and put an "R" on the end, a common mistake made by Australian actors.
3.5/5
See it if:
- you like Frank Sinatra
- you'd like to visit Australia in the 1970s
- you want to see a hilarious portrayal of a young Bob Hawke (Hazel Hawke included)
- you like Rose Byrne (for the guys) or Joel Edgerton (for the girls)
- you like knuckle busting fist fights
- you don't think Melanie Griffith's top lip isn't too big
Don't see it if:
- you don't like Frank Sinatra
- you can't stand the thought of Sydney in 1974
- you think Bob Hawke was the best PM ever
- you wince whenever you hear a meaty punch
- you think Melanie Griffith's top lip should have its own post code
¿Sabías que…?
- TriviaThe voice of Frank Sinatra is dubbed by Australian actor Tom Burlinson, whose major debut was "The Man From Snowy River", 1982.
- ErroresThere are a number of anachronisms in the Sydney backdrops, ostensibly set in the 1970s. The most obvious is the catamaran harbour ferry that crosses the screen, in an early night-time shot of the harbour bridge. These were not introduced until 15 years later in 1988.
- Citas
Frank Sinatra: I have an apology to make. I called this woman a $2 whore, I was wrong. She's not worth a buck and a half.
- ConexionesFeatured in Getaway: Episode #18.3 (2009)
- Bandas sonorasOne For My Baby (And One More For The Road)
Composed by Johnny Mercer and Harold Arlen
Performed by Tom Burlinson
Used by permission of Harwin Music Co
Selecciones populares
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- All the Way
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 277,428
- Tiempo de ejecución
- 1h 37min(97 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1