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5.4/10
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Tras atravesar una serie de crisis personales, un cómico vuelve a los escenarios con un espectáculo en el que hace un mordaz comentario social y reflexiones muy personales sobre su vida.Tras atravesar una serie de crisis personales, un cómico vuelve a los escenarios con un espectáculo en el que hace un mordaz comentario social y reflexiones muy personales sobre su vida.Tras atravesar una serie de crisis personales, un cómico vuelve a los escenarios con un espectáculo en el que hace un mordaz comentario social y reflexiones muy personales sobre su vida.
- Dirección
- Guionista
- Elenco
Robert North
- Fine Print Anchor #3
- (sin créditos)
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I like Martin as an actor. He has the ability to be funny. But what was he thinking about when he made this nonsense? I laughed mabye 3 times during this embarrassing performance. Martin seemed to be saying whatever came to his mind as he went, no type of flow. I have no problem with the profanity because when used right, it adds to the humor. But using "M*\_}rF_=*r" every other word doesn't take away from the fact that the material is weak. Then he also started with the "Let's give it up to the ladies" routine to try to gain support for his tired performance. And what was up with the slow pace? Bad enough the gag he's telling isn't funny, but now he want's to drag it out, as if he's waiting for more laughs. I had alot of high expectations for this movie. I was expecting to laugh, not wince. If Martin wanted to answer the critics, he shouldn't have 'wrapped' it up in a movie marketed as a Comedy, and have his fans pay the price. I give this movie NO STARS. Next time I hope he leaves the old, old routines at home and hope he actually practices before he performs.
"Martin Lawrence Live: Runteldat" caught me by surprise because I don't usually find myself enjoying this genre. "Martin Lawrence Live: Runteldat" is funny, engaging, insightful and crude; "Martin Lawrence Live: Runteldat" contains all of these and I can finally say I have seen Martin Lawrence at his best. If you are a person who enjoys great comedy, Martin Lawrence or just curious about the comedian; "Martin Lawrence Live: Runteldat" is for you.
"Martin Lawrence Live: Runteldat" opened my eyes to this type of genre and made me want to rent other comedies like this. I hope everyone enjoys this as much as I did.
"Martin Lawrence Live: Runteldat" opened my eyes to this type of genre and made me want to rent other comedies like this. I hope everyone enjoys this as much as I did.
This recent stand-up movie of his was expectedly as piss-poor as his previous, i.e. "You So Crazy".
Martin Lawrence is easily one of the most annoying personalities to be recorded on film. Not only is he a lowsy actor to begin with, he's incredibly irritating to watch. His stand-up act is simply unbearable because it's nothing but Martin Lawrence and his embarassing way of talking. He overdoes everything. Every gesture, every word, is overly-black! He thinks he can be funny by acting black and talking black, almost as if he equates "blakness" with humor. (Chris Rock gets away with this because his content is actually funny to begin with.)
For God's sake, THE GUY IS NOT FUNNY!!!! I didn't even crack a smile once during the nearly two-hours of his agonizingly stupid, unwitty stand-up routine.
Martin Lawrence is easily one of the most annoying personalities to be recorded on film. Not only is he a lowsy actor to begin with, he's incredibly irritating to watch. His stand-up act is simply unbearable because it's nothing but Martin Lawrence and his embarassing way of talking. He overdoes everything. Every gesture, every word, is overly-black! He thinks he can be funny by acting black and talking black, almost as if he equates "blakness" with humor. (Chris Rock gets away with this because his content is actually funny to begin with.)
For God's sake, THE GUY IS NOT FUNNY!!!! I didn't even crack a smile once during the nearly two-hours of his agonizingly stupid, unwitty stand-up routine.
Martin Lawrence's familiar brand of slde-splitting comedy is most evident in "Runteldat". His comic timing and delivery is excellent as is his material. I have never laughed harder, and I look forward to other filmed live performances that he may make.
Martin Lawrence explains in the first few minutes of his comedy special dubbed Runteldat that he isn't waiting for E! True Hollywood to tell his s***, but is going to tell it in his own words and his own personal experiences. I normally say that some concert and stand-up films that go to theaters aren't really that special enough to go theatrical - but I think Martin Lawrence Live: Runteldat posses a strong enough reason for such an honor.
"Runteldat" is a slang term for "run and tell that." While it's not spoken throughout the whole film, it has a certain meaning to it which makes it worthy of the title choice. Lawrence is basically telling the audience members "now that you know the true story, run and tell that!" The special was shot at Constitution Hall in Washington D.C., and was directed by David Raynr. Raynr directed the seldom-seen Whatever it Takes which was truly a mixed bag of comedy and drama elements. Runteldat is also number eight on the list of films that uses the f word most frequently, clocking in at three-hundred and eleven uses. I, for one, am not offended by vulgarity if it is taken in a new and non-gratuitous manner. It may seem like nothing but unnecessary language, but once you get past it, the film becomes a pleasure and the vulgarity adds to the fun of the whole picture. After a while, you adapt and it becomes an unobtrusive quality.
Martin talks about every from sex, to drugs, to crime, to cops, to 9/11, the news, the media, and even the Cha Cha Slide and why he "can't stand that f****** dance!" The first seven minutes are devoted to a montage on Martin lashing out at the media. The message is unclear because I can't really see what they did wrong. They were reporting on him because he was arrested. Why is he getting mad? I don't know. The whole attack seems tiresome and drawn out, but once Martin gets a hold of the mic - anything goes.
When talking about critics, he says that can "criticize deeeez nuts!" When talking about the Cha Cha Slide he says "STOP! Think about it." One of my favorite sketches is when he talks about the way blacks and whites react to getting pulled over. I'm white, and while I think I was supposed to be offended or insulted, I couldn't contain my laughter. When a film makes you think offensive material against yourself is hilarious - I can't help but give it the highest compliment I've given a comedy special.
I'm not easily offended because I feel that Martin isn't being racist as much as he is proving a point about how distant blacks and whites can be sometimes. If I found out he was being honest? I'd probably still laugh seeing as he has the gall to admit something like that. It's a win-win for him.
Another skit that was fabulous was when he discusses the differences between black and white parenting. He uses an example when a kid insults his mother, the mother sends him to timeout for "emotional issues." He claims if you said that to a black mother, your timeout would be picking up your teeth, your molars, and getting your foot out of some place.
Martin Lawrence Live: Runteldat is a comedy special of epic vulgar proportions. I can't sum it up to a solid degree. This isn't the raunchiest or best that I've seen, but since Lawrence has done a number of kid films it's nice to see him step up to the mic revealing his dirty side. I couldn't help but applaud at the end. The ambition and courage it took to get on the mic and say what he just said deserves some kind of award.
Performed by: Martin Lawrence. Directed by: David Raynr.
"Runteldat" is a slang term for "run and tell that." While it's not spoken throughout the whole film, it has a certain meaning to it which makes it worthy of the title choice. Lawrence is basically telling the audience members "now that you know the true story, run and tell that!" The special was shot at Constitution Hall in Washington D.C., and was directed by David Raynr. Raynr directed the seldom-seen Whatever it Takes which was truly a mixed bag of comedy and drama elements. Runteldat is also number eight on the list of films that uses the f word most frequently, clocking in at three-hundred and eleven uses. I, for one, am not offended by vulgarity if it is taken in a new and non-gratuitous manner. It may seem like nothing but unnecessary language, but once you get past it, the film becomes a pleasure and the vulgarity adds to the fun of the whole picture. After a while, you adapt and it becomes an unobtrusive quality.
Martin talks about every from sex, to drugs, to crime, to cops, to 9/11, the news, the media, and even the Cha Cha Slide and why he "can't stand that f****** dance!" The first seven minutes are devoted to a montage on Martin lashing out at the media. The message is unclear because I can't really see what they did wrong. They were reporting on him because he was arrested. Why is he getting mad? I don't know. The whole attack seems tiresome and drawn out, but once Martin gets a hold of the mic - anything goes.
When talking about critics, he says that can "criticize deeeez nuts!" When talking about the Cha Cha Slide he says "STOP! Think about it." One of my favorite sketches is when he talks about the way blacks and whites react to getting pulled over. I'm white, and while I think I was supposed to be offended or insulted, I couldn't contain my laughter. When a film makes you think offensive material against yourself is hilarious - I can't help but give it the highest compliment I've given a comedy special.
I'm not easily offended because I feel that Martin isn't being racist as much as he is proving a point about how distant blacks and whites can be sometimes. If I found out he was being honest? I'd probably still laugh seeing as he has the gall to admit something like that. It's a win-win for him.
Another skit that was fabulous was when he discusses the differences between black and white parenting. He uses an example when a kid insults his mother, the mother sends him to timeout for "emotional issues." He claims if you said that to a black mother, your timeout would be picking up your teeth, your molars, and getting your foot out of some place.
Martin Lawrence Live: Runteldat is a comedy special of epic vulgar proportions. I can't sum it up to a solid degree. This isn't the raunchiest or best that I've seen, but since Lawrence has done a number of kid films it's nice to see him step up to the mic revealing his dirty side. I couldn't help but applaud at the end. The ambition and courage it took to get on the mic and say what he just said deserves some kind of award.
Performed by: Martin Lawrence. Directed by: David Raynr.
¿Sabías que…?
- TriviaThis movie uses the word "fuck" 347 times in its 113 minute run-time, leading to the second most constant use of that word (3.07 times a minute).
- Citas
Martin Lawrence: No one is immune to the trials and tribulations of life.
- Bandas sonorasSchool Street
Written by Damon 'Grease' Blackman (as Damon Blackman) and DMX (as Earl Simmons)
Performed by DMX
Courtesy of Rush Associated Labels Recordings
Under license from Universal Music Enterprises
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Мартин Лоуренс: Живьём
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 19,184,820
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,374,049
- 4 ago 2002
- Total a nivel mundial
- USD 19,184,820
- Tiempo de ejecución1 hora 53 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Martin Lawrence Live: Runteldat (2002) officially released in Canada in English?
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