It's a Very Merry Muppet Christmas Movie

I think that the people who made this film had the people who grew up with the Muppets (people in their 20's and 30's) in mind. But that's the problem. We watch the Muppet movies to "escape" from the crap that other movies dish out, not wanting to see a movie that celebrates it. Basically, instead of using a plot, the movie tries too hard to use "pop cultural references" (such as referring to Britney Spears, or Triumph the Insult Comic Dog) and also uses inappropriate characters and situations (such as using seemingly gay characters; a rave scene where they have Scooter dancing as a cage dancer in a club, the Shrimp, Pepe, even using the word "sexy", etc.) It's not that we viewers can't "handle" more mature and modern Muppets, it's just that we don't want to. And I don't think parents want their kids to watch this. I just think this kind of stuff would confuse them. Plus the violence, although mild and cartoonish, is unnecessary. They have characters who say "let's go beat up" Fozzie, and fight scenes between humans and Muppets, and Muppets and Muppets, that are uncalled for, and not humorous at all. Bizarrely enough, the humans in this movie (except for one) all have these bizarrely happy smiles on their faces, and don't talk. It's just weird. It's almost like the Muppets are acting worse off than the innocent-looking humans. This movie just failed with me. I was upset how the people who wrote this tried to "sell out" and break something that don't need to be fixed. I will never watch this again, and I would not want to let kids see it. The Muppets have little personality in this, and any plot is substituted with references to other movies, as if the Muppets don't have any worth of their own. Which they should.

This is, without a doubt, the best Muppet movie in a *long* time. And the Muppets are back to zany form with parodies, such as "Moulin Scrooge", taking place in their classic Muppet Theater. Most of the newer Muppets are nowhere to be found, while older favorites have returned, and Fozzie has been brought back to the foreground. Welcome back!

The plot, basically a Muppet version of "It's a Wonderful Life" (I guess we can get used to Muppet versions of classics now, since the more original "Muppets from Space" failed), pits Kermit and the gang against a corporate shark who intends to turn their theater into a nightclub. All is fine until everybody's favorite bear fails to get their money to the bank on time. Now, the theater is gone, everyone is out of work, and Kermit is despondent. Time for a little Divine intervention.

The strange thing about this movie is that it maintains a "G" rating, but just barely. The Muppets have always had bizarre and sometimes risque humor (Gonzo's chicken fetish has always been, well, odd), but the ante is upped in this outing, with Scooter cage dancing and Pepe being promised a special bonus as a woman focuses his eyes on her chest. (No cleavage, though. Either you know what she's talking about, or you don't.) It goes a little too far, but just a little, and not enough to destroy the film.

The other problem, really, is that the director seemed more intent on making a feature film than one for television. Many of the segues into commercials feel forced, like they suddenly hit the time limit and had to end the scene prematurely with artificial suspense, or perhaps they wanted to cut to another scene directly but time wouldn't allow. Whatever the reason, the commercial breaks feel very out-of-place. (There's also one too many NBC plugs, but it never really got annoying. Network TV; what're ya gonna do?)

Still, this film is far too enjoyable to nitpick. The Muppets truly are back to form. Let's hope they stay there.

Sorry, but the script for this was a good first draft, but a poor final draft. Certainly there are moments of brilliance (the snowman, bringing back Doc Hopper), but they are mixed in with a lame effort to make God into a comedic character, sexual innuendo, and over the top homosexual characters that will discourage both conservative and liberal parents from showing this to their kids.

On Christmas Eve Kermit sits alone on a park bench - a broken frog. His lost cries reach the angels but they can do nothing, until one of them, Daniel, takes the case to God herself and shows Her what brought Kermit to this state in the hope that She will send an angel to help him.

While the TVM status of this film might suggest that it is a lesser product that the Muppet movies that used to be cinema draws, let me assure you that this is not the case and that this film actually benefits from being on TV and keeping the humour of the show rather than having the pressure of becoming a big screen outing. The overall plot is `It's A Wonderful Life' however the back story watched by the angels and us holds spoofs of Moulin Rouge and Scrubs as well as references to A Beautiful Mind, The Grinch, Entrapment and lots more. The downside of this is that the plot is very episodic, but the plus side is that the film is funny and will easily engage adults as well as children.

