El crimen del padre Amaro

Based on an 1875 Portuguese novel by Eca de Quieros, The Crime of Father Amaro, the new film from director Carlos Carrera, has been updated to modern Mexico. As it opens, Father Amaro (Gael García Bernal) comes to Las Reyes for his first assignment. He starts out as an idealist, showing kindness to a fellow bus passenger whose money is stolen during a holdup, but when he arrives at the parish, he quickly caves in to the established order.

Father Benito (Sancho Gracia) is his superior, and his main project is the building of a hospital, orphanage, and rest home. It is soon learned that Benito is having an affair with a local café proprietor Sanjuanera (Angélica Aragón) and has taken money from the area's major drug lord to finance the hospital. Benito is also a vocal opponent of the "good" priest, Father Natalio (Damían Alcázar) whose support of the peasants and their guerilla revolution stirs resentment from the church hierarchy.

When a reporter for the local paper is given photographs of Father Benito at a baptism with the drug kingpin, he writes an article alleging that the hospital is a front for laundering drug money. The bishop urges Father Amaro to write a rebuttal (i.e., a cover-up) in the paper saying that the funds came only from the church. Amaro then has an affair with the reporter's ex-girlfriend, Sanjuanera's young daughter Amelia (Ana Claudia Talancón), and in an awkward scene, the priest drapes her in a blue robe that has been designed for the local church's statue of the Virgin Mary. "You're more beautiful than the blessed virgin," he tells her. The result of this liaison is a scandal that rocks the church.

The Catholic Church has called for a boycott of The Crime of Father Amaro on religious grounds. Personally, I'm more concerned with its artistic transgressions. The film provides little insight into the conflicting pressures that priests face in today's world, and the characters are shallow and uninteresting. Given recent headlines about sexual abuse, this issue could have been the focus for an important film, but Carrera hits us over the head with his message so often that the film ends up as manipulative melodrama, light years away from the subtle ironic thrusts of a Buñuelian sword.

This "modern" adaptation from the classic novel written by Portuguese writer Eça de Queiroz in 1875 is very disappointing. The daring and exquisite novel was turned into a Mexican melodrama. Gael García Bernal ("Amores Perros", "Y Tu Mamá También", "La Mala Educación", "The Motorcycle Diaries") is a talented actor, but even his charisma couldn't conceal the flaws of the movie.

Eça de Queiroz is a very esteemed writer at Brazilian schools, and his importance for Portuguese Literature is incontestable; he deserved more respect. I just can't understand why this "El Crimen del Padre Amaro" was so praised by most critics. Anyway, it's sad to see that such a strong book was so poorly adapted. It isn't horrible, but could have been too much better. 4 out of 10.

"One of the most controversial films ever made"? NO WAY!

The release of the film THE CRIME OF PADRE AMARO caused about as much of an uproar in Mexico in 2002 as the publication of the novel, written by Jose Maria Eca de Queiroz, caused in 1875. With its dangerously intertwining themes of spiritual ecstasy and sexual passion, it's not hard to see why. At the heart of the story is a young priest who wrestles in a major way with the tempting hungers of his body and the grace-filled yearnings of his spirit. It does not help that, to pursue his vocation, he is sent to a town sustained by a culture of corruption.

One thing actor Gael Garcia Bernal does not know how to do is give a bad performance, and in the movie's title role he captures brilliantly all the agonizing ambiguity that comes with being a young adult male intent on asserting his masculinity while also serving the spiritual needs of his community. Unfortunately, his happily deluded demeanor meets with an equally intense personality in the form of Amelia, a devout young devotee acted with mesmerizing perfection by the gorgeous Ana Claudia Talancon. Amelia idolizes the young priest as a true and noble holy man whose sexuality is made sacred by his presumably pure soul. He in turn dares to drape her in a cape reserved for representations of the Madonna and recites to her from Solomon's "Song of Songs" as they seduce each other. Controversial? Better believe it.

As in the film THE HEALER (please see companion review) "The Crime of Padre Amaro" depicts sexuality and spirituality as equally powerful forces of attraction capable of producing very different results, which will not be revealed here. The outcome in "The Crime of Padre Amaro" is shocking in more ways than one and well worth contemplating for a long time.

by Author-Poet Aberjhani, author of "Christmas When Music Almost Killed the World"

I enjoyed this movie, not because it was gripping or exciting, but because of what it had to say.

I'm not completely aware of everything to do with the Catholic Church, but the controversy in this movie is a necessary one.

I've never seen a Gael Garcia movie before and I thought this was good. The most powerful part of the movie is what it leaves you with - the message at the end; the themes of confession, of sin, of mistakes, of being human.

If you can't watch something that is quite slow and is not edge of the seat stuff, then forget it. Even the music isn't very memorable. But the movie stuck in my mind.

Crimen del Padre Amaro

The film Crimen del Padre Amaro is set in Los Reyes, Mexico in 2002. In Mexico by 2002, a continuing economic, political, and social crisis was spiraling deeper and deeper. The chaos was caused by a debt problem and the system of dependent capitalism the debt produced. "Between 1994 and 2000 average wages declined 21 percent" (Keen 317). By 2002, Mexico had become more and more dependent primarily upon the United States, its foreign export, and its investment-capital markets. Despite these setbacks, Mexicans always had something to fall back upon and to look to for support: the Catholic Church.

The Catholic Church is the main focus in the movie Crimen del Padre Amaro. There are no specific events that occurred within the movie that occurred in real Mexican history; however the events that do occur are believable and likely happened. Within the film, Padre Benito is taking money donations from a local drug lord to help fund a new hospital. Since there are many drug lords in Mexico it is not unbelievable that two of the most powerful groups in Mexico are the drug lords and the Church officials. It makes sense that they would overlap at some point, however I am sure that this scenario does not occur in all areas of Mexico. The director could have made it a little clearer that the drug lord was an actual drug lord; it was a little confusing with the mayor and the drug lord to keep each person separate. Another point of corruption within the Church is the fact that both Padre Benito and Padre Amaro have sexual relations with females despite their celibacy vows. This is not surprising at all, since it has become public knowledge that many Catholic priests have had sexual relations with people in recent years. The director could have shown more of the economic crisis and guerrilla warfare situations more, because they were a little confusing if one did not know or look into what was going on in Mexico in 2002.

The film is well made and attention-grabbing. The plot is a little confusing at first, as most movies are, however it all becomes much clearer and focused as the movie continues. In the beginning of the movie, Padre Amaro is seen as the good guy, who everyone wanted to succeed; however, by the end of the film, I looked upon Padre Amaro with complete disgust. Ironically, Padre Benito, I felt, was a horrible, corrupt priest in the beginning, and by the end I liked him much more than ever before. Padre Amaro was so young and yet he ended up being the most selfish and corrupt of all the priests in the community. Crimen del Padre Amaro is a very interesting film that is entertaining and worth watching to see what modern-day rural Mexico is like.

The film Crimen del Padre Amaro shows an interesting outlook of the Catholic Church and the corruption that exists within the Church in Mexico. It is very gripping and definitely worth watching. Although there are parts that can be confusing, it is fascinating to see how rural and "backward" parts of Mexican life can be. I would recommend viewing this movie and on a scale of 1-10, I would give it a 7.

Works Cited: Keen, Benjamin and Keith Haynes: A History of Latin America. New York: Houghton Mifflin Company, 2004.