El ojo

About three months ago, I was paging through cable and found a film that looked intriguing. After watching for about five minutes I had the pants scared off of me, so, being the complete wuss I am, I turned it off. Curiosity made me want to go back to it, of course, so about twenty minutes later I got up the guts to turn it back on. After about two minutes, I was full on terrified, and turned it off for good. I told some friends about this film, and all seemed intrigued, mainly because of the scare factor, so this weekend we got around to finally watching it. That movie of course, was the Pang Brothers' "The Eye", a film that ended up being something completely different than what I was expecting.

In "The Eye", Wong Kar Mun (Lee) is a young blind woman who gets a corneal transplant. Soon after her operation, as her eyes are adjusting, she begins to see some pretty scary images; shadowy black figures hanging around people who later die, dead people themselves, and her room keeps doing a pesky trick where it changes on her as she's looking at it, furniture and all. Her doctor, Dr. Lo (a really young looking Edmund Chen) doesn't believe her at first, but then realizes that there may be some merit to her claims, so they go in search of the donor in order to find out what history her eyes' previous owner had, and what kind of baggage Wong Kar Mun has to deal with now.

Based on my first impressions of the film, I was actually expecting a big scare fest like "The Grudge"; short on story, big on scares. What I actually realized is that the two parts that I briefly watched were actually two out of the three genuinely scary parts of the film. (The elevator scene was enough to make me take the stairs today at work, seriously.) The rest of the film is certifiably creepy, but there is actually a decent story to support those creepy parts. "The Eye" has no doubt been compared to "The Sixth Sense" in terms of theme, but it is also similar in substance as well. Even without the scares, the film would be able to stand on its other merits. Some of the special effects in "The Eye" were kind of cheesy (basically Sci-Fi channel made-for-cable television caliber) and in typical Chinese film fashion, the music was horrible, but all told, it is a decent film.

After doing a little reading on the film, I saw that Tom Cruise's production company bought the rights to the film and are planning a remake. I'm not very educated on Asian horror films and their American remakes, (yet) but I think I would see it just out of mere curiosity, because I would imagine that they would take this relatively small film and mess with it to make it "bigger". "The Eye" is definitely worth checking out because while it definitely scared the pants off of me a couple of times, the rest of the film was really was worth sticking around to see how it all would end. 6/10 --Shelly

There are already several comments left, but what the hey, I liked this movie and I'm gonna have my 10p worth.

Before I mention the movie itself, I'd better comment on modern Asian movies that reach Western shores, and the fact that they have different pacing, priorities and styles to what you would see at the cinema. The fact that a lot of people don't 'get' the parts of this film which seem to have no relevance is probably as much due to the difference in culture more than any wrongdoing on the production team's behalf. The same can be said for a lot of Hong Kong comedies, the 'humour' which would probably illicit a wry laugh back home flies miles over everybody else's head.

In that sort of circumstance, I've developed a good trick, I switch-off trying to figure out what all these little hints and gestures mean and concentrate on the character interactions and the scares. I've had a lot of practice, Western cinema in recent years has been guilty of 'rambling', and they've got no such excuse as 'cultural differences' ;)

Anyway, the movie! (good grief!), the plot's already been explained and probed, so I won't go into that. What this film has is a constant 'pressure', a claustrophobic atmosphere which persists regardless of the location. Clever camera work afoot! The palpable distance which the heroine feels from her family and the people around her (perhaps a symptom of not being able to communicate non-verbally with them so long? Perhaps not, but it's there) is always there too. You get the impression that she could be surrounded by a crowd and still walk alone from one side of a city to the other.

The smaller roles are played out very nicely, great acting considering the film concentrates almost solely on the two main characters.

The ending is a little bit of a let-down, predictable and not entirely 'working'. But, BUT, it isn't a catastrophe which ruins the film, which I'm sure you'll know what I mean. The ending of a film is what you're left with when you switch off the TV, and if it's bad, then so is the film.

This movie is the only one in recent years which actually gave me a start, and that's something. Real horror isn't about dripping guts and hooks with heads on them, it's about the unexpected, it's about being confronted with something terrifying, something which makes you wish the character was elsewhere. In order to achieve that, you need to give a damn about the character in the first place, which is where 90% of cheap horrors fall down. Not here, the characters are likable and have a little childlike innocence about them, you want to get in there and slap the more unpleasant visitors :P

All in all, I very much enjoyed watching this film, and intend to buy it when I find it for a pittance (almost all DVDs can be found for the right price at one time or another, shop around and ask people where they get their bargains). I would heartily recommend renting before buying, however. As several have mentioned already, there are several elements of this film which seem to have been deliberately copied from recent films such as Sixth Sense. If that prospect leaves a sour taste, I'd look elsewhere, but everyone else who hasn't had enough of all that yet should certainly have a look :D

Thanks for reading.

Wong Kar Mun went blind at the age of two, 18 years later she undergoes a cornea transplant that appears to be a success. Unfortunately that success comes with a terrifying side-effect; the ability to see unhappy ghosts.

Gin Gwai (The Eye) is directed by the Pang brothers Oxide and Danny and stars Angelica Lee (Mun) and Lawrence Chou (Dr.Wah) as the two main principals.

No matter what source of reference you use for film reviews, one thing that can be guaranteed as regards Gin Gwai is how divided people are on it. One of the few things that most tend to agree on though is that it's visual flourishes are nothing short of fantastic. And they are. Blended with the editing, music, sound, camera-work and the effects, it therefore fuels the fire of those calling it style over substance. It's also fair to drop onside with those folk decrying the over familiarity with its central themes. If you have seen Irvin Kershner's The Eyes Of Laura Mars, Michael Apted's Blink and M. Night Shyamalan's The Sixth Sense, well you wont be watching anything thematically new here. But the Pang brothers have crafted a thoroughly engrossing, menacing and nerve gnawer of a film, one that delivers chills and scares for the discerning horror sub-genre fan.

Here's the crux of the matter with Gin Gwai, it is the opposite side of the Asian horror coin to the likes of the blood letting Audition. This is pure and simply for those not in need of murder death kill to fulfil their horror needs. I was creeped out immensely by this film because the ghost and supernatural side of horror is what really works for me, as long as it is done effectively. To which Gin Gwai most assuredly is. The various scenes shift from ethereal unease to hold your breath terror, from classrooms to lifts, to hospital wards, the brothers Pang, with beautiful technical expertise, held me over a precipice of dread. Even the opening credits are inventive and have the ability to send a cautionary shiver down ones spine. There's a barely formed, and pointless, romantic angle that marks it down a point, but as the blistering (literally) last quarter assaults the senses and so does the time for reflection arrive. Gin Gwai ends up being one of this decades best horror pictures. Well to me at least. 9/10

The main issue with this is its ending. Its last third makes it into a mystery rather than a thriller, and though the backstory is great and "works", the resolve feels awkward... and it is. Maybe they didn't have any solid ideas for how to close it. Once it does reach its conclusion, it uncomfortably transforms into Final Destination and tries to wow us, becoming bombastic and out of touch with everything that precedes this portion. Still interested? I'm relieved to hear that. You see, that's really the only outright negative thing I can say about this. It's immensely creepy, beginning so right from the start(seriously, that credits sequence... if I'd watched this at the cinema, it would have sent severe chills down my spine). Lee portrays a blind person extremely convincingly, and this puts us inside her head some, through the editing and cinematography(which is all really well-done and fits, with carefully chosen angles, selective distortion, etc.). I have not caught a lot of Asian horror, because I'm not big on ghosts(and they are; their films about them are, thankfully, sophisticated and not crude, the way the mainstream Western ones tend to be), and, well, there are cultural differences, and I find that it distracts me from taking in the picture. Subtitles don't bother me(I vastly prefer them to dubbing). Anyway, they are growing on me, and what I have noted is the strong focus on the senses, and on the ability to "see" the other side, where spirits and demons are believed(in Japan) to live. The approach to terrifying us is subtle(as are most of the FX, and those are excellent, other than the handful that are somewhat crappy), building up gradually, using atmosphere and mood, seldom going for jump-scares. The sound-side is quite important, and it is skillfully done. There are a few clichés(and brief shameless product placement), but on the whole, the writing is good. The characters are credible, and the main one is affable, and her relationship with Ying Ying sweet. This also fits in what too many in the genre neglect... genuine emotion, impact that does not have to do with the monsters. It is actually partially a drama, and it provides food for thought(as well as cheese and corn). This was on sale with its direct sequel and the American remake. I'll be reviewing those two, in that order, the next two days. This one sets the bar fairly high. There is a bit of disturbing content and brief violence in this. I recommend this to any fan of this type of movie. 7/10

Even the website of this movie gave me the creeps. And it turned out to be one of the scariest movies I've seen in a while.

We follow the touching story of a young Hong Kong girl, blind from her earliest years, who undergoes a cornea transplant. After softening us up with lots of nice sentiment, the horror kicks her new found sight brings its own macabre rewards. Snappy editing and a well-timed score heighten the horrors that pack nanchuka punches to the guts. About a third of the audience was cowering behind their hands for the last half. In an age when American horror flicks are starting to look weary from over-use of CGI special effects or are toned down by self-censorship to reach a wider audience, The Eye comes in as a deftly woven real cardiac-stimulation shocker.

Sadly, the fact that it is subtitled limits the potential audience as many people simply refuse to go and see foreign language films until they have been genuinely moved or terrified by one. If you like horror movies and want to experiment, this is a good chance, and one of the best in the genre since the little shown Audition earlier this year.