El Campeón

I grew up in Sydney during the 1950's and although my childhood was good it wasn't the "good old days" people like to reminisce about.

This film captures the Australia of the 1950's perfectly.

An insular nation still coming to grips with who it was and where it was going.

As a child I saw men traumatised by the war or the depression; unable to express their feelings and as trapped in their roles as were the women.

Rush and Davies were superb as were the actors who played the children.

What a pity Tony had to escape to the USA. Has anything really changed?

A great little Australian Movie

Since all the reviews I read on this film so far are from Australia, I couldn`t resist to comment on it, if just for showing that it made the other side of the world :-). I bought the DVD because I already am a fan of Jesse Spencer (though I never had the chance to see his "Neighbour"-appearances) - I like him in "Stranded". So I bought the DVD of "Swimming upstream" and was really impressed by his acting-skills. The story lacks a little tempo at times, but the characters played by Jesse Spencer and Judy Davis are really coming to life very well. And the way I dislike Geoffrey Rush`s character is proof of his good job either. Contrary to a previous review I read, I liked the use of the editing machine during the swimming sequences just fine. The only thing that struck me was the music during those sequences, that just was dramatic all right, but way to modern for the time that movie played in. With a little more tempo this might have been a top-league drama, but it still deserves to be better known and I will certainly recommend it to friends of drama-movies.

I hope for Jesse Spencer to find more roles that bring out his talent and make him even better known worldwide. It`s not often that good looks and talent go together (Kevin Zegers is another fine actor that deserves to be better known...).

I still wonder, why Tony`s father disliked his own son that much...I wish no kid would have to live through something like that. Ever!

I watched Swimming Upstream as part of the judging for Australia's Film Institute awards and was very impressed with it at that screening. The performances are superb, especially Judy Davis and Geoffery Rush. But the real power of the film lies in it's subtext about a father who managed to disregard his own son.

The implications of this, and the way it was so beautifully, visually and poignantly brought to the screen, is one of the true achievements of this film.

Special mention goes to Anthony Fingleton who wrote the screenplay (based on his autobiography) He and co-writer Diane Fingleton have managed to relate an extrordinary situation without trying to answer the greatest puzzle - how could this happen in a loving family.

A real Gem that will no doubt be overlooked by many. A shame.

Just saw this film on its USA premiere at the Stony Brook Film Festival opening night. A packed house and an excellent Q+A session made this moving film a perfect choice to start the festival.

As previously stated, the casting was perfect with the distressed family members being portrayed in believable and engrossing ways. Both Rush and Davis deliver wonderful portrayals. According to the author, who was on hand for the opening, Geoffrey Rush did an eerily accurate job in his role as Tony Fingleton's father.

All in all, an excellent film that should be distributed more widely than it currently is.

This true story of Australian swimmer Tony Fingleton is not your typical "inspirational" tale of rising above the odds to become a champion, it is rather a tale about the real meaning of success. Success is about realising yourself, not the deeds you do or the medals you win. For Tony this was a tough lesson to learn.

The film is brilliantly directed by Russell Mulcahy, who shows unusual restraint, without losing his dynamic and unique style. Some of his direction here reminded me of his work on "Queer As Folk", as he manages to stylise the action without sacrificing the emotional integrity of the screenplay (which was written by Fingleton himself). Although the film is set in the 1950s and 1960s, Mulcahy refuses to become a slave to the period, instead he utilises 21st century editing styles, including the truly thrilling use of split-screens for the race sequences, and a terrific electronic music score, to make this period tale utterly contemporary.

The performances are nothing short of spectacular. Jesse Spencer, who plays Tony, seems set for international stardom. With the face of an angel, and the body of a god, he can hardly fail to make an impression - but he can really act as well! He is ably supported by two of the greatest actors in the world today, and they're both Aussies - Judy Davis and Geoffrey Rush, who play Tony's parents. The story focuses on Tony's relationship with his father, a very strained and complex relationship. Rush's performance is probably his best screen work to date (yes, even better than "Shine"!), as he creates a multi-dimensional being out of what could have been a cliched villain. And Davis just keeps getting better and better as an actress. As the long-suffering mother, she completely avoids cliche, and invests the character with zest, warmth, love and anger. She is dynamite! Tim Draxl is also impressive as Tony's brother John - at once jealous and proud, and Mitchell Dellevergin is perfect as the young Tony. All the performances are excellent, although I could have done without the comic cameo by Dawn Fraser, which harms the emotional intensity of one very important scene.

Perhaps the film hammers its themes a little too relentlessly, but it's easy to forgive a film that has this much heart. Given the right distribution I think this film will go on to great international acclaim, and strong box-office. Another Aussie classic to treasure!