Late Summer

What a fantastic coming of age film. David Otterhouse created a short masterpiece of the beautiful relationship between a young boy and his older teenage cousin. Chris Nee did a wonderful performance creating a genuine sense of caring and love for his younger cousin. David Otterhouse captured a time and innocence of being 17-18 years old as seen through the eyes of a 12 year old. The era was captured well, the Boston accent added much. A beautiful representation of real true love with no sexual innuendo. Magnificent.

I would recommend the short movie for anyone to see. I was touched. Thanks David Otterhouse.

This is listed as Chris Nee's last movie, made in 2001. Does anyone have any idea what happened to him? Just on the evidence in LAST SUMMER, I'd say he's a major talent. I just got a message telling me that my comment is not long enough. Is there a place to ask questions like mine, which hardly requires 10 lines? Just a word about LAST SUMMER. There is tension here provided by the dread that this is going to be a movie about child molestation. It is actually about child maturation. The relationship created by Nee's performance is one of profound love and nurturing without a hint of sexual misbehavior. The ending feels like the end of the young boys hopes for a sane and happy life, given the behavior of the parents, but the impact Nee's character has is so strong, the boy becomes much more than we might have expected in the beginning. A lovely movie.

There are many gay-themed films which harken back "to that time when I was 12..." Most are very poor at recapturing the feel or look of "the era," and terribly written and acted at that.

This film is not one of them. Indeed, if you don't walk away from this film changed, heartbroken, and yet full of a renewed commitment to living life, you have no heart at all. The film is both heartbreaking and affirming. The story is a simple tale of a photographer's life as a young teen just beginning to feel the stirrings of his sexuality. Sent to live with an aunt and uncle, he is profoundly influenced by his free-spirited, "carpe diem" older cousin who teaches him confidence, restores his self-esteem, and infuses him with a sense (to adopt Russell Baker's theme in "Growing Up") of competence in life. And then everything changes in an instant -- an instant captured by the young photographer's first photograph. I walked out of the theater changed by this film. That is perhaps the best definition of good cinema. David Ottenhouse has written and directed an outstanding film. His cast is astounding, capturing every nuance beautifully (including a perfect Dorchester accent!). The film's technical accomplishments are head and shoulders above those of most short (and gay short) films. This is a treasure that every cinephile should own.

or touching or impressive. for its convincing simplicity. for the silence who complete the dialogues. for the science of David Ottenhouse to do, in right manner, a film of states. because it is about only about a meet. almost magical. between two cousins, a summer, discoveries and meaning of life. and, sure, about the best picture ever. because behind it is the end of childhood who becomes one with the late summer. a simple and intense, delicate and powerful film. generous and tender and the right tool for reinvent the flavor and images and sounds of an unique age. and nothing more. because all is well known, by each viewer, in profound manner. the film has the the virtue only to remind that.

On the eve of the opening of his first gallery show, a photographer remembers that special summer that he spent with his somewhat older cousin, the feelings that were awakened, and the unexpected turn of events behind his "best" photo.

This picture may be a short but it contains a lot of true moments. Having been at about the same age as the young man in this film, the memories that the film-maker shows, re-awoke a few memories in me as well.

The image of the older cousin in those then-hip now-hideous, calf length athletic socks... That image alone made this film worth while.