Opening with the stage manager removing a snowman narrator by calling him a `Burl Ives wannabe' the film keeps this sense of humour that you've come to expect from the TV show. My favourite line from the whole film is Bunsen replying to Beaker with `thank you Beaker - I think you have a beautiful mind too'!

The cast of muppets are very good - with all the new characters from the television show having a bit of time, including Pepe, Risso the Rat, Johnny Fiama and his monkey etc. The voices are not done by the original cast for a variety of reasons but they are still very good - I had to look at the credits to spot that it wasn't Frank Oz doing Fozzie (and Yoda!). The human cast is amusing even if it doesn't all work. The cast of Scrubs are wasted and not funny apart from showing up but cameos from Arquette, Macy, Goldberg and Lillard are all amusing and Cusack seems to enjoy herself.

Overall this was a fun festive film, it has the usual message to it and it has moments that just don't work and the plot really is just a salvage job from other films, but it still works and is surprisingly funny with lots of film references. The downside of this I suppose is that the film won't stand the test of time as the topical references get forgotten over time, but that's why it was a TVM I guess, cause that won't matter.

The good news is that this is easily the best Muppet outing since their "Muppets take Manhattan" movie nearly 18 years ago. Almost every Muppet that made the Muppets popular is there, and even more, the right people (Kermit, Piggy, Gonzo, Fozzie) are all front and center; which may be the first time in recent memory that Fozzie was given equal billing (and intelligence!!) with Kermit - instead of Piggy. Equally interesting is that the original "Muppet Theater" idea of the TV show is there, complete with Statler and Waldorf heckling from the balcony (with some of the best heckling they've had a chance to do in nearly 20 years). This being the case, many of the 90s Muppets such as Clifford amd Data are nowhere to be seen - not even relegated to "cameo" status. However, Pepe the Prawn is around.

Ironically, with a setting from 25 years ago, Frank Oz is no longer doing the voices. With Jim Henson and Richard Hunt dead, this more or less constitutes a complete turnover in Muppeteers. But it looks like they more or less threw caution to the wind, and finally brought the Muppets into the 21st Century. There's a lot of good here, It took me half of the show to realize that Gonzo, Piggy, and Fozzie were voiced by new people; and to that respect they did a fantastic job. This is great: instead of worrying if Frank Oz's (or whomever) Muppets will be able to give a few token lines and then leave, new people took up the mantle and gave great performances. For the most part it works: Scooter is back as is Sam the Eagle and Kermit's nephew Robin, plus Dr. Honeydew and Beaker in top form. Unfortunately, Animal and Rowlf are pushed to the background.

The Story? Oh there's a story?? Who cares? We all know that any story is just an excuse to see the Muppets go crazy. Basically, it's a spoof of "It's a Wonderful Life." There's a few spoofs thrown in, most notable being The Grinch and Moulon Rouge. Some work great, some don't.

Unfortunately, what doesn't work ALMOST killed it. The cameo with Piggy on the set of Scrubbs was funny -she quits the Muppet Show to start her career: an extra as a corpse on the show- but it cements the special to the success or failure of Scrubbs. Then there are the obligatory human cameos and roles. I never was one for them on the TV shows or movies, but here they seemed more forced: the most unforgivable is Whoopi Goldberg as a God-like deity (Goldberg probably feeling like she was typecast) who brings the show to a screeching halt at the end with a boring Guinan-like sermon about self-esteem. Almost as unforgivable is the ending song as the credits rolled, which was uncharacteristically sappy and contrived - fortunately modern devices of stuffing as many commercials as possible allowed it to go mute while the ending was split-screened with a promo. And then there were some things that seemed totally out of line: Pepe says he's got a permit for a topless club (Gonzo hints that he likes the idea), Scooter is cage dancing in a fantasy-scene, and the more bizarre Pepe and Joan Cusack lust scenes. Overall, it relied more on Simpsons-like references and spoof-gags to get through 2 hours than the witty writing of years past.

But, that wasn't enough to wreck it. The Muppets, in my book at least, are back. Now, if they can work on the writing, drop the need to spoof the next-big-thing at every turn, and keep it clean enough for the kids, there will be no stopping them - again.