My Suicidal Sweetheart

I really loved this original screenplay and the different places it took me, emotionally, spiritually and just plain silly stuff. I didn't get caught up in "believability" in the screenplay or the actors and didn't even think about it until reading the reviews listed here in IMDb for the movie. Listening to Michael Parness talk at the Q & A about his idea of the film, wanting to see how crazy people, or "f'ed" up people, as he put it, fall in love is really interesting. I identified with not having a story book romance and liked seeing dysfunction at it's best. I like watching David Krumholtz in anything he does and have followed his career for a few years now. I believe this is some of his best work and say to anyone, just see this film to watch an amazing young actor. I agree that Guillermo Díaz really was a scene stealer, and what he did with his character is really a great acting lesson in commitment. I laughed and cried both in this movie and was disappointed that it didn't win any awards at the festival. I question why that didn't happen. I gave Max and Grace a ten because these interesting, unique, creative Indie films deserve an audience. Technically watching this film, it's really beautifully done – the colors are amazing, and lastly, it's one of the best soundtracks I have heard in a film in awhile.

Not since "Harold and Maude" has suicide been so successfully used as the theme for a love story. The acting, by a top notch cast is terrific. With a well structured script, things progress at an enjoyable pace. There are moments of black comedy, but I would classify "My Suicidal Sweetheart" as a unique romantic comedy, with a touch of dark humor. The relationship between two psychologically challenged lovers, is both touching and engaging. The movie actually makes you question, what is a normal relationship? I highly recommend "My Suicidal Sweetheart". Seek it out on DVD under the title "Crazy for Love". You will not be disappointed. - MERK

Saw this at Newport Beach Film Festival the other day. The film is REALLY exceptional. The crowd I went with all loved it. Funny, poignant and great acting. I'm tired of the tried and true Hollywood romances, who can relate? David Krumholtz (Max) is really amazing as the sure and true lover of the ultra-screwy Grace (Natasha Lyonne, who is also excellent). When Max falls for Grace we believe it. Why? Because love at first sight IS crazy and we're dealing with two lost, and maybe not so crazy, souls. Also of note are Giullmo Diaz as Hector and Rosanna Arquette as a sexless/sexy neurotic, both "roommates" of Max and Grace before they embark on their trip to Sheboygen, WI and finding themselves. Don't miss this one, its something special! P.S. The soundtrack, led by Kevin Hearn (of Bare Naked Ladies fame) is really super super cool as well.

Many films attempt the ambitious. Few succeed. This film is one of them.

Though billed as a black comedy, that term seems too limiting to express the true nature of the story behind Max and Grace. Multi-hyphenate Michael Parness has managed to weave elements of absurdest comedy with incredibly real human emotion. Quite a remarkable feat, to be certain.

While the comedic aspects are certainly present, the heart of the film lies in its leads: David Krumholtz and Natasha Lyonne. The delicate balance of the film - really crazy versus real love - falls to them and they achieve it, carrying it through from the opening scene to the heart wrenching climax and on to the heartwarming ending. David Krumholtz, in the titular lead role and as narrator, anchors the picture and does an exceptional job. We see the world through Max's eyes and Krumholtz imbues them with a sort of wonder and hopefulness that one would not expect to be believable coming from a character who had previously attempted suicide. There should be no doubt from this point on that he has truly achieved leading man status, well deserved after more than a decade of memorable supporting roles. Natasha Lyonne might be something of a revelation for anyone who has seen her only in less challenging roles. The role of Grace is expansive in scope, requiring her to show both great rage and great tenderness - sometimes within seconds of each other. She manages to convince us of Grace's deep seated desperation that lies just beneath her alternating torpor and mania.

This is not a laugh a minute type of comedy so don't see the film expecting strictly humor from start to finish. Think more dramedy than comedy. There are some very dark moments, as one would expect given the subject matter of suicidal individuals, and some oddly real moments delivered most notably by Emma Adele Galvin as Max's sister, Sis. The most humorous scenes are those populated by the myriad of name actors in supporting roles. While Lorraine Bracco and David Paymer lend the most surreal aspect with their scenes the other supporting characters who populate the institution where Max and Grace meet are the real treat. Guillermo Diaz is a wanton scene stealer as the delightfully frenetic oddball, Hector. Ralf Moeller, as Bruno, acts as his straight man but has his own charm and appeal. Rosanna Arquette fully inhabits the role of Vera with the crass vitriol of an embittered truck stop waitress. Even her hardhearted character melts eventually, as does everyone who is touched by Max's literally undying love for Grace.

Can love conquer all might be the question behind the film and even though the realist within says no, movies are about an escape from reality, even if only for a few brief hours. I recommend seeing this film as an antidote to not just reality but to the cynicism that says that a love story like this never happens. Spending a few hours immersed in a world where it can and does works wonders on the psyche.

(Seattle International Film Festival - June 2005)

This really is a great film. Full of love and humor, it compels the audience to really care about the characters and participate in their journey. Michael Parness managed to assemble a great cast of top players, a minor miracle for a first film. No doubt, they were moved to help him tell this beautiful story. David Krumoltz carries the film with his understated intensity and honesty. Natasha Lyonne is unpredictable, exasperating, and yet totally lovable as Grace. Also a great turn by Karen Black (great to see her on the screen again) as Grace's crazed but sympathetic mother. There is cutting wit throughout, allowing us the relief of laughter when faced with life's pain. The acting is impeccable, the editing tight, the direction inspired, and the music creates a fitting backdrop of mood. Given the present-day Hollywood Blockbuster craze, full of big budgets, big names, car crashes and special effects, 'Max & Grace' is a refreshing departure. Give yourself a treat and see this movie.