Wilbur Wants to Kill Himself

Omigod. I haven't seen a film that moved me as much as this for a long time. It tells the tale of two 30-something brothers who own a dilapidated second-hand bookshop in Glasgow, and their search for different things.

The writing is effortless, but so natural and brilliant, the characters are beautifully crafted and it makes a refreshing change to see a film that is not about the location or the effects - but about the story and characters.

As for the acting - not a bad word can be said about any of the actors. The three principals (henderson, sives and rawlings) are so utterly convincing and there is so much chemistry between them all. They are backed up by two brilliant turns from Julia Davis as Moira and Mads Mikkelsen as Horst.

It may sound depressing from the title, and you may well shed a tear before the end of the movie, but I can guarantee that you will leave the cinema a wiser and more enriched person for having seen Wilbur...

Interesting film, but this viewer was far less impressed than the Scandinavian reviewers. Performances were great overall, though some deliveries of the clumsiest lines clunked (and Henderson's babydoll voice really irritates) Some great scenes, but the black comedy is uneven (lost in translation?)/ script patchy. All that bloody backstory for Wilbur-- was Harbour meant to be justifying the selfishness of his brother or.... what? Scherfig does a wonderful job in finding the humanity of difficult, odd characters (in 'Italian for beginners' too) Wish she'd cut the stuff that didn't work because it tries to hard to be odd. And more Mikkelsen please... what he evokes in the twitch of an eyebrow-- much more impressive than all that talk. Interesting but flawed... a director to watch, however.

"Wilbur wants to kill himself" is a (so)moving parable about how easy is to let yourself die when everything seems meaningless and how hard is to live when a disease is mining you.

Wilbur looks like a nice guy, the kind of man women like, he's good-looking, he has a brother who loves him... it doesn't seem like his existence is that miserable. Nevertheless he wants to leave this world, that's one of men's last rights so he'll try to kill himself in any possible way. On the contrary, his brother Harbour is full of life, he's an enthusiastic person, he's in love and he's just get married... how ironic, he has an incurable cancer, but that won't stop him from clinging to life till the last consequences.

Scherfig has moved away from the stupid DOGMA corset, and creates a perfect balance between the smile and the crying, tenderness and misanthropy, between life and death. She reduces the roughness of the hardest moments with a sarcastic turn or relying on the darkest sense of humor (that's always the best antidote against tragedy). Step by step she shows Wilbur the right way (and to all of us). No moral judgments, no dogmatism... there's no need to. Wilbur is a celebration of life, but is also a show of respect for those who don't wanna live anymore. Eventually it is a celebration of the best cinema: the one that makes you feel better.

*My rate: 8.5/10

i think sense of humor is just SUCH an individual thing. perhaps the more subtle the comedic approach, the more difficult to identify and align with. I myself found this film totally engaging, amusing and lovely. i did not know, at the time of viewing, that the director had made 3 or 4 other of my favorite films, On Our Own and Italian for Beginners being the most recent. The story itself is small but it's the screenplay and that quirky funny pervading sense of humor, that IS the film. two handsome, intelligent,gentle, interesting brothers have a deep love for each other. one is the older and responsible one, who runs the inherited family used book shop. the younger one makes a career out of trying to kill himself. a sweet sad woman- with- daughter comes into their lives and the shag rug becomes a tapestry. all the acting is spot-on. the TERRIFIC screenwriters (the director being one of the two)had me caring about all of the characters. the silences, as much as the dialogue, are perfectly carried off and i really didn't feel there was a false out-of-place moment in the entire film. i saw the film last night (thank heavens for good public-library film-buyers)and the characters are in my mind today.i've a delighted smile on my face. a big 10 for me.

I liked this film but I would've liked it much more if the dialog had been kicked up a few decibels and the musical score had been nearly killed off. I watched on DVD, so fortunately, I had the option of pressing hard on volume up during the dialog and pressing hard and fast on volume down and sometimes even mute during the music. Not that the score was distasteful at all, in fact, I thought it was good and very appropriate for the film. It was just that the volume itself was inappropriate. Perhaps the sound editor was afraid moviegoers would drift off asleep and s/he felt it dutiful to blast the sound out to ensure viewers wakeful alertness. At any rate, movie-good, sound editing-bad, very bad.