Cuando un joven cazador mata innecesariamente a un oso, él mismo se convierte mágicamente en un oso como castigo, y conoce a un cachorro hablador que es su única guía para cambiar de nuevo.Cuando un joven cazador mata innecesariamente a un oso, él mismo se convierte mágicamente en un oso como castigo, y conoce a un cachorro hablador que es su única guía para cambiar de nuevo.Cuando un joven cazador mata innecesariamente a un oso, él mismo se convierte mágicamente en un oso como castigo, y conoce a un cachorro hablador que es su única guía para cambiar de nuevo.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 2 premios ganados y 22 nominaciones en total
Joaquin Phoenix
- Kenai
- (voz)
Jeremy Suarez
- Koda
- (voz)
Rick Moranis
- Rutt
- (voz)
Jason Raize
- Denahi
- (voz)
Dave Thomas
- Tuke
- (voz)
D.B. Sweeney
- Sitka
- (voz)
Joan Copeland
- Tanana
- (voz)
Paul Christie
- Ram #1
- (voz)
Danny Mastrogiorgio
- Ram #2
- (voz)
- (as Daniel Mastrogiorgio)
Patrick Pinney
- Additional Voice
- (voz)
- (as Pat Pinney)
Opiniones destacadas
Sadly, Disney Feature Animation closes down after "Home on the Range." I'm waiting for Disney's last cartoon on DVD, but the subject of this review is "Brother Bear." This is the second last traditional Disney animated feature.
"Brother Bear" is a good story of love, sin, understanding, forgiveness and brotherhood, as the title suggests. It's set in Alaska in the time of the Inuit and the mammoth. Sitka, Denahi and Kenai are brothers (eldest first). After Sitka is killed by a bear, Kenai sets out to kill the bear, whilst Denahi doesn't blame the bear. Kenai kills the "monster," but Sitka, now a powerful spirit, turns Kenai into a bear to take the other's place and atone for his wrongdoing. Denahi thinks the bear has killed his other brother as well, and vows to track down Kenai and kill him. It is different from most other stories. The message is clear, the story straightforward, not muddled by subplots and separate story lines. The film tells a story that is just a fable. Fortunately, that's all it needs to be.
The animation isn't all that gorgeous, yet remains high quality. The bears are realistically depicted, all the animals are their true forms but for the caricature of their funniest features and habits. The forest, which is CG, is beautiful. The color and the realism of it is magnificent. But again, some of the computer effects don't work. The film was clearly trying to aim for something like the DreamWorks half-and-half pictures, with hand-drawn characters acting in photo-realistic environments and effects (i.e. "Spirit: Stallion of the Cimarron" and "Sinbad: Legend of the Seven Seas"). The water in "Brother Bear," in its early stages, looks nearly as bad as that in "The Jungle Book 2." It's flat, with a bit of shine, unlike the fast-flowing, moving torrents of other films. It just looks lame. Don't get me wrong, this is a minor mishap. The Cg layout looks fantastic.
Phil Collins did the score for this! What a surprise! NOT! The soundtrack for "Tarzan" was inspirational: the soundtrack for "Brother Bear" is varying and lackluster. The opening Tina Turner number is decent at best. Collins' songs, which form the bulk of the music in the film, have stupid lyrics, although his great voice saves it from being totally painful. The best song by far was sung by a Bolivian women's chorus, written by Colins. The lyrics for this song were better than the other songs', not bothering to include idiotic rhymes since the English words are never heard. The words were translated into Inuit. When at last the grand performance is over, you whisper: "Wow."
The characters are funny and not at all one-dimensional. Of the brotherhood, Sitka, who plays such a pivotal role, is the weakest. His character is no deeper than enough to make it clear he is brave, wise and self-sacrificing. Everyone's dream big brother to beat up the bad guys. Denahi and Kenai are have much more to them. They, of course, are the typical siblings that incessantly antagonize each other, their battles being a good source of comic relief. "Brother Bear" may have fallen flat on its face without the two distinctly Canadian moose brothers (notice the number of brothers in the film) that are by far the funniest of Disney's recent creations. They get cramps from eating grass and need to do yoga before starting, and spar to practice for the rutting season. Kenai reluctantly allows a young bear cub separated from his mother. This cub is Koda. Correction: The moose are the funniest SIDEKICKS from Disney in recent times. Koda is a lead player. He's funny, exceedingly better equipped to survive than his older chum, and most importantly: extremely cute.
