CALIFICACIÓN DE IMDb
7.6/10
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M llega a Helsinki y es brutalmente atacado por matones y declarado muerto por los médicos. Revive pero sin recuerdos de su pasado ni de su identidad. Reconstruye su vida desde cero, pero el... Leer todoM llega a Helsinki y es brutalmente atacado por matones y declarado muerto por los médicos. Revive pero sin recuerdos de su pasado ni de su identidad. Reconstruye su vida desde cero, pero el pasado acaba alcanzándole.M llega a Helsinki y es brutalmente atacado por matones y declarado muerto por los médicos. Revive pero sin recuerdos de su pasado ni de su identidad. Reconstruye su vida desde cero, pero el pasado acaba alcanzándole.
- Nominado a 1 premio Óscar
- 21 premios ganados y 27 nominaciones en total
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I've watched this twice now, and throughly enjoyed both viewings, finding this film to really be a unique one. It's a Finnish film, which is unusual to start with, at least here in the U.S. because we don't see too many films from Finland. It's a black comedy, meaning deadpan looks with subtle comedic lines. In English, it's titled "The Man Without A Past."
The main actor, Markuu Peltola, is perfect for this movie with one of the most deadpan faces you'll ever see. He is amazing to watch and Kati Outinen, as his love interest, is similarly strange and fascinating. Part of their charm are their unusual looks. This is not a romance between people who look like your normal handsome film stars.
Simply, this is just something very different from anything you've seen, a combination of drama, comedy and romance with some of the strangest dialog I've ever heard on film. If you appreciate dry humor and a bizarre but touching story, you should see this.
The main actor, Markuu Peltola, is perfect for this movie with one of the most deadpan faces you'll ever see. He is amazing to watch and Kati Outinen, as his love interest, is similarly strange and fascinating. Part of their charm are their unusual looks. This is not a romance between people who look like your normal handsome film stars.
Simply, this is just something very different from anything you've seen, a combination of drama, comedy and romance with some of the strangest dialog I've ever heard on film. If you appreciate dry humor and a bizarre but touching story, you should see this.
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Whoever has seen any of Aki Kaurismäki's films might agree that they are all but mainstream. Nevertheless, the story itself doesn't have to be too complicated. In this case, a man completely loses his past in a shockingly violent way, and he rediscovers life again in an environment of bums who sleep in containers. The good thing I found about this movie was: No romanticism of misery, no enlightenment of the tortured hero, no sob-stuff love story, no superfluous, aloof intellectualism at all. At least not in an obtrusive or overly serious way. But in a way that it sometimes shocked me , sometimes made me laugh, sometimes grin. I was never bored. And as I made it to Finland for the first time in my life a few weeks after seeing this movie - I found everything to be amazingly authentic.
A remarkable film that definitely moves into my shrine of the best 50!
A remarkable film that definitely moves into my shrine of the best 50!
This is the first Aki Kaurismaki film that I have seen and it is the second film in a trilogy. I definitely want to see the first one now and I plan on seeing the third whenever it comes to my neck of the woods. Film is a very simple story of a man (Markku Peltola) who while waiting for a train goes to a park and falls asleep on a park bench. Three thugs come along and beat and rob him. He is so beaten that when he wakes up in a hospital he has amnesia. We never do find out his name! He leaves the hospital and has no where to go. A very poor family living in a metal container take him in and try to help him. He goes to the Salvation Army for free food and an opportunity to work small jobs and its there that he meets Irma (Kati Outinen) and is attracted to her. The film follows this man as he romances Irma and works odd jobs. Its all presented in a very dry and droll comedic fashion. All the characters are very emotionless no matter what the circumstances are and in some ways its reminiscent of the films that Jacques Tati use to make. In one scene in a bank a robber enters and shoots a broken security camera and the teller and our protagonist all act very calm and very polite. At the heart of this film is even though the characters are very quiet they are very helpful of one another and seem to care for each other. I have heard that all of Kaurismaki films are like this and its been nicknamed "Aki's world". Kaurismaki is a very unique filmmaker and the way he presents his characters is in contrast to the bleak area that they live in. Even though the film and the characters are laid back in their attitude, the romance between the man and Irma shouts of passion. Their affection and fondness for one another doesn't need words. It rings loud and clear!
This Finnish film may not be for everyone. Though nominated in 2002 for an Oscar for best foreign film, I don't think it got much play in the US. It's a quiet movie about a guy who is beaten in a park in Helsinki right after getting off a train. The hospital thinks he's dead, but he staggers out, gradually recovers, and can't remember a thing. He meets a number of people, most of whom help him in some way or another. He meets a Salvation Army woman and a relationship develops.
It's hard to describe this movie. The dialogue is often funny, but delivered absolutely deadpan. There is no excitement, but a rich development of story and relationships through incidents that happen to the lead character or that he causes to happen. The two leads, Markku Peltoa and Kati Outinen, are adults and look it. There's no Hollywood handsomeness about either of them. The structure of the movie is a gem of economy. One scene ends and the film moves briskly on to the next scene. No extended, unnecessary character development. No superfluous dialogue. It may sound pompous, but this movies creates at the end a nice feeling of mature contentment.
It's hard to describe this movie. The dialogue is often funny, but delivered absolutely deadpan. There is no excitement, but a rich development of story and relationships through incidents that happen to the lead character or that he causes to happen. The two leads, Markku Peltoa and Kati Outinen, are adults and look it. There's no Hollywood handsomeness about either of them. The structure of the movie is a gem of economy. One scene ends and the film moves briskly on to the next scene. No extended, unnecessary character development. No superfluous dialogue. It may sound pompous, but this movies creates at the end a nice feeling of mature contentment.
This film is about as fast paced as Finnish films get, I guess. Don't look for a lot of facial expressions and a lot of overt body language because you ain't gonna get it. The film moves slowly like a Saami joiking in the sauna but it wonderful to behold with each deliberate step it takes. The characters may seem a little stiff to those of us unfamiliar with the inscrutable Finns but the great Finnish reserve which overlays the story line is tweaking at our whiskers at every shuffle forward in the story. It is really amazing that we have not seen other Finnish works before. This kind of off-the-wall story which has a wonderful basis of humanity underneath the more real than life characters clustered around a site with little or no conveniences of modern living in their sea container households. The odyssey of M who wanders through his voyage in search of himself only to be reconciled not with his long suffering and long awaiting Penelope but with a frustrated but good-hearted Major Barbara.
There are lots of puns visual and otherwise with the threads of incompetent cops, doctors, nurses, employment office workers interwoven with a comical wannabe bad-guy overseer, a rock'n roll Salvation Army band, a torch-songstress SA Major and the philosophical hero who honestly can't remember.
Check this one out without fail. It's pure fun...but just don't expect it run along at breakneck speed ala Hollywood...!
There are lots of puns visual and otherwise with the threads of incompetent cops, doctors, nurses, employment office workers interwoven with a comical wannabe bad-guy overseer, a rock'n roll Salvation Army band, a torch-songstress SA Major and the philosophical hero who honestly can't remember.
Check this one out without fail. It's pure fun...but just don't expect it run along at breakneck speed ala Hollywood...!
¿Sabías que…?
- TriviaIn the bar scene there is a portrait photo of Matti Pellonpää on the wall. He played in numerous Kaurismäki films before his sudden death in 1995.
- ErroresThe Helsinki railway station's extension roof is clearly visible at the opening scene, but it hadn't been built yet in 1996 (the year can be read from the newspaper).
- ConexionesFeatured in Matka suomalaiseen elokuvaan: Naurua pimeässä (2006)
- Bandas sonorasDo The Shake
Performed by The Renegades
Music & Lyrics by Brown / Gibson / Johnson / Mallett
Published by Warner / Chappell Music Finland
(P) 1964 Scandia / Warner Music Finland
Licensed courtesy of Warner Music Finland
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- How long is The Man Without a Past?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- The Man Without a Past
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- FIM 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 921,847
- Fin de semana de estreno en EE. UU. y Canadá
- USD 23,281
- 6 abr 2003
- Total a nivel mundial
- USD 9,564,237
- Tiempo de ejecución1 hora 37 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the Canadian French language plot outline for El hombre sin pasado (2002)?
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