Tr3s pesadillas

Actually made before the more popular 3 Extremes, but released afterward in most of the world. These three directors are less bankable than Takashi Miike and Chan-wook Park, though Ji-woon Kim does have A Tale of Two Sisters under his belt. Plus, it's much weaker. 3 Extremes, in my mind, is maybe the greatest horror anthology ever made, so this one has a lot to live up to. It begins with Kim's "Memories", which has some familiar Asian ghost story elements, but concentrates more on the images and moods than actual plot. In fact, the plot is fairly incoherent, though, after having seen the whole thing, it's easy enough to piece together what exactly is going on. I liked it quite a bit. Nonzee Nimibutr from Thailand comes next with "The Wheel". It's also a film that relies more on images than the story, which is about cursed puppets. The images are pretty, but the short is kind of lame. It's not terrible, but it's definitely the low point of this anthology. And then we come to Peter Chan's contribution, "Going Home". This one is the reason to watch this film. Gorgeously shot by master cinematographer Christopher Doyle, it's about a cop and his son who move into a new apartment building. The boy is annoyed by a small, creepy girl who lives across the way, and one day he disappears. While looking for his son, the cop discovers that the neighbor whom he thought was the girl's father is involved in some weird stuff. This one is just outstanding - and completely emotionally draining - and it gets better the more I think about it.

Three is an omnibus supernatural horror film comprised of three one-hour long mini-features. Each one was produced in a different country, Peter Chan representing Hong Kong, Kim Ji-Woon representing South Corea, and Nonzee Nimibtr representing Thailand.

The opening film, Kim Ji-Woon's "Memories" follows two individuals as they grapple with seemingly missing memories: a man who's wife is missing and a woman who's trying to figure out who she is. The work actually foreshadows a lot of what will eventually show up in Kim's following feature, A Tale of Two Sisters, which I really liked. While the film does feature a number of eerie moments, it also suffers from a lack of a strong story. There's not much to its revelation and the characters are fairly static. To its merit, it's probably the most technically proficient of the three films and certainly the scariest.

The second piece is Peter Chan's "Going Home" and this is probably the best overall of the bunch. While its production values are actually the roughest of the three, the story is probably the highlight of the three. The story is divided into two segments, the first where a cop and his son move into an aging complex where few people live and is seemingly haunted. The second, the cop grapples with a seemingly mad homeopathic doctor who is appearing to pursue the resurrection of his dead wife. The film grasps well its theme and the story has a few interesting revelations to provide while also having something to say about the power of love/hope.

It's not a scary piece for the most part, but despite the production values, the direction appears sure and makes great use of its setting and limitations.

The final film is Nimibtr's "Wheel", which is about an arts troupe grappling with the curse of an evil puppet. This is probably the weakest segment. While it does have some good imagery to offer, the story is confusing, aimless and the scares are without method or meaning. Some of the visuals are chilling, but because of the rather slapdash and sometimes illogical story, the overall effect of the piece is muted.

All in all, I have to say that Three isn't a complete waste of time due to the solid piece by Peter Chan and the stylish opening act. On the other hand, it's weakened by the third piece and while the three do try to take on the same overall concept, they seem to be too divergent to really make a cohesive whole, with Nimibutr's "Wheel" really on a different plane than the other two. Probably better viewing for genre lovers of horror or supernatural films and perhaps for more curious cinephiles, but I don't see that it's going to be particularly impressive for anyone else. 6/10 for Memories, 8/10 for Going Home, 4/10 for Wheel. 6/10 overall.

Note: The US release of this film changes the order of the films around so that it opens with Memories, then goes to Wheel and closes with Going Home. I'm not certain how the Hong Kong and Thai versions of the film orders the three; I watched the Corean version.

The Asian anthology movie "The Three ", in which three directors from three different countries ( South Korea/Thailand/Hong Kong ) craft individual tales unrelated & wonderful !

A)- The 1st anthology from South Korea (( Memories )){40 minutes} by "Ji Woon Kim" where he presents segment of mystery that try to be so scary . - He's the same director who's presented to us on 2003 , Korea's No.#1 Horror Movie (( A Tale Of Two Sisters ))

*Abu Jarrah's Rating 4/5

B)- The 2nd anthology from Thailand (( The Wheel )){36 minutes} by "Nonzee Nimibutr" who presented his big budget for the ghost story in his well-known film "Nang Nak" inside his segment he's presented an tale of cursed Doll .

*Abu Jarrah's Rating 3/5

C)- The 3rd anthology from Hong Kong (( Going Home )){53 minutes} by "Peter Chan" is the most powerful segment in anthologies .

Who the produced of the famous Hong Kong horror movies as " The Eye 1 & 2" he also produce of "The Eye" remade , and he's the same who directed the pretty romantic first-love film "Comrades: Almost a Love Story"

*Abu Jarrah's Rating 5/5

By the way: There's another version for this segment "Going Home" called [Going Home : Director's Cut] It contains eight minutes of extra scenes not included in the original release ! [61 Mins] (to the best of my knowledge)

After watching the original 3 EXTREMES, one might expect the so-called "sequel" 3 EXTREMES II to be as, or even more unsettling, gory, or terrifying.

Is it?

Well, not really. While the first film was refreshingly bizarre and somewhat revolting in spots, this follow-up is rather mild with fewer shocks or gross-out story lines. It's also far more concerned with the supernatural than its predecessor.

The three stories involve ghosts, curses, and reanimation along with some dismemberment and murder. All three tales are good. Just don't expect another thriller full of disturbing subject matter and stomach-turning revelations...

After the vast success of "Three Extremes" three other Asian horror savants (South Korea's Kim Je-Woon, Thailand's Nonzee Nimibutr, China's Peter Chan) stepped up to the plate to deliver us a successor.

The original had three tales of distinct horror methods--one of gross-outs, one of violence, and one of psychological maiming. "Three Extremes II" however, seems to have a common theme about all three which is the voyage of the afterlife.

Due to atmospheric and thematic similarities I found the stories a little less engaging when viewed back-to-back. Perhaps this could've been that the first two films of the movie (the first especially) were rather uneventful.

Starting chronologically, the short "Memories" by Kim Je-Woon is South Korea's entry into the anthology. It starts with promise as it shows a man presumably sleeping on a couch and very gradually pans closer and closer to him. Then it shows us more of the room he is in, and immediately Je-Woon strikes a nerve of undeniable creepiness with a huddled women rocking to and from in a corner. This sense of uneasiness quickly dissolves as the story progresses. Nothing really happens throughout. Like I said above it was uneventful--sure people are talking (though there's an odd lack of dialogue in "Memories"), sure they're walking and driving around trying to discover a mystery, but it's a mystery most viewers have probably solved. There's also a woman who seems to have lost her memory, but almost immediately I put two-and-two together and figured out her connection with our main character. Je-Woon uses rather cheap shock-tactics like sudden movements and sharp music to make us jump. Its unfortunate Kim Je-Woon's entry was so weak narrative-wise and predictable story-wise, because he is the director of one of my favorite movies ever "A Tale of Two Sisters". I went in hoping for something exquisite from him but got a rather generic story. I do not dislike the movie, because it does have its pluses like solid acting, beautiful camera-work, and the cutest child you'll ever see in any movie, but I cannot say I liked it either because there was so little story. All-in-all, Kim Je-Woon's "Memories" is forgettable, shiny, and predictable--nothing more than you'd expect from one of Hollywood's J-horror remakes.

The middle segment on the disc is one of Thai origins called "The Wheel" from director Nonzee Nimibutr. Being only briefly acquainted with Thai horror, I found myself excited to see what Thailand had to offer. Many reviews claim this to be the flimsiest entry, but I have to disagree. I think most of "The Wheel" was lost in translation because it is a piece so close to Thailand. It's a cultural short involving Thai beliefs that we North American viewers simply cannot grasp--or at least not appreciate fully. That being said, I personally loved the cultural experience of watching "The Wheel" and felt almost like it was a documentary of rural Thailand. The set design is beautiful and exotic; the costumes and puppets are breath-taking and unique; the entire piece rings with foreign flavor, and was a nice contrast to "Memories" which could've been copied and pasted into any country's film. That being said, while it dealt with horror (spirits, possession and vengeance) it didn't feel like a full-feldged horror. The very opening is chilling but like "Memories" it fades to black rather quickly. Unlike "Memories" I found myself interested by the foreign aspect and the beauty of the setting, from the murky lagoon to the unique houses to the vibrant costumes. The acting throughout is rocky--there's a few actors who deliver questionable performances, and that is probably my biggest qualm with the film. Aside from that it had a very redeeming ending, and in more ways than one.

The closing piece is absolutely and without question my favorite of the three, and probably my favorite out of the original three as well. I think the DVD editors placing Peter Chan's "Going Home" last was strategy, as they started with the most feeble and the "Going Home" segment is powerful enough to make you forget about "Memories"'s weakness and leaves you with a very positive feeling after watching. Had they reversed the order, the haunting touch of "Going Home" wouldn't have survived through the end of "Memories" and my review would be two starts instead of three. That may sound ridiculous but it's all too true. The story starts with a single father and his son who are moving into a new complex, one that looks decrepit and neglected. This dirty setting is awesome for capturing what will happen later. Chan's direction then switches from the father-son relationship and to a much more aberrant relationship concerning a rather shoddy character we're introduced to through the young son and a wife who is seemingly long-dead. This is a ghastly, provocative, touching story of requited love and the testing of lengths one will go through for that love. I will not delve any further into the story--discover this gem on your own. If anything this DVD is worth the $15 for this piece alone--I wish it could've been a feature length film.

Overall, "Three Extremes II" doesn't succeed as horror but are an excellent trio of chilling dramas. It was a disappointing follow-up to "Three Extremes" but the two shouldn't be compared because they are different films with different messages. I picture only a fan of Asian horror liking this DVD, so if you're new perhaps go with something more user-friendly before diving into this piece.

6.5/10