So, does "Brother Bear" live up to the classics of old? Honestly, no, it doesn't. On the other hand, it doesn't exactly make it impossible for them to show their faces in public again. All in all, Disney hasn't ended a creative vacuum. But if you think about it, would Walt have approved? No. He wouldn't have. But what matters isn't how "Brother Bear" compares to other Disney films, but how much you enjoy it in a single viewing. Admittedly, it's funnier than any of than many older films. "Brother Bear" rating: 8/10
"Brother Bear" is a good story of love, sin, understanding, forgiveness and brotherhood, as the title suggests. It's set in Alaska in the time of the Inuit and the mammoth. Sitka, Denahi and Kenai are brothers (eldest first). After Sitka is killed by a bear, Kenai sets out to kill the bear, whilst Denahi doesn't blame the bear. Kenai kills the "monster," but Sitka, now a powerful spirit, turns Kenai into a bear to take the other's place and atone for his wrongdoing. Denahi thinks the bear has killed his other brother as well, and vows to track down Kenai and kill him. It is different from most other stories. The message is clear, the story straightforward, not muddled by subplots and separate story lines. The film tells a story that is just a fable. Fortunately, that's all it needs to be.
The animation isn't all that gorgeous, yet remains high quality. The bears are realistically depicted, all the animals are their true forms but for the caricature of their funniest features and habits. The forest, which is CG, is beautiful. The color and the realism of it is magnificent. But again, some of the computer effects don't work. The film was clearly trying to aim for something like the DreamWorks half-and-half pictures, with hand-drawn characters acting in photo-realistic environments and effects (i.e. "Spirit: Stallion of the Cimarron" and "Sinbad: Legend of the Seven Seas"). The water in "Brother Bear," in its early stages, looks nearly as bad as that in "The Jungle Book 2." It's flat, with a bit of shine, unlike the fast-flowing, moving torrents of other films. It just looks lame. Don't get me wrong, this is a minor mishap. The Cg layout looks fantastic.
Phil Collins did the score for this! What a surprise! NOT! The soundtrack for "Tarzan" was inspirational: the soundtrack for "Brother Bear" is varying and lackluster. The opening Tina Turner number is decent at best. Collins' songs, which form the bulk of the music in the film, have stupid lyrics, although his great voice saves it from being totally painful. The best song by far was sung by a Bolivian women's chorus, written by Colins. The lyrics for this song were better than the other songs', not bothering to include idiotic rhymes since the English words are never heard. The words were translated into Inuit. When at last the grand performance is over, you whisper: "Wow."
The characters are funny and not at all one-dimensional. Of the brotherhood, Sitka, who plays such a pivotal role, is the weakest. His character is no deeper than enough to make it clear he is brave, wise and self-sacrificing. Everyone's dream big brother to beat up the bad guys. Denahi and Kenai are have much more to them. They, of course, are the typical siblings that incessantly antagonize each other, their battles being a good source of comic relief. "Brother Bear" may have fallen flat on its face without the two distinctly Canadian moose brothers (notice the number of brothers in the film) that are by far the funniest of Disney's recent creations. They get cramps from eating grass and need to do yoga before starting, and spar to practice for the rutting season. Kenai reluctantly allows a young bear cub separated from his mother. This cub is Koda. Correction: The moose are the funniest SIDEKICKS from Disney in recent times. Koda is a lead player. He's funny, exceedingly better equipped to survive than his older chum, and most importantly: extremely cute.
So, does "Brother Bear" live up to the classics of old? Honestly, no, it doesn't. On the other hand, it doesn't exactly make it impossible for them to show their faces in public again. All in all, Disney hasn't ended a creative vacuum. But if you think about it, would Walt have approved? No. He wouldn't have. But what matters isn't how "Brother Bear" compares to other Disney films, but how much you enjoy it in a single viewing. Admittedly, it's funnier than any of than many older films. "Brother Bear" rating: 8/10
I don't know what the hell people (or critics for that matter) are looking for, but this movie was EXCELLENT. For my 3-year-old to sit through the whole thing is testimony enough to its interest. The Phil Collins soundtrack is the only thing that wasn't exciting - almost as if he was trying too hard - but I wouldn't criticize the whole movie for that. There just weren't any "memorable" songs that ran through my head afterwards. For someone that has to endure "kid" movies more than any other, this was by far one of the most enjoyable.
"Brother Bear" is the latest Disney feature to be done in hand-drawn animation. In it, a young hunter in the Pacific Northwest of the Ice Age is transformed into a bear to look at life from another perspective. The animation is beautifully done, depicting breathtaking scenes of nature. And things like a herd of caribou or a school of salmon were eye-catching. The story is fascinating, letting you know what it's like to go from being the hunter to being the hunted. Dave Thomas and Rick Moranis make funny cameos as Rutt and Tuke, a pair of moose patterned after their "MacKenzie Brothers" characters. The vignettes during the end credits are funny as well. So, "Brother Bear" offers a good example of what 2D animation can still do.
Let me say this first, I truly love this movie. Sure the directing, script, and musical numbers may not be on the same par with The Lion King or Beauty and the Beast.In fact, the song when they first find the salmon run can be downright painful. But I'll be damned if this movie isn't full of emotional punch.
The characters, while not as memorable as ones from other movies, feel real. None of them are presented as caricatures of people like you can see in many other Disney movies. You understand the reason's for all of the actions of the characters and often truly feel the emotions that they do. The scene where Kenai confesses his guilt to Koda is one of the most emotionally powerful scenes i've seen in a film, due, in a large part, to the great acting from Joaquin Phoenix in this movie.
The animation is awesome and is most certainly not sub-par at all. Even if this movie isn't amazing in many technical aspects, its crazy amount of heart will make you want to watch it multiple times.
In conclusion, if this movie doesn't make you want to cry, you aren't human.
The characters, while not as memorable as ones from other movies, feel real. None of them are presented as caricatures of people like you can see in many other Disney movies. You understand the reason's for all of the actions of the characters and often truly feel the emotions that they do. The scene where Kenai confesses his guilt to Koda is one of the most emotionally powerful scenes i've seen in a film, due, in a large part, to the great acting from Joaquin Phoenix in this movie.
The animation is awesome and is most certainly not sub-par at all. Even if this movie isn't amazing in many technical aspects, its crazy amount of heart will make you want to watch it multiple times.
In conclusion, if this movie doesn't make you want to cry, you aren't human.
I took my 8 year old daughter to see this and the cinema was packed full of kids. They loved it and I loved it too. It was like going back in time to seeing those old Disney movies of my youth such as the Jungle Book and The Aristocats. Brother Bear is one of those movies that is funny and moving at the same time and of an ideal length to hold the attention of a kid.Sure,the critics hated it probably because it is not as knowingly clever as Finding Nemo. Who cares? The proof of the movie's entertainment value was seeing all those kids in the cinema laughing and having fun. I do sit through an awful lot of garbage when I take my daughter to the movies. Finding something like Brother Bear makes it all worthwhile.The only negative factor was those songs by Phil Collins. Rotten is the only word to adequately describe them.If he wins an Oscar again, I will be annoyed.
¿Sabías que…?
- TriviaThe lines, "I don't care that you and Binky found the world's biggest pine cone ever" and "First of all, it's not Binky, it's Bucky, and it wasn't a pine cone, it was a pine nut" said by Kenai (Joaquin Phoenix) and Koda (Jeremy Suarez) was an accidental improvisation because Phoenix messed up his line and Suarez corrected it when they were recording.
- ErroresIn the opening scene, the DVD subtitles identify the narrator as Sitka, when it is actually Denahi.
- Créditos curiososAt the conclusion of the end credits, Koda appears to announce the standard declaration that no salmon were harmed in the making of the film. However, he is embarrased by a bear chasing a salmon behind him and signals for shooting to stop. Koda covers the lens with his paws and the picture goes black as he accidently breaks the camera while the fishing bear belches.
- Versiones alternativasThe 2013 Blu-ray release plasters the closing variant of the 2000 Walt Disney Pictures logo with the closing 2011 variant of the 2006 Walt Disney Pictures logo, which just reads "Disney".
- ConexionesEdited into Zenimation: Nature (2020)
- Bandas sonorasGreat Spirits
Written by Phil Collins
Produced and Arranged by Phil Collins and Mark Mancina
Performed by Tina Turner
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- How long is Brother Bear?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Brother Bear
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 128,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 85,336,277
- Fin de semana de estreno en EE. UU. y Canadá
- USD 291,940
- 26 oct 2003
- Total a nivel mundial
- USD 250,397,798
- Tiempo de ejecución1 hora 25 minutos
- Color
- Mezcla de sonido
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