Tierra de osos

I didn't go out of my way to see this film, as it had already been pretty much disregarded by both the critics and the public. Shame on me. BROTHER BEAR has many strengths to recommend it, and I hope it eventually finds an audience on video.

I'll admit a bias: I live in the Yukon Territory, and the story obviously takes place in next-door Alaska (with characters named "Sitka", "Kenai", and "Tanana", it's pretty obvious). Like many other Disney movies, it takes its inspiration from a traditional legend. Unlike many other Disney movies, this movie manages to remain respectful to the original legend.

The messages are wonderful. That love is an important thing for a real man to learn. That "the spirits" need to be respected. That vengeance can have a terrible price. This movie manages to do it (mostly) without resorting to daffy sidekicks and sappy tugs at the heartstrings. Yes, there's Rick Moranis and Dave Thomas revisiting their "Bob and Doug Mackenzie" roles as the two moose, but I didn't find them jarring at all. The story works.

So does the animation. This is a visually beautiful film. Yes, it's apparent to my (computer pro) eye that Disney's animation unit is making more use of computer techniques. Mostly, though, you see them used to wonderful effect, like making a realistic snowfall, or moving the point of view through a shot. The animation style is also very appropriate for the story. And as a northerner, I loved the many aurora shots; they looked spot-on.

Not everything in BROTHER BEAR worked for me, unfortunately. Phil Collins' music for TARZAN was quite good, but it mostly falls flat here (except maybe for "On My Way"). A couple of numbers come close to the embarassingly bad category.

Still, this is nowhere near enough for me to disregard this movie. I put it above THE LION KING (way above), probably a little ahead of TARZAN, and almost on the same upper-echelon with THE LITTLE MERMAID and BEAUTY AND THE BEAST.

"Brother Bear" is the latest Disney feature to be done in hand-drawn animation. In it, a young hunter in the Pacific Northwest of the Ice Age is transformed into a bear to look at life from another perspective. The animation is beautifully done, depicting breathtaking scenes of nature. And things like a herd of caribou or a school of salmon were eye-catching. The story is fascinating, letting you know what it's like to go from being the hunter to being the hunted. Dave Thomas and Rick Moranis make funny cameos as Rutt and Tuke, a pair of moose patterned after their "MacKenzie Brothers" characters. The vignettes during the end credits are funny as well. So, "Brother Bear" offers a good example of what 2D animation can still do.

Brother Bear (2003)

*** (out of 4)

Underrated Disney film about a Inuit hunter (voice of Joaquin Phoenix) who kills a bear without cause and ends up being transformed into a bear where he must help a young cub who has lost its mother. In order to take human form again, the bear must grow a heart and learn the true meaning of love. BROTHER BEAR seems to get a lot of mixed reviews among Disney fans but I really don't understand why because I thought it was a pretty good film with several memorable characters, some good laughs, the needed pulling of the heart-strings and of course some great animation. I really thought the animation here was quite wonderful from the opening scenes that were full of darkness to the middle of the picture when things are a lot more colorful. The attention to detail was just marvelous and especially the scenes early on with the ice, the flowing water and several scenes inside a cave. There lights in the sky were another impressive bit of animation from the studio who were obviously legends by now. Another major plus were the vocal performances with Phoenix doing an extremely good job in the role of the bigger brother who takes on this young cub. You can just really feel a love and naturing feeling to the vocal work. Jeremy Suarex, Rick Moranis and D.B. Sweeney are also very good in their supporting roles. As you'd expect, there's certain messages that the filmmakers try to get across and I think they did a fine job without having to beat the viewer over the head. The ending, which I won't spoil, was quite touching as only Disney can do. Again, I'm really not sure why this film got so many negative reviews but it's certainly a winning addition to the studio's great work.

Let me say this first, I truly love this movie. Sure the directing, script, and musical numbers may not be on the same par with The Lion King or Beauty and the Beast.In fact, the song when they first find the salmon run can be downright painful. But I'll be damned if this movie isn't full of emotional punch.

The characters, while not as memorable as ones from other movies, feel real. None of them are presented as caricatures of people like you can see in many other Disney movies. You understand the reason's for all of the actions of the characters and often truly feel the emotions that they do. The scene where Kenai confesses his guilt to Koda is one of the most emotionally powerful scenes i've seen in a film, due, in a large part, to the great acting from Joaquin Phoenix in this movie.

The animation is awesome and is most certainly not sub-par at all. Even if this movie isn't amazing in many technical aspects, its crazy amount of heart will make you want to watch it multiple times.

In conclusion, if this movie doesn't make you want to cry, you aren't human.

I don't know what the hell people (or critics for that matter) are looking for, but this movie was EXCELLENT. For my 3-year-old to sit through the whole thing is testimony enough to its interest. The Phil Collins soundtrack is the only thing that wasn't exciting - almost as if he was trying too hard - but I wouldn't criticize the whole movie for that. There just weren't any "memorable" songs that ran through my head afterwards. For someone that has to endure "kid" movies more than any other, this was by far one of the most enjoyable.