Kamchatka

An Argentine husband and wife move into hiding with their two sons and a friend of their's, but why they are hiding is never mentioned. You are only left to assume it has something to do with politics.

The story is more or less told in the older son's point of view --- and he really has no idea why they are hiding --- so I assume that is why the audience doesn't know, either.

The movie mostly revolves around the family bond they have and shows how a family can make it thru some very hard times when they're together.

it was a very enjoyable movie.

This is an engaging tale narrated in sensitivity and intelligence and are treated ethic and moral issues developed in great sense of ductility and fairness . Dealing with the story of a family – Harry, Midget and their parents- , as they go into hiding , being based on the notorious novel written by Marcelo Figueras who breaks down his book 'Kamchatka'. It is set in 1976 , Argentina , there happens a coup d'etat led by General Videla and other officers . Thousands of citizens opposed to military regime are chased and kidnapped , as there are numerous missing people . Ten-year-old Harry , who does not know that Argentina's 1976 coup d'état is impacting his life . After witnessing the "disappearance" of dissident friends , a human rights advocate at law (Ricardo Darín) and his research scientist spouse (Cecilia Roth) take their children from school , Harry and his little brother , leave their home and all of them go to a vacant summer house . They flee the city and hide at a far mansion from the military police . With them are their two kids : Harry (Matia Del Pozo) , who is fascinated with the escape artistry of ¨Harry Houdini¨ , ¨Mandrake¨ and TV series as ¨Roy Thinnes' The Invaders¨ (1967) , ¨Simon Templar's The Saint¨ and along with the little guy (Milton De La Canal) , nicknamed El Enano (The actual translation is "dwarf") , they form a close-knit family living at a hidden house . Both of whom finally learn the meaning of the family and help each other . At the countryside mansion , all of them adopt new identities and try to lead a normal life . Subtly hinted , however, and used as a metaphor , is the mother's constant smoking and El Enano's renewed bed-wetting . After that , at the location placed in city outskirts , they are joined by a young student who is using the alias Lucas (Tomás Fonzi) and he really befriends Harry . Their new life is difficult , but a visit with their estranged grandparents : grandmother(Fernanda Mistral) and grandfather (Héctor Alterio) reveals that they are still an intimate family . As a host of characters , completely change the tedious life of Harry .

Enticing as well as intelligent film plenty of good feeling , sense , deep sensibility as well as a well written script delving into the human psyche , showing how stressful and precarious situation of a beloved family is . Based on Marcelo Figueras' novel "Kamchatka" - who grew up in Argentina and currently lives in Barcelona- , this is his first to be translated into English concerning about the foursome takes on new identities at the beginning of Argentina's Dirty War in 1976 ; the 309-page book is told from Harry's perspective and takes its title from a key territory in the board game Risk . The film is seen through the eyes of a ten-year-old boy , being an agreeable , quiet film , perfectly acted and concerning the narration about the relationship between parents and children . This is a brooding yarn in which there is a psychologically intense character studio of the likable members of a peculiar family being harassed , chased , pursued by the military regime . The film attempts to spread optimism about the events of life , in spite of the relentless pursuit they suffer , with its amusing sides and dark areas . Trying to be realistic and make everything as in a fairytale but giving way to mirth and humor . In addition , the film gives us a nice panorama about a middle-class family , its pity , goodness, sacrifice , companionship and various situations happen in its existence . Marcelo Piñeyro tries to mix genres ranging from comedy to melodrama with some sensitive touches . The veteran actors , Ricardo Darin and Cecilia Roth give very good performances . Gentle , sympathetic the little boy played by Matias Del Pozo along with his brother , Milton De La Canal . It is an endearing and intimate film , well directed and well acted by a fine cast , but perhaps fails a little the main protagonist , Harry , whose optimism is as obvious that results to be excessive . Supporting cast is frankly excellent as Tomas Fonzi and aged players as Héctor Alterio and Fernanda Mistral .

Colorful cinematography by Alfredo Mayo , considered to be one of the best Spanish cameraman , author of splendid photographs in notorious films such as ¨Mondays in the sun¨, ¨Kika , ¨High heels¨ , "Sex, Party and Lies" , "The Galíndez File" , ¨Heroína¨ and several others . Lively , moving as well as emotive musical score by Bingen Mendizábal . Adding known songs adapted with roots in popular music of the seventies ; recreating the essence of the epoch with vintage songs , accompanying sensual melodies and lyrics such as ¨Son Tus Perfumes Mujer¨, including some memorable images when the family members dance themselves . The motion picture was well directed by Marcelo Pyñeiro and it was Argentina's official submission for the 2002 Oscar Awards, Foreign Language film category . He was born in 1953 in Buenos Aires, Argentina . Marcelo usually works with his fetish actor , Leonardo Sbaraglia . Piñeyro is a director and writer , especially known for ¨Plata Quemada¨ (2000) and , of course , the big hit : ¨El Método¨ or ¨the Method¨ (2005) . Marcelo has directed the following films -being most of them dramas and thrillers- : 2009 ¨La Viudas De Jueves¨ , 2003 ¨Kamchatka¨ , 2000 ¨Plata Quemada¨ or ¨Burst money¨ , 1997 ¨Cenizas del Paraíso¨ , 1995 ¨Caballos Salvajes¨ and 1993 ¨Tango Feroz¨ . Rating : 7/10 .

I watched this as part of a film festival 2 years ago and it still lives with me today. As tender and compelling a depiction of love within a family as it is an indictment of the atrocities of the Argentinian police state which left so many unaccounted for. Beautiful, measured acting and direction matched by the cinematography and scripting. The focus on the relationship between the father and his two sons is heart-rending - gentle, subtle details of their bond and love for each other heighten the sense of dread as the net closes in. The final scenes are real, devoid of Hollywood soft-focus sanitising. Behind this story are countless personal tragedies, the realization of which only serves to make the emotions flood deeper still within you. I saw this in Auckland, NZ, and at the end of the screening silence filled the auditorium. No one moved. A small group at the front, one with an Argentinian flag, formed a circle and held a silent prayer together. This is a film of real power, go and see it.

An Argentine couple move into hiding with their two sons. Hiding from whom? Why? The movie will not tell us the answer to those questions because that is not what this movie is about. I have to say, though, that I could not stop wondering that through the whole movie.

This movie is the story of how this family fights to overcome obstacles (whatever they might be). The effort parents have to make to provide a happy family live for their kids even when their own personal life is plagued with difficulties. Explained with the simplicity of a nine years old boy's perspective the movie is just beautiful and well done.

Winner of a "Ciguapa de Oro" at the Santo Domingo 5th International Film Festival I highly recommend it to everybody. 8.5 out 10

This movie exudes the finesse and maturity of Latin American cinema of the new millenium. Long gone is the exploitation of magical realism and the cult of the exotic. The noble savage gives way to universal characters with very complex feelings.

I'm so glad this old baggage of the victim's complex has been checked at the door. The result is a beautiful movie about a family on the run during the 1970's Argentine military junta crack down. Kamchatka is free of the cliches and over-acting of Latin American movies of yesteryear. National identity is no longer the main story line, but rather a subtle backdrop that brings about one of the best stories about political crisis anywhere, the dismembering of a family.

Kamchatka has one of the most arresting final scenes that I have ever seen. This is a grand achievement of Argentine